Fronted by one of the most accomplished banjo players of his time, Bela Fleck and the Flecktones are captured live in concert on Live at the Quick. The versatile band performs just over a dozen songs including such radically different compositions as "Amazing Grace," "Big Country," "Hoedown," and the prelude from a Bach violin concerto.
Bass
Drums and Percussion
Saxophone
Fronted by one of the most accomplished banjo players of his time, Bela Fleck and the Flecktones are captured live in concert on Live at the Quick. The versatile band performs just over a dozen songs including such radically different compositions as "Amazing Grace," "Big Country," "Hoedown," and the prelude from a Bach violin concerto.
2002-02-26
6
Filmed in Mexico City and directed by long-time visual collaborator Lasse Hoile during the Grace For Drowning Tour, the set is a superb representation of the spectacular live experience that Wilson and Hoile created for the tour. The shows submerged fans in a rich sensory experience: rear speakers provide surround-sound effects, giant screens show off Lasse's films made specifically to accompany these songs, and cutting-edge lighting designs giving texture to each song. Get All You Deserve captures one of the key shows from the tour. Recorded at a sold-out Teatro Metropolitan in Mexico City, the gig features tracks from both Wilson's solo albums along with the new, as yet unreleased, track Luminol.
Jimmy McNamara is an ex-writer and WWII vet turned accountant who receives a call from Vivian, his ex-fiance and nightclub singer. Vivian got a Hollywood contract and is taking Jimmy with her. All he has to do is retrieve the negatives of compromising pictures that put her bright future in danger. But Jimmy's mission might not be as simple as it seems.
A music clip OVA using full versions of songs that were from the anime.
The last of the impetuous Varicks, Lady Helen Haden is married to Sir Bruce Haden, a brute who treats her shamefully. She falls in love with Ned Thayer, a young American, but refuses to divorce her husband because of the attendant scandal and disgrace. Sir Bruce gains possession of a love letter written to Ned by Lady Helen and divorces her. Ned goes to Africa, and Lady Helen comes to the United States, where she encounters Rudolph Solomon, an art collector who wants her to become his mistress. The noblewoman at first refuses, but when her money runs out, she agrees to the proposal and attends a party at his home. Ned, who has learned of the divorce, comes looking for Helen and meets her at Solomon's party. Lady Helen is so humiliated and ashamed that she rushes from the house and throws herself in front of an automobile.
In January 1996 filming began on a new episode of Doctor Who set in San Francisco, but shot in Vancouver, Canada. Sylvester McCoy flew out to join the production team to re-create his role as the Seventh Doctor and to hand over to Paul McGann. In this behind-the-scenes video diary, Sylvester gives us a personal account of his final days as the famous Timelord. Reminiscing about the "old days" and drawing comparisons with the experience of working on this latest adventure, he talks to Paul McGann, Daphne Ashbrook (Dr Grace Holloway) from the new production and Anneke Wills (Polly) from the show's past. All shot on Hi-8 camcorder.
DFW Punk, covering the Dallas/Ft. Worth punk/new wave scene. If you thought Texas in the late ’70s was all about urban cowboys, country tunes and bible-thumping, get ready to be proved dead wrong. 2007, MiniDV.
She is a former air hostess; he is a fair-haired St Petersburg-born politician with a secret past and a thorough knowledge of German. Despite the familiar-sounding characters, the film’s makers claim that its hero is not Russian President Vladimir Putin, but a fictional Russian politician named Alexander Platov.
A man wrestles with his personal demons and obsession with a writer's life.
Finlayson plays an intrepid army cameraman on the battlefield in the world war, and Rowe plays his hapless assistant. Cranking away in no man's land, they take foolish chances and must dodge flying shells, falling down and losing their film repeatedly.
Get to know the unusual behind the scenes behind the creation of the most famous works of Brazilian pop music, in a documentary language, with interviews of key characters from the music industry and exclusive interpretations of well-known tracks.
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
A tangerine farmer lives on the outskirts of the city of Taiwan. His financial problems lead him to make decisions that take him out of the farm routine.
A Ukranian flight engineer must infiltrate a highly secretive cult in order to save his abducted son who some believe to be the chosen one that will allow their religion to rule all mankind.
Re-live the Golden State Warriors championship run from the first day of training camp through the scintillating six games of the 2015 NBA Finals.
SET 1 [7:32 - 9:00 PT] Shakedown Street > Cold Rain and Snow Mississippi Half-Step Uptown Toodeloo They Love Each Other St. Stephen 1 > The Eleven > Deal SET 2 [9:39 - 11:29 PT] Sugaree W New Speedway Boogie > Eyes of the World > Estimated Prophet > Drums 2 > Space > The Wheel > Wharf Rat E > Sugar Magnolia ENCORE [11:31 - 11:39 PT] Black Muddy River Key 1 with William Tell Bridge 2 with Oteil on Banjo Bass W Mayer playing Wolf Replica E Explicit Language Credit:/u/donttouchthatknob
Set 1: Bertha(Grateful Dead cover) (>) Good Lovin'(The Young Rascals cover) Brown-Eyed Women (Grateful Dead cover) Jack Straw (Grateful Dead cover) High Time (Grateful Dead cover) Mr. Charlie(Grateful Dead cover) Bird Song (Jerry Garcia cover) (with elements of 'The Other One') (>) Don't Ease Me In (Henry Thomas cover) Set 2: Althea(Grateful Dead cover) (>) The Other One(Grateful Dead cover) (verse 1) (>) Terrapin Station(Grateful Dead cover) (> 'The Other One' (verse 2)) (>) Drums(Grateful Dead cover) (with Big Steve Parish) (>) Space(Grateful Dead cover) (>) Stella Blue(Grateful Dead cover) (>) Help on the Way(Grateful Dead cover) (>) Slipknot!(Grateful Dead cover) (>) Franklin's Tower(Grateful Dead cover) Encore: Brokedown Palace(Grateful Dead cover)
Set 1: Jam (>) Cassidy (Bob Weir song) (>) Deal (Jerry Garcia cover) Samson and Delilah ([traditional] cover) Friend of the Devil (Grateful Dead cover) It Hurts Me Too (Tampa Red cover) Tennessee Jed (Grateful Dead cover) If I Had the World to Give (Grateful Dead cover) (>) Going Down the Road Feeling Bad ([traditional] cover) Set 2: Althea (Grateful Dead cover) Estimated Prophet (Grateful Dead cover) (>) China Cat Sunflower (Grateful Dead cover) (>) I Know You Rider ([traditional] cover) (>) Eyes of the World (Grateful Dead cover) (>) Drums (Grateful Dead cover) (with Oteil Burbridge) (>) Space (Grateful Dead cover) (>) Terrapin Station (Grateful Dead cover) (>) Morning Dew (Bonnie Dobson cover)
Set 1: Shakedown Street (Grateful Dead cover) Cold Rain and Snow (Obray Ramsey cover) Loser (Jerry Garcia cover) Dire Wolf (Grateful Dead cover) Loose Lucy (Grateful Dead cover) The Wheel (Jerry Garcia cover) (>) Bertha (Grateful Dead cover) Let It Grow (Grateful Dead cover) Set 2: Help on the Way (Grateful Dead cover) (>) Slipknot! (Grateful Dead cover) (>) Franklin's Tower (Grateful Dead cover) Fire on the Mountain (Grateful Dead cover) (>) The Other One (Grateful Dead cover) (verse 1) (>) Drums (Grateful Dead cover) (>) Space (Grateful Dead cover) (> 'The Other One' verse 2) Black Peter (Grateful Dead cover) (>) Sugar Magnolia (Grateful Dead cover) U.S. Blues (Grateful Dead cover)
A short film about Pete Seeger and the birth of banjo music throughout the Southern United States.
Set 1: Truckin'(Grateful Dead cover) (>) Smokestack Lightning(Howlin’ Wolf cover) (with Truckin tag) Althea(Grateful Dead cover) Mississippi Half-Step Uptown Toodeloo(Grateful Dead cover) High Time(Grateful Dead cover) (>) All Along the Watchtower(Bob Dylan cover) (>) Bertha(Grateful Dead cover) (>) Good Lovin'(The Rascals cover) Set 2: Help on the Way(Grateful Dead cover) (>) Slipknot!(Grateful Dead cover) (>) Franklin's Tower(Grateful Dead cover) St. Stephen(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Uncle John's Band(Grateful Dead cover) (>) Cumberland Blues(Grateful Dead cover) (>) The Other One(Grateful Dead cover) (verse 2) Morning Dew(Bonnie Dobson cover) Encore: Brokedown Palace(Grateful Dead cover) (>) Playing in the Band(Bob Weir song) (Reprise) (>) One More Saturday Night(Bob Weir song)
Set 1 The Music Never Stopped(Grateful Dead cover) Alabama Getaway(Grateful Dead cover) When I Paint My Masterpiece(Bob Dylan cover) Mr. Charlie(Grateful Dead cover) Tennessee Jed(Grateful Dead cover) Dire Wolf(Grateful Dead cover) Bird Song(Jerry Garcia cover) (>) Big Railroad Blues(Cannon’s Jug Stompers cover) Set 2: Sugaree(Jerry Garcia cover) Estimated Prophet(Grateful Dead cover) (>) Scarlet Begonias(Grateful Dead cover) (>) Viola Lee Blues(Cannon’s Jug Stompers cover) (>) Dark Star(Grateful Dead cover) (verse 1) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (with 'New York State of Mind' tease) (>) Cumberland Blues(Grateful Dead cover) (>) Black Peter(Grateful Dead cover) (>) Casey Jones(Grateful Dead cover) Encore: Black Muddy River(Grateful Dead cover)
Set 1: Mississippi Half-Step Uptown Toodeloo(Grateful Dead cover) Here Comes Sunshine(Grateful Dead cover) Next Time You See Me(Junior Parker cover) Loose Lucy(Grateful Dead cover) (with 'Take Me to the River' tease) Friend of the Devil(Grateful Dead cover) They Love Each Other(Jerry Garcia cover) Lost Sailor(Grateful Dead cover) (>) Saint of Circumstance(Grateful Dead cover) Set 2 Playing in the Band(Bob Weir song) (>) The Wheel(Jerry Garcia cover) (with 'Diamonds on the Soles… more ) St. Stephen(Grateful Dead cover) (> 'William Tell Bridge' >) The Eleven(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Dark Star(Grateful Dead cover) (verse 2) Althea(Grateful Dead cover) Stella Blue(Grateful Dead cover) (>) One More Saturday Night(Bob Weir song)
No single figure in American music so dominated a genre as did Bill Monroe with bluegrass. BILL MONROE: FATHER OF BLUEGRASS MUSIC features performances by Bill Monroe & the Blue Grass Boys, Lester Flatt, Emmylou Harris, Paul McCartney, the Osborne Brothers, Dolly Parton, Ricky Skaggs, Marty Stuart, John Hartford and a once-in-a-lifetime Blue Grass Boys reunion featuring Del McCoury, Chubby Wise and Bill Keith. The film features archival footage and rare 1990s performances from Monroe's final years including many of the greatest songs from his six decades of recording.
Filmed and Recorded Live at Ryman Auditorium, Nashville, Tennessee, on September 14, 2015, Nitty Gritty Dirt Band and Friends - Circlin' Back: Celebrating 50 Years captures a group of longtime road warriors who've yet to lose their grit, joined onstage by John Prine, Sam Bush, Vince Gill, Jerry Jeff Walker, Alison Krauss, Rodney Crowell, Byron House, and Jerry Douglas. Rock and Roll Hall of Famer (and early Dirt Band member) Jackson Browne joined in, along with longtime member Jimmy Ibbotson, while a sold-out crowd sings along in the background. From country classics to deep cuts, the tracklist finds bandmates Jeff Hanna (guitars/vocals), Jimmie Fadden (drums/harmonica/vocals), Bob Carpenter (keyboards/accordion/vocals) and John McEuen (banjo/fiddle/guitar/mandolin) swapping harmonies, trading solos, and shining new light on a catalog of vital, vibrant music.
You Gave Me A Song offers an intimate portrait of old-time music pioneer Alice Gerrard and her remarkable, unpredictable journey creating and preserving traditional music. The film follows eighty-four year old Gerrard over several years, weaving together verité footage of living room rehearsals, recording sessions, songwriting, archival work, and performances with photos and rare field recordings. Much of the film is told in Alice’s voice and via interviews with musical collaborators and family members who share the story of Alice and others chasing that high lonesome sound.
On July 7, 2019, they celebrated their sixth consecutive year of sold-out concerts at Red Rocks Park and Amphitheater, the world’s only naturally-occurring, acoustically perfect amphitheater, located just outside of Denver. Over 9,000 fans danced, sang and cheered — it was the perfect way to spend a warm summer evening. This special features performances of “Live and Die,” “Down with the Shine,” “Head Full of Doubt,” “High Steppin,'” “Ain’t No Man,” “Laundry Room” and more.
Fifty years later, and he's still rattlin' the Devil's cage. Charlie Louvin can walk through a crowded mall and not attract attention. But it shouldn't be that way; the humble 83-year-old musician in the cowboy hat and jeans is a true American hero. To start, 50 years ago he and his brother recorded "Satan is Real," an album that shook up the music business. And the life he lived thereafter was pretty radical, too, from his military service to his country to his 61-year marriage to his induction into the Country Music Hall of Fame and Grand Ole Opry. On Friday, December 3, 2010 at the fooBAR in Nashville, we caught Charlie Louvin on stage, making music for his fans, celebrating the anniversary of that famous album. And we filmed the night for history's sake. This is the tribute he so richly deserves.
This passionate and affecting performance documentary celebrates the virtuoso artistry and joyous community of contemporary bluegrass music. Musically depicting many of the traditional roots and some of the more far-reaching branches of the genre by employing verite footage, thoughtful interviews, and vividly captured extended performances to weave a seamless tapestry that transports and enraptures the devoted fan and newcomer alike.
Capturing the sights, sounds, and magic of Carlton Haney’s 1971 Labor Day Festival in Camp Springs, North Carolina; a three-day outdoor festival—the first of its kind—featuring bluegrass veterans and future stars alike sharing the primitive wood and cinder block stage. More than just capturing one of the largest bluegrass festivals of that decade, this documentary is also an interesting mixture of live performances, interviews, impromptu jam sessions and crowd footage of live music set in a small town surrounded by the now long gone red clay and tobacco shacks of North Carolina.
Set 1: New Speedway Boogie (Grateful Dead cover) They Love Each Other (Jerry Garcia cover) Mama Tried (Merle Haggard cover) Easy Wind (Grateful Dead cover) Ramble On Rose (Grateful Dead cover) Dear Mr. Fantasy (Traffic cover) (>) Hey Jude (The Beatles cover) Bird Song (Jerry Garcia cover) Set 2: Sugaree (Jerry Garcia cover) St. Stephen (Grateful Dead cover) (>) William Tell Bridge (Grateful Dead cover) (>) The Eleven (Grateful Dead cover) Iko Iko (Sugar Boy and His Cane Cutters cover) (>) Drums (Grateful Dead cover) (>) Space (Grateful Dead cover) (>) I Need a Miracle (Grateful Dead cover) (>) Wharf Rat (Grateful Dead cover) Casey Jones (Grateful Dead cover) Encore: Black Muddy River (Grateful Dead cover)
Set 1: Here Comes Sunshine(Grateful Dead cover) Mississippi Half-Step Uptown Toodeloo(Grateful Dead cover) (>) Mr. Charlie(Grateful Dead cover) He's Gone(Grateful Dead cover) Brown-Eyed Women(Grateful Dead cover) Dear Prudence(The Beatles cover) (Tour debut) Turn On Your Love Light(Bobby “Blue” Bland cover) (Tour debut) Set 2: Deal(Jerry Garcia cover) Scarlet Begonias(Grateful Dead cover) (>) Playing in the Band(Bob Weir song) (>) Cumberland Blues(Grateful Dead cover) (>) Uncle John's Band(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Milestones(Miles Davis cover) (Tour debut) (>) Days Between(Grateful Dead cover) (Tour debut) (>) Throwing Stones(Grateful Dead cover) (Tour debut) One More Saturday Night(Bob Weir song) (Tour debut) Encore: Ripple(Grateful Dead cover)
Steamboatin' stories from those who lived them, river history, authentic footage and stills, along with music and narration by John Hartford.
Set 1: Hell in a Bucket(Grateful Dead cover) Alabama Getaway(Grateful Dead cover) Jack Straw(Grateful Dead cover) Big Boss Man(Jimmy Reed cover) Peggy-O([traditional] cover) Bertha(Grateful Dead cover) (>) Cassidy(Bob Weir song) Don't Ease Me In(Henry Thomas cover) Set 2: Viola Lee Blues(Cannon’s Jug Stompers cover) (>) Truckin'(Grateful Dead cover) (>) China Doll(Grateful Dead cover) (>) China Cat Sunflower(Grateful Dead cover) (>) I Know You Rider([traditional] cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Althea(Grateful Dead cover) (>) Standing on the Moon(Grateful Dead cover) (>) Not Fade Away(The Crickets cover) Encore: The Weight(The Band cover)
Set 1: The Music Never Stopped(Grateful Dead cover) Next Time You See Me(Junior Parker cover) Me and My Uncle(John Phillips cover) Row Jimmy(Grateful Dead cover) Dear Mr. Fantasy(Traffic cover) (>) Hey Jude(The Beatles cover) (coda only) Cassidy(Bob Weir song) Iko Iko(Sugar Boy and His Cane Cutters cover) Set 2: Here Comes Sunshine(Grateful Dead cover) (>) Viola Lee Blues(Cannon’s Jug Stompers cover) (> 'Cissy Strut' jam >) Looks Like Rain(Bob Weir song) (tour debut) (>) China Cat Sunflower(Grateful Dead cover) (>) I Know You Rider([traditional] cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) The Wheel(Jerry Garcia cover) (>) Wharf Rat(Grateful Dead cover) Casey Jones(Grateful Dead cover) Encore: Touch of Grey(Grateful Dead cover)