TV movie "Triptych of love" was created by short stories by famous Slovak writer Ladislava Nádaši - Jégeho. Historical themes in his works have an ambition to bring over to look attractive environment and time bygone era strong dramatic stories and exciting human destinies. Renaissance short stories from the collection "Italy" are a variety of views from different backgrounds, linking theme of many forms of love, its tones and semitones, from bitterly ridiculous after tragic. Screenwriter Ján Števček that dramatically processed three Jégeho stories.
Mathiou (segment "Lissote alebo Východ slnka")
Neri (segment "Annalena alebo Poludnie")
TV movie "Triptych of love" was created by short stories by famous Slovak writer Ladislava Nádaši - Jégeho. Historical themes in his works have an ambition to bring over to look attractive environment and time bygone era strong dramatic stories and exciting human destinies. Renaissance short stories from the collection "Italy" are a variety of views from different backgrounds, linking theme of many forms of love, its tones and semitones, from bitterly ridiculous after tragic. Screenwriter Ján Števček that dramatically processed three Jégeho stories.
1980-01-01
1
Young Jeremiah lives in a stable environment with loving foster parents until the day his troubled mother, Sarah, returns to claim him. Jeremiah becomes swept up in his mother's dangerous world of drugs, seedy hotels, strip joints and revolving lovers. Salvation comes in the form of the boy's ultrareligious grandparents, but soon Jeremiah's mother returns. Maternal love binds the pair together on the road until Sarah's desperate and depraved lifestyle finally consumes her.
Soon to be a father, Mark feels the pressure of domestic responsibility closing in, so he is more than happy to accept when his old friend Kurt proposes a camping trip in the Oregon wilderness. During their time together, the men come to grips with the changes in their lives and the effect on their relationship.
A strange mortician tells four horrific tales to three drug dealers that he traps in their local funeral parlor.
Wasteland is a five-part anthology film that deals with isolation, mental illness, and the subjectivity of reality. Each of the five parts can be watched individually, but when viewed in sequence, each story brings out a more interesting and distinct context to its respective pieces.
Five O. Henry stories, each separate. The primary one from the critics' acclaim was "The Cop and the Anthem". Soapy tells fellow bum Horace that he is going to get arrested so he can spend the winter in a nice jail cell. He fails. He can't even accost a woman; she turns out to be a streetwalker. The other stories are "The Clarion Call", "The Last Leaf", "The Ransom of Red Chief", and "The Gift of the Magi".
Three children play games on a deserted beach.
Toy is trapped in a time loop, reliving New Year's Eve. He meets Vee, also stuck in the loop. They decide to search for 'Perfect Moments,' learning to find joy in small wonders and cherish each day.
An introspective dentist's suspicions about his wife's infidelity stresses his mental well being and family life to the breaking point.
After Saturn XVI crashes back to Earth, ex-astronaut Arthur struggles with an infection. Richard and his friends are blind to it's origin but his victims won't be. The Doorway is open.
Young Ursula plays in a tree and ruins her fancy dress. Her elderly mother teaches her a cruel lesson about whether things can ever be mended; what Ursula learns about how to behave may not be what her mother intended.
New York, I Love You delves into the intimate lives of New Yorkers as they grapple with, delight in and search for love. Journey from the Diamond District in the heart of Manhattan, through Chinatown and the Upper East Side, towards the Village, into Tribeca, and Brooklyn as lovers of all ages try to find romance in the Big Apple.
One-armed war veteran John J. Macreedy steps off a train at the sleepy little town of Black Rock. Once there, he begins to unravel a web of lies, secrecy, and murder.
Radio announcer Petrícek reads the evening news in a studio. Viki, the female editor of a woman's program, is annoyed by the stereotypical information he provides as well as by the speaker's melodious voice and his heart-felt performance. Then she gets an idea for a prank. She calls the speaker from the neighboring room on the phone and pretends to be an unhappily married woman who draws all her strength to live from Petrícek's voice.