Alex discovers Alice trying to commit suicide. When she hesitates he offers another path. Using special effects makeup, the kids pretend to die and become zombies.
Alice
Bully
Jenny
Groundskeeper
Alex discovers Alice trying to commit suicide. When she hesitates he offers another path. Using special effects makeup, the kids pretend to die and become zombies.
2015-07-28
0
A man is being haunted by a masked stranger. The only language used in the movie comes from three (inter) title cards and a few sentences of sermon-like talk in Danish. Some of the talk is modified citations from the bible and similar sources.
The strange Pearce sisters live in isolation on a remote, rain-swept island. One day, a sailor is washed ashore and the sisters take steps to ensure they retain their guest.
A woman in a nurse’s outfit sits in a dark room. She kneels on a mat and looks over a knife, touching it with her fingers and examining it. She runs the knife over her stocking clad legs and contemplates suicide. She plunges the blade into her abdominal region and pulls it across.
Four tales of terror: "Blood Witch": A twisted Goth girl summons a murderous seventeenth century witch to exact gory revenge on anyone who crosses her path. "Mike Wuz Here": Night shift workers at an old movie theater are terrorized by the ghost of a former employee who committed suicide in the building. "One Foot In The Grave": When a beautiful young dancer loses one of her feet due to malpractice, she uses black magic to bring the severed appendage back to life. "Slay Ride": Left behind by her family on Christmas eve, a teenage delinquent punk chick quickly becomes surrounded by murder and mayhem.
A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he's there, or why he's bleeding from a stomach wound. Apparently drugged, he occasionally 'zones out' of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.
As a practical joke, an actor impersonates the screen monster he made famous. A lost film.
A man recognizes the thief who had previously robbed him as one of the men involved in an unrelated mob shootout.
The shadowing forth of Our Lord Lucifer, as the Power of Darkness gather at a midnight mass. The dance of the Magus widdershins around the Swirling Spiral Force, the solar swastika, until the Bringer of Light—Lucifer—breaks through.
It's a bird, it's a plane, it's-- Super Christian? Clark Kant is a mild-mannered Christian teenager with a super secret. Through light-hearted humor, the Super Christian series sets out to teach us something about Christian growth. In the first installment of Super Christian, we find that Clark Kant lives in two different worlds. During the week, Clark follows the standards of the world. "Why not?" he asks himself. "Isn't everybody doing it?" But on Sunday, in his Super Christian Best, Clark presents quite a different image. Then Clark learns through a friend that the Christian faith is for every day of the week, not just for Sundays.
In the aftermath of a deadly haunting in a small suburban home, a sinister omnipresent entity proceeds to cause havoc in the private lives of a young boy, an unsuspecting teen, and an absent-minded inspector.
A young boy called Justen, who went through doleful past, discoveres a way to change his situation greatly.
Image Archive archivist Dino Everett assembled a feature-length compilation of SCA student works from the late ’60s and ’70s. The compilation features recently uncovered and previously unseen student films by Dan O’Bannon and John Carpenter. • BLOOD BATH (1969, written and directed by Dan O’Bannon) B/W (original 16mm) 7 min. • THE DEMON (1970, written and directed by Charles Adair) B/W (original 16mm) 19 min. • GOOD MORNING DAN (1968, written and directed by Dan O’Bannon, camera by John Carpenter) Color (original 8mm) 19 min. • CAPTAIN VOYEUR (1969, written and directed by John Carpenter) B/W (original 16mm) 7 min. • BLOOD BATH (1976, written and directed by Dan O’Bannon) Red tint (original 16mm blown up to 35mm) 8 min. • JUDSON'S RELEASE (1971, written by Alec Lorimore, directed by Terence H. Winkless) (original 16mm) Color 15 min. Total program time: 80 minutes.
Lord Trevor and his ward, Nan, uncover a mysterious threat in Egypt. Disguised in Cairo, Nan infiltrates a deadly conspiracy targeting the English and must act swiftly to stop it before disaster strikes.
The story of a free-spirited Bohemian. Capellani would remake the film in the U.S. in 1916 with a longer runtime.
Explores a fleeting moment between two strangers, revealing their brief connection in a hyper real fantasy.
Emotionally distressed Jill meets charming Alex at a party and they decide to break into an abandoned house for fun, only to find it not as empty as they had hoped.
A young mortician learns that not even death can stand in the way of true love. A whimsical, gothic bedtime story filled with love, loss, taxidermy, Kung Fu, and biker werewolves.
Jesus is asked to judge an inheritance dispute, but instead He uses this conflict to affirm the eternal ideals of His Beatitudes taught in the Sermon on the Mount. Jesus teaches the wronged brother to forgive and love his brother. All who follow Jesus must learn that what we own has little to do with who we are. Important ideals of stewardship and preparedness are emphasized through the parable of the House Built on Rock.
Brothers Asher and Charlie are very different – Asher likes fishing and swearing, Charlie likes tea parties and crafts. In the summer of 1987 – the first since their father walked out of their lives – their relationship undergoes a test of almost mythic proportions when Asher’s confusion and anger boils over into a mindless act of cruelty.