
After the waning of the protests in Sanrizuka, Ogawa Pro started questioning the future of the collective and looking for other subjects to film. Following the method developed in the previous films, the filmmakers moved to the slum of Kotobuchi in the port city of Yokohama, where more than 6000 people were struggling to get by without any means of survival, exposed to industrial accidents and diseases. The result is one of the most moving films produced by the collective, a series of beautifully filmed portraits, voicing the silenced stories and songs of a group of people living in this community. Credit: ICA London

After the waning of the protests in Sanrizuka, Ogawa Pro started questioning the future of the collective and looking for other subjects to film. Following the method developed in the previous films, the filmmakers moved to the slum of Kotobuchi in the port city of Yokohama, where more than 6000 people were struggling to get by without any means of survival, exposed to industrial accidents and diseases. The result is one of the most moving films produced by the collective, a series of beautifully filmed portraits, voicing the silenced stories and songs of a group of people living in this community. Credit: ICA London
1975-05-24
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"The prevailing stigmatization of the 'villero' universe is fed back by the images. In order to dismantle this stigmatization, other images must be presented or we need to reveal what the existing ones seek to cover up. The slum is usually represented from a limited and deceitful visual panorama. This representation has an intention. Cinema and television are two image-producing devices that strengthen the stereotypes that we have about the people who inhabit these spaces. And what happens in the field of painting? Do clichés reign there too? This visual essay seeks to confront various works by national painters and sculptors, belonging to the Palais collection, with the kinetic images of current cinema and television, to reflect on both the differences and the similarities in the meanings and discourses that both regimes of images can produce." César González
7.5This revealing portrait of Cuba follows the lives of Fidel Castro and three Cuban families affected by his policies over the last four decades.
6.0Explores the lives of Sara, Gigi and Giovanna, three Latino transvestites who for years have lived on the streets of Manhattan supporting their drug addictions through prostitution. They made their temporary home inside broken garbage trucks that the Sanitation Department keeps next to the salt deposits used in the winter to melt the snow. The three friends share the place known as "The Salt Mines".
7.0This documentary is a portrait of Point St. Charles, one of Montreal’s notoriously bleak neighbourhoods. Many of the residents are English-speaking and of Irish origin; many of them are also on welfare. Considered to be one of the toughest districts in all of Canada, Point St. Charles is poor in terms of community facilities, but still full of rich contrasts and high spirits – that is, most of the time.
6.0One billion people on our planet—one in six—live in shantytowns, slums or squats. Slums: Cities of Tomorrow challenges conventional thinking to propose that slums are in fact the solution, not the problem, to urban overcrowding caused by the massive migration of people to cities. (Lynne Fernie, HotDocs)
2.0J and Jacky are good friends who attend the same school. J is from a single-parent family, and will be taken care by Jacky’s family whenever his mother has to return to Mainland to renew her visa; such kind of story is not an isolated case. These families have been uprooted for a “better future” in Hong Kong, but is this “future” that the children really long to have? A Chinese saying: “How does one understand the joy of fish, if one is not a fish?” Will the adults really understand what the children want?
7.1An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
6.5Megacities is a documentary about the slums of five different metropolitan cities.
0.0Between 1968 and 1970, J M Goodger, a lecturer at the University of Salford, made a film record of the living conditions in the slums of Ordsall, Salford, which were then in the process of being demolished. Under the title 'The Changing face of Salford', the film was in two parts: 'Life in the slums' and 'Bloody slums'.
0.0In the midst of a catastrophic steel industry collapse, a remarkable grassroots community effort leads to a national healthcare program that helps more than 200 million children...and counting.
0.0Award-winning documentary maker Bryan Bruce investigates New Zealand's housing crisis and what might be done to solve it. Bruce consults with recognised world experts (in Canada, Ireland and Germany) to discuss their global research – this time on foreign capital and housing affordability and the effect of immigration on house prices. Bruce also looks at some of the many possible solutions (available particularly in Germany) that would provide families with stability of tenure that don’t involve private ownership.
0.0In the 1950s, Seattle had plans to build one of the densest networks of freeways in the world. It would have displaced thousands, especially the poor and people of color. Over the next two decades, a broad coalition of communities came together and halted these plans. Testimonies from that era are juxtaposed with interviews of activists who participated in the revolt, giving a picture of what Seattle could have been had the people not stood up to the highway lobby and their representatives.
0.0A film about the cross coalition of communities that stopped a planned network of freeways from being built in Seattle in the late 60s and early 70s. It weaves together archival material with the filmmaker's personal narrative about living next to freeways, and features interviews with participants from the freeway revolt.
6.4DEBT is the story of a frantic pursuit: the search for the responsible for the televised cry of hunger of Barbara Flores, an eight-year-old Argentinean girl. Buenos Aires, Washington, the IMF, the World Bank and Davos; corruption and the international bureaucratic lack of interest.
8.3Djibi and Ange, two teenagers living on the streets, arrive at the Archipel, an emergency shelter in the heart of Paris. This documentary is a look at the Archipel, a shelter offering an innovative way to welcome families living on the streets.
8.1A tomato is planted, harvested and sold at a supermarket, but it rots and ends up in the trash. But it doesn’t end there: Isle of Flowers follows it up until its real end, among animals, trash, women and children. And then the difference between tomatoes, pigs and human beings becomes clear.
9.0A documentary that pursues the traces of a woman in Yokohama who stood at a street corner as a prostitute for 50 years after the war. An old woman, dressed in an aristocratic dress with her face made up white, quietly stands at a street corner. Known as a beautiful prostitute, her sophisticated behavior, as the years rolled by, became part of the local scenery. Never revealing her real name or her age, the woman preserved her lifestyle as a prostitute. People call her "Yokohama Mary". In winter 1995, Mary disappeared from the street. Rumors spread like an urban legend. There were some people who kept a kind watch for her. One such person is a chanson singer, Nagato Ganjiro, who has very little time left to live because of his illness. As Nagato recalls his memories of Mary, his desire to sing in front of her once more grows.