Exploration of the way of life of the Q’eros Indians of Peru, who have lived in the Andes for more than 3,000 years.
Narrator
Narrator
Exploration of the way of life of the Q’eros Indians of Peru, who have lived in the Andes for more than 3,000 years.
1979-03-14
2
Andean communities fight to protect their water from contamination by mining companies.
Nominated for an Emmy® Award in 2021 for best non fiction special. Winner of 35 grand jury awards. Filmed in 2016 at Standing Rock, North Dakota, this powerful documentary follows the Indigenous leaders as they unite the Native Nations for the first time in 150 years in order to rise up in spiritual solidarity against the unlawful Dakota Access Pipeline which threatens their treaty lands, sacred burial sights and clean water. These young Native Leaders honor their destiny by implementing a peaceful movement of resistance which awakens the world.
In decades past, Native American artists who wanted to sell to mainstream collectors had little choice but to create predictable, Hollywood-style western scenes. Then came a generation of painters and sculptors led by Allan Houser (or Haozous), a Chiricahua Apache artist with no interest in stereotyped imagery and a belief that his own rich heritage was compatible with modernist ideas and techniques. Narrated by actor Val Kilmer and originally commissioned as part of an exhibit of Houser’s work at the Oklahoma History Center, this program depicts the artist’s tribal ancestry, his rise to regional and national acclaim, and the continuing success of his sons as they expand upon and depart from their father’s achievements. Key works are documented, as is Houser’s tenure at the Santa Fe–based Institute of American Indian Arts.
A searing examination of the contamination that sparked an international catastrophe and the decades’ long battle with some of the world’s largest chemical companies for justice and compensation.
Esperanza and Teodula are calling for justice in rural Peru, part of 300,000 people sterilised without consent more than 18 years ago. The Quipu Project is their phone line that allows the affected across the country to share their shocking testimonies and ensure those responsible are punished.
In Peru, Sergio García Locatelli visits both those places where human life is fragile and personal fate is uncertain and those where death reigns, places where everything is already lost, where appeal is not possible. A walk in search of the meaning of death that is actually a celebration of life and the living.
In Peruvian Amazonia, for the first time in many years, a Shipibo–Konibo community prepare to perform the Aneshiati ceremony: a time of dance, song, festive clothing, and drink—including the sacred tea ayahuasca.
A renewed and truthful vision of how Spanish America was born and prospered, an epic story developed over more than three hundred years, that of those who bequeathed to humanity an immense architectural, sculptural, pictorial, literary and musical heritage.
In the central Peruvian Amazon, a young indigenous man from the Nomatsigenga Community of Boca Kiatari, shares his urgent message with the world. In a moving short film, the community comes together to preserve their natural environment, aware of the growing challenges of climate change and global warming.
Short film about "Yuyanapaq", the photo exhibition of the armed conflict in Peru, at Casa Riva Agüero, Chorrillos, Lima-Peru.
The true story of Joe Simpson and Simon Yates' disastrous and nearly-fatal mountain climb of 6,344m Siula Grande in the Cordillera Huayhuash in the Peruvian Andes in 1985.
The Andes Mountains travel the western side of South America. Unlike many other mountain ranges of their altitude, the Andes do support human life on their high altitude slopes. Modern life is slowly making its way to the high altitude Andes, but the natives for the most part continue with the traditional ways of their ancestors, growing limited crops such as beans and potatoes - where the crop originated - raising sheep and pigs, and living in crude huts. The llama is the most useful of their work animals. The most conspicuous aspect of the native dress is their derby hats, the origins which are unknown. Further down the slopes, agriculture and ranching is more productive and is carried out by descendants of the Spanish settlers. There is a famous lake district in the Chilean part of the Andes, where resort hotels are located.
This documentary rescues the valuable work of Martha Colmenares, an indigenous woman from the Zapotec highlands, who in the 1980s filmed the life and customs of her own community, becoming a pioneer of indigenous documentaries. And for the first time, her forgotten story, for forty years, will no longer be invisible.
Filmed in the jungles of Peru, shaman Don Jose Campos introduces the practices and benefits of Ayahuasca, the psychoactive plant brew that has been used for healing and visionary journeys by Amazonian shamans for at least a thousand years.
In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back the stories of this forest.
The wild beauty of the Bella Coola Valley blends with vivid watercolor animation illuminating the role of the Nuxalk oral tradition and the intersection of story, place and culture.
Death is an intimate experience, and how we lay our loved ones to rest, varies between cultures. KAPU: Sacred Hawaiian Burials sheds light on the ongoing battle by Native Hawaiians to protect burial sites across the state and the iwi, or sacred bones, that are within them.
The film follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal context. The group bring together a community to construct the Repellent Fence, a two-mile long ephemeral monument “stitching” together the US and Mexico.