Daughter of Mobius(1981)

Fuoriscena(it)

Salsa Lives(es)

La Salsa Vive is a vibrant cinematic exploration of Afro-Cuban music's history, tracing its roots from New York's lively streets to Cali, Colombia, now the global salsa capital.

Dance of the Sylphs(fr)

This is a short, simple ballet performance. Colors are used here, but the print is quite badly damaged.

Day Tripper(fr)

A woman walks, loves, eats and washes herself, dances. It all takes place in a bedroom. At times flashbacks, or visualizations of previous or following scenes. Unless her life in the bedroom becomes an obsession, she lives through the other scenes.

Loïe Fuller(fr)

This is another short, simple dance number. It’s quite stunning and unusual though with a bat turning into a woman who proceeds to give us a skirt dance before disappearing into thin air. The dance is mesmerising with the skirt stunningly changing colour throughout the film.

A Beautiful Tragedy(en)

A documentary about 15-year-old Oksana who follows her mother's dream to see her become a prima ballerina.

Der Tänzer Heinz Bosl(de)

A documentary about dancer Heinz Bosl who died in 1975 - aged 28.

Whose Utopia(zh)

A three-part film by Cao Fei. Part one, 'Imagination of Product', shows workers and machines at the OSRAM lightbulb factory in China's Pearl River Delta. In the second part, 'Factory Fairytale', dancers and musicians appear in the factory, as work continues around them. Finally, 'My Future is Not a Dream' consists of portraits of the factory workers facing Fei's camera.

Touched(fr)

Sainte-Marie-aux-Mines, in rural Alsace. A vocational high school. A class of year 12 ASSP (Assistance, Care and Service to Person) pupils experience contemporary dancing based on improvised contacts for the first time.

Daughters(en)

Four young girls prepare for a special Daddy Daughter Dance with their incarcerated fathers, as part of a unique fatherhood program in a Washington, D.C., jail.

Italienischer Bauerntanz(de)

Two children, Ploetz and Larella, perform an Italian peasant dance.

The Pickaninny Dance from the “Passing Show”(en)

“A scene representing Southern plantation life before the war. A jig and a breakdown by three colored boys.”

The Lion Dance(ja)

The lion dance in traditional Japanese theatre.

The Masseurs(ja)

Anma (The Masseurs) is a representative and historical work by the creator of Butoh dance, Tatsumi Hijikata in his early period in the 1960s. The film is realized not only as a dance document but also as a Cine-Dance, a term made by Iimura, that is meant to be a choreography of film. The filmmaker "performed" with a camera on the stage in front of the audience. With the main performers: Tatsumi Hijikata and Kazuo Ohno, the film has the highlights such as Butohs of a soldier by Hijikata & a mad woman by Ohno. There is a story of the mad woman, first outcast and ignored, at the end joins to the community through her dance. Inserted descriptions of Anma (The Masseurs) are made for the film by the filmmaker, but were not in the original Butoh. The film, the only document taken of the performance, must be seen for the understanding of Hijikata Butoh and the foundation of Butoh.

Babilée '91(fr)

The portrait of an extraordinary French dancer-choreographer: Jean Babilée (1923-2014) is filmed at home, in the streets of Paris, at the Opera Garnier or at the Champs-Élysées Theater, “always caught, even in his kitchen, in full body work”.

The Tarantella from 'Napoli'(da)

This Danish film shows us a young woman doing a dance, which translates to tarantula. According to the brief bio over at the Europa Film Treasures site, this dance was "influenced" by the delirium caused by the bite of a tarantula.

Our Stories, Ourselves(pt)

Sixty-six adolescents, residents of Favela da Maré, were selected to participate in a dance show led by the choreographer Ivaldo Bertazzo, which incorporated their own daily experiences. Ten years later, directors David Meyer and Helena Soldberg search for some of the participants of this experience.

N/um Tchai: The Ceremonial Dance of the !Kung Bushmen(en)

Tchai is the word used by Ju/'hoansi to describe getting together to dance and sing; n/um can be translated as medicine, or supernatural potency. In the 1950's, when this film was shot, Ju/'hoansi gathered for "medicine dances" often, usually at night, and sometimes such dances lasted until dawn.

Step(en)

The senior year of a girls’ high school step team in inner-city Baltimore is documented, as they try to become the first in their families to attend college. The girls strive to make their dancing a success against the backdrop of social unrest in their troubled city.

BalletBoyz: Next Generation(en)

Documentary capturing the rise of all-male dance company, BalletBoyz from first auditions to a performance in Addis Ababa City Hall, Ethiopia.