In the movie, Eduardo Moscovis is Danilo, a stage director obsessed with the injustice committed against XIX century farmer Manoel da Motta Coqueiro, case that initiated the process of extinction of death penalty in Brazil. Incited by a beautiful and mysterious woman, Danilo takes a fateful decision. He stages a play about the case with himself as Motta Coqueiro and psychiatric patients playing all the other parts. When the borders between reality and fantasy start to blend, Danilo relives the historical facts in first person, all the time conscious of the tragic doom of his character. Full with uncommon characters and surprising turns, the movie approaches the issue of death penalty in a refreshing new perspective.
Tonhão / Carlos / Tinoco
In the movie, Eduardo Moscovis is Danilo, a stage director obsessed with the injustice committed against XIX century farmer Manoel da Motta Coqueiro, case that initiated the process of extinction of death penalty in Brazil. Incited by a beautiful and mysterious woman, Danilo takes a fateful decision. He stages a play about the case with himself as Motta Coqueiro and psychiatric patients playing all the other parts. When the borders between reality and fantasy start to blend, Danilo relives the historical facts in first person, all the time conscious of the tragic doom of his character. Full with uncommon characters and surprising turns, the movie approaches the issue of death penalty in a refreshing new perspective.
2007-11-02
5.9
Fifteen year ago, Carlos went to the cinema to meet Júlia, his university colleague with whom he was in love. She never showed up. Carlos was left waiting in the lobby alone. While he waits, something happens which will change his life. A scene, an encounter, an unfinished sentence... Something insignificant, but which will determine the character's life. Fifteen years later, we follow three completely different versions of Carlos's life. In one, he is a man divided between the stability of a secure life in a lukewarm marriage, and the growing desire to live a great love affair. In the second, he is homosexual and places passion above all else. In the third possible life, Carlos is a man who hasn't yet discovered love, and lives through successive disastrous relationships in search of the perfect woman. One of them is his real life. Another is not his life. And a third is the life he'd like to lead. Which is his true life ?
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It's no accident when wealthy Charles falls for Jean. Jean is a con artist with her sights set on Charles' fortune. Matters complicate when Jean starts falling for her mark. When Charles suspects Jean is a gold digger, he dumps her. Jean, fixated on revenge and still pining for the millionaire, devises a plan to get back in Charles' life. With love and payback on her mind, she re-introduces herself to Charles, this time as an aristocrat named Lady Eve Sidwich.
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