The Other Side of Carnival (2010) is a 45-minute award-winning documentary that explores Carnival's social and economic impact on Trinidad & Tobago. With more than 60 interviews from professors, medical staff, police officers, government officials, students, tourists, every day locals and more, The Other Side of Carnival is able to highlight that while Carnival is an exciting occasion, it is a festival that creates turmoil, which is not widely visible...or is it just simply ignored? Known as "The Greatest Show on Earth", this documentary captures the roots of Carnival and how far some go to keep the original idea alive, and how others attempt to integrate change. Consummating over two years of research and interviews and with the coordination of a multi-national crew (Trinidad & Tobago, US and UK), The Other Side of Carnival does not pass judgment on Carnival in Trinidad & Tobago, but aims to bring an awareness of the type of influence that Carnival has on the population.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
On August 23, 2018, Beach House performed a stunning, career-spanning set at Brooklyn’s historic Kings Theatre. Performing music from their latest album '7' and stretching back through 2010’s 'Devotion', Victoria Legrand and Alex Scally brought their moody and mysterious dream pop to life, backed by state-of-the-art visuals, in a venue as grand and majestic as their music.
Incident at Restigouche is a 1984 documentary film by Alanis Obomsawin, chronicling a series of two raids on the Listuguj Mi'gmaq First Nation (Restigouche) by the Sûreté du Québec in 1981, as part of the efforts of the Quebec government to impose new restrictions on Native salmon fishermen. Incident at Restigouche delves into the history behind the Quebec Provincial Police (QPP) raids on the Restigouche Reserve on June 11 and 20, 1981. The Quebec government had decided to restrict fishing, resulting in anger among the Micmac Indians as salmon was traditionally an important source of food and income. Using a combination of documents, news clips, photographs and interviews, this powerful film provides an in-depth investigation into the history-making raids that put justice on trial.
In the table that symbolizes the value of traditional women, a woman who wants to break free from her family must face her daughter.
New York City's Stonewall Inn is regarded by many as the site of gay and lesbian liberation since it was at this bar that drag queens fought back against police June 27-28, 1969. This documentary uses extensive archival film, movie clips and personal recollections to construct an audiovisual history of the gay community before the Stonewall riots.
A documentary directed by Winding Refn's wife, Liv Corfixen, and it follows the Danish-born filmmaker during the making of his 2013 film Only God Forgives.
A small town blanketed on the Midwest plains, Broken Arrow, Oklahoma has prospered despite dust bowls and oil busts that left many cities barren. Thriving on the town’s perseverance and pioneering spirit is the school’s marching band – The Pride of Broken Arrow. Despite their humble beginnings, the Broken Arrow band has become one of the nation’s dominating forces in the competitive world of marching band. This candid documentary reveals how these young musicians and their teachers come to understand the power of tradition, the depth of their character and the undeniable force of destiny that will push them towards the pinnacle of their season - Grand Nationals in Indianapolis, Indiana. The Pride of Broken Arrow is a refreshing and inspirational look into a quintessential American drama.
Cousins Menahem Golan and Yoram Globus relive the creation, rise and fall of their independent film company, Cannon Films. This documentary recounts their many successes and discusses their eventual downfall.
In seven different parts, Godard, Ivens, Klein, Lelouch, Marker, Resnais, and Varda show their sympathy for the North-Vietnamese army during the Vietnam War.
Mike Figgis’ enthralling documentary about the turbulent life and career of Ronnie Wood, legendary rock guitarist and long-time member of The Rolling Stones.
A seventy-five-minute documentary featuring outtakes from "Chronicle of a Summer" (1961), along with new interviews with co-director Edgar Morin and some of the film’s participants.
I meet Herbert in the same week I get diagnosed with cancer. We fall madly in love and plan to stay together for the rest of our lives. Three months later, he is dead. Herbert was a BASE Jumper. Leaping off a cliff with nothing but a parachute, he loses his balance, slams into the rock face and falls to his death. His loss in the midst of my chemotherapy completely throws me. Why does he gamble his life away, while I fight for mine? Desperate for answers, I return to Lauterbrunnen, the scene of the accident where Andreas, his best friend and coach, introduces me to the world of BASE. The jumpers teach me not only about the sport, but about facing fears, harnessing and controlling them. To make the most of the life we get. In the Swiss Death Valley I slowly find my way back to life.
Big Giant Wave is an ode to music, the invisible abstract and fleeting sequence of sounds that creates in the brain the same reaction as chocolate, sex, or drugs.
Two tons of snow—flown from New Hampshire to Puerto Rico in 1952 in order to “gift” Puerto Ricans a “white Christmas”—become a metaphor for the colonialist paternalism of America’s relationship to Puerto Rico.
Copyright Criminals examines the creative and commercial value of musical sampling, including the related debates over artistic expression, copyright law, and (of course) money. This documentary traces the rise of hip-hop from the urban streets of New York to its current status as a multibillion-dollar industry. For more than thirty years, innovative hip-hop performers and producers have been re-using portions of previously recorded music in new, otherwise original compositions. When lawyers and record companies got involved, what was once referred to as a “borrowed melody” became a “copyright infringement.” The film showcases many of hip-hop music’s founding figures like Public Enemy, De La Soul, and Digital Underground—while also featuring emerging hip-hop artists from record labels Definitive Jux, Rhymesayers, Ninja Tune, and more.
What do real estate tycoon Donald Trump and the Heinz Tomato Ketchup dynasty have in common? Their ancestors come from Kallstadt, a small, quiet winegrowing village in the German Palatinate region. This powerful entrepreneurial spirit must be part of the genetic make-up! Director Simone Wendel-also from Kallstadt-explores the issue in depth.
Chronicles the history, ideology and aesthetic of Norwegian black metal, a musical subculture infamous as much for a series of murders and church arsons as it is for its unique musical and visual aesthetics. This is the first film to truly shed light on a movement that has heretofore been shrouded by rumor and obscured by inaccurate and shallow depictions. Featuring exclusive interviews with the musicians themselves, Until the Light Takes Us explores every aspect of the controversial movement that has captured the attention of the world.
The film traces the life and times of Esther Eng, a San Francisco native known as Hong Kong’s first “directress.” She directed 10 Cantonese talkies.