Festive Land examines one of the largest and most extraordinary popular celebrations in the world, the week-long Carnival that brings more than two million people to the streets of Salvador, the capital of Bahia, in northeastern Brazil. Carnival is the most expressive showcase of the unique cultural richness of Bahia, where African culture has survived, prospered, and evolved, mixing with other Brazilian influences to create forms found nowhere else in the world. The film captures this unique cultural energy through extraordinary footage of musical performances, dances, religious manifestations, and street celebrations. At the same time, Carnival reflects the racial and social tensions of Brazil's heterogeneous society. At first glance there appear to be two million people chaotically mixed on the streets, but a more detailed look reveals how patterns of segregation driven by racial, social and economic differences continue in Carnival.
Three years after the death of her beloved child, Elouise, Mara still feels her presence when she sits on the butterfly bedding in front of the jar with her ashes in it. Mara arranges a twelfth birthday party for Elouise, further alienating her from her husband, Richter, and remaining daughter, Hannah. Although Mara eventually vacates Elouise's room at the insistence of her husband, she does find a way to stay close to Elouise. Before long, however, Hannah discovers her mother's secret.
5.9Inspired by events in A.D. 60, Boudica follows the eponymous Celtic warrior who rules the Iceni people alongside her husband Prasutagus. When he dies at the hands of Roman soldiers, Boudica’s kingdom is left without a male heir and the Romans seize her land and property. Driven to the edge of madness and determined to avenge her husband’s death, Boudica rallies the various tribes from the region and wages an epic war against the mighty Roman empire.
6.5Hana spends twenty years suppressing a maleficent curse that was placed upon her bloodline, only to have a family member knowingly release it forcing her to kill or to be killed.
6.2Sayen follows a lead to the picturesque desolation of the Atacama Desert. There, she reluctantly teams up with a young Atacameño girl, Quimal, looking to clear her father’s name and save her town from becoming an arid wasteland due to Acteon’s exploitative water usage.
6.8Self-important author Leon joins his best friend on a summer holiday near the Baltic Sea to complete his novel. When they arrive, they find their house is already occupied by a carefree woman who challenges Leon to open up. Meanwhile, forest wildfires rage around them and impending disaster looms.
6.5LAPD K-9 officer Jake Rosser has just witnessed the shocking murder of his dedicated partner by a mysterious assailant. As he investigates the shooter’s identity, he uncovers a vast conspiracy that has a choke-hold on the city in this thrilling journey through the tangled streets of Los Angeles and the corrupt bureaucracy of the LAPD.
6.9Morbius Jr, now an OId Man, is nearing the end of life, when he finds the last hope for all Morbkind. However, as he fights to protect the future of Morbheads, he finds himself facing off against an unlikely of enemy... HIMSELF.
6.9A band of vikings are on the run from a blood thirsty group of Berserkers who want to fight to the death.
6.7Don Poli, the patriarch of a family embedded in politics, faces the change of party in his state - after a hundred years in power - losing all his privileges. Humiliated and angry, he threatens to disinherit his family and leave to rebuild his life. This forces his children (Kippy, Ramses and Belén) to take extreme measures to ensure their future, causing everything that could go wrong to turn out worse.
6.3A military contractor hired to seize a weapon that turns people into savage killers seeks revenge when his brother falls victim to the device.
6.3An expert hacker is targeted by a sentient AI after she realizes the threat it poses, and she must try to stay off its radar long enough to stop it.
7.7Tanjiro ventures to Asakusa for his second mission with the Demon Slayer Corps. A recap of Kimetsu no Yaiba episodes 6–10, with new footage and special end credits.
6.3When a small outpost is ambushed, a US Army squad must take the battle below ground on a high-stakes mission in a new type of warfare the likes of which they have never seen.
6.3The Imjin War reaches its seventh year in December of 1598. Admiral Yi Sun-shin learns that the Wa invaders in Joseon are preparing for a swift withdrawal following the deathbed orders of their leader Toyotomi Hideyoshi. Determined to destroy the enemy once and for all, Admiral Yi leads an allied fleet of Joseon and Ming ships to mount a blockade and annihilate the Wa army. However, once Ming commander Chen Lin is bribed into lifting the blockade, Wa lord Shimazu Yoshihiro and his Satsuma army sail to the Wa army's rescue at Noryang Strait.
6.0Battles in virtual reality, survival in a post-apocalyptic wasteland, a Soviet spaceship giving a distress signal - Fantastic stories created with advanced special effects and passion.
6.8Star Chow, an officer in the elite police unit, resigns when he is made a scapegoat for a botched investigation. He goes undercover at a school to complete the case and realizes a bumbling detective is also undercover as a student.
6.7Do, Re and Mi in this sequeal tells the tale of a group of gangsters who are planning to rob a bank. So they use this oppurtunity to con them out of it and capture them at the same time. Many comedic memorable moments are carried out through the movie.
6.2A modern-day lawyer is sucked into an international conspiracy after being accused of a murder she didn't commit. Her only chance of freedom lies in uncovering the secret of an old German WWII aeroplane, long buried deep beneath the ice, before the CIA.
3.2A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.
8.8How Not to Be Seen: A Fucking Didactic Educational .MOV File (2013) mocks an instructional film on the idea of becoming invisible in the digital world.
5.8The Los Angeles-based Marat Daukayev School of Ballet gathers the resources, volunteers, and cast to put on The Nutcracker.
6.5h)ac(k)tivist-noun: a person who uses technology to bring about social change. The Hacker Wars - a film about the targeting of (h)ac(k)tivists, activists and journalists by the US government. There is a war going on- the war for our minds. The Hacker Wars.
The Philippine Football team Azkals miraculous winnings in Asia started a wave for the country that we too can eye for the most coveted World Cup. For the first time in history, The Philippine Football Federation (PFF) has launched a search for the next Philippine Azkals who will undergo training for the 2019 World Cup qualifier. More than 1000 boys from Luzon, Visayas, and Mindanao tried their lucks. Only 22 are selected. This documentary film is a story of dreams.
6.8Encounter Point is an 85-minute feature documentary film that follows a former Israeli settler, a Palestinian ex-prisoner, a bereaved Israeli mother and a wounded Palestinian bereaved brother who risk their lives and public standing to promote a nonviolent end to the conflict. Their journeys lead them to the unlikeliest places to confront hatred within their communities.
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
5.5"Michael Moore doesn't like documentaries. That's why he doesn't make them." A documentary that looks to distinguish what's fact, fiction, legend, and otherwise as a camera crew trails Michael Moore as he tours with his film, Fahrenheit 9/11.
5.0Six women have entered a male world - the orchestra conductors. The doubtfulness against female conductors and musicians in the world of classical music becomes clear during a visit to the Vienna Philharmonic. Conductors Sixten Ehrling and Jorge Mester comment on the prevailing conservative attitudes among colleagues.
0.0The trio of actresses have ostensibly gathered to pay tribute to Mai Zetterling, but also reminisce about their own careers and the illustrious figures, including Ingmar Bergman, they have worked with.
This documentary short is the first film made by an all-Aboriginal film crew, training under the NFB's Challenge for Change Program. It was shot at Akwesasne (St. Regis Reserve). Two spokesmen explain historical and other aspects of Longhouse religion, culture, and government and reflect on the impact of the white man's arrival on the Indian way of life.
7.0Everyone’s talking about it, but who can explain it? Paul G. Allen’s Vulcan Productions and Morgan Spurlock’s Cinelan have partnered to produce WE THE ECONOMY 20 Short Films You Can’t Afford to Miss. Each film is helmed by an acclaimed filmmaker, each with their own creative vision. The series aims to drive awareness and establish a better understanding of the U.S. economy. Told through animation, comedy, musical, non-fiction, and scripted films, WE THE ECONOMY seeks to demystify a complicated topic while empowering the public to take control of their own economic futures.
0.0An intimate portrait of teenagers trying to understand their world and their possibilities. The film weaves together video shot by teens and by the filmmaker, as they work together to make a film and create expressive outlets for youth in the community. They organize dances and community events and paint a mural. At the same time, with humor and pathos, these young people raise issues around violence, feeling misunderstood by adults and lacking respect in their community. Set in the small town of Sitka, Alaska, home to a large Alaska Native population, the video chronicles their creativity, concerns and dreams.
6.6The Devil's Playground is a fascinating and moving documentary about a little-known aspect of Amish life. Amish are not permitted to join the church until their late teens, and have to do so of their own volition. The film explores Rumspringa, wherein young Amish are given the opportunity to explore the "English" way of life.
6.8By the People: The Election of Barack Obama is a documentary film produced by Edward Norton broadcast in November 2009 on HBO, which follows Barack Obama and various members of his campaign team, including David Axelrod, through the two years leading up to the United States presidential election on November 4th, 2008.
5.4The larger than life true story of how a barmaid in a poor Welsh mining village convinces some of her fellow residents to pool their resources to compete in the "sport of kings" with a racehorse they would breed and raise.
8.0Susana Barriga’s documentary, the illusion, begins with violence. A long shot reveals a man standing on a street corner, his features indiscernible in the night. He moves out of the camera’s line of vision, but the filmmaker, persistent, moves with him as the jostling of the camera marks her steps. As we learn moments later, the man in the distance is Susana’s father – and this is the clearest image of him we will have. Suddenly, an angry British man demands that Susana cease filming. Susana protests in heavily accented English, “He is my father!” Glimpses of a man’s torso are followed by blurred images as the camera spins rapidly over surfaces. The image cuts to black. A new male voice asks in carefully spaced out words if Susana would like him to call the police. When she doesn’t respond immediately, he speaks louder, as though volume would compensate for the language difference. She gives her name; she refuses the offer of an ambulance.
7.0The Newsreel collective’s JANIE’S JANIE breaks with the group’s usual format for a more personal approach, following a woman’s journey to self-determination after years of mental and physical abuse; or, as Janie says, “First I was my father’s Janie, then I was my Charlie’s Janie, now I’m Janie’s Janie."
7.8An Unreasonable Man is a 2006 documentary film that traces the life and career of political activist Ralph Nader, the founder of modern consumer protection. The film examines Nader's advocacy for auto safety features, such as federally mandated seat belts and air bags, as well as his rise to national prominence following an invasion of privacy lawsuit against General Motors.
