The prophet Lehi had a dream that brought joy and concern for the eternal welfare of his family. The symbols of Lehi’s dream contain teachings important to us even today. The meaning behind the symbols are brought to life, from the mists of darkness to the great and spacious building. The importance of holding— and helping others grasp— the iron rod so that we can partake of the fruit of eternal life becomes clear.
Nephi (voice)
Sam (voice)
Laman (voice)
Lemuel (voice)
Limhi (voice)
Jezebel (voice)
The prophet Lehi had a dream that brought joy and concern for the eternal welfare of his family. The symbols of Lehi’s dream contain teachings important to us even today. The meaning behind the symbols are brought to life, from the mists of darkness to the great and spacious building. The importance of holding— and helping others grasp— the iron rod so that we can partake of the fruit of eternal life becomes clear.
1991-01-01
0
One of the most exciting and memorable stories in the history of the World Trade Towers is that of Philippe Petit, a French man who walked a tightrope between the massive monuments in 1974. Narrated by Oscar nominee Jake Gyllenhaal, this is an animated adaptation of the lyrical Caldecott Award-winning book by Mordecai Gerstein. Directed and animated by Michael Sporn, with music by Michael Bacon (of the Bacon Brothers).
An animated musical love story about a young man who lives inside a billboard and is charged with updating the advertisements. When he falls in love with a beautiful lady living across the highway, he has to use the only method he knows to get his message across - advertising
Tom's advances on a young jive-talking girl cat get nowhere; nowhere, that is, until Tom gets a zoot suit. Armed with his miles of fabric and a new cool lingo, Tom still has to deal with the tricks of his nemesis, Jerry.
The Easter bunny brings an egg for Tom and Jerry that hatches into the little duckling. He keeps getting into water he shouldn't: the aquarium, water cooler, bathtub, sink, as the boys keep rescuing it. They try to give the duck back to the Easter bunny - no go. They leave it in the pond at the park and think they're home free, until the duckling brings his friends home.
Jerry is far from Tom's servant here. Tom, shipwrecked, washes up on a tropical island. His first attempts at food - a coconut and a turtle - are much too hard. But he spots Jerry just before Jerry sees him, and soon has him in the frying pan. Jerry escapes to a cannibal village; when he sees Tom's frightened reaction, he has his plan. Using soot from a pot, he blackens himself, then threatens Tom and starts cooking him. But Jerry's plan - and tail, and un-blackened bottom - is exposed when his grass skirt comes off during his war dance. Jerry helicopters away using the bone in his hair, and leading Tom right into the real cannibals. But Jerry's triumph is short-lived, as a pygmy cannibal comes after him.
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
Tom's new book on "how to catch a mouse" doesn't prove too helpful against Jerry; actually, Jerry seems to make better use of it than Tom.
Tom is playing with Jerry when a cute lady cat is delivered to Mammy for her to take care of. Tom is smitten at first sight.
The family dog warns Tom not to make any noise so he can take a nap. Jerry hears this and immediately devises plans to ensure that the dog's nap will be interrupted.
Tom chases Jerry into a bottle of invisible ink, and the now-invisible Jerry proceeds to have fun torturing Tom.
Jerry takes a midnight snack from the fridge unaware that Tom is watching him.
Tom invites Toots to an elegant dinner. However, he's made the mistake of trying to put Jerry to work, as a serving boy, a corkscrew, and other tasks. Jerry puts up with a little of this, but mostly gets revenge on Tom.
Butch convinces Tom and Jerry that there's no reason to fight and they should all sign a peace treaty. Tom and Butch even rescue their pals from a fellow cat and dog. But then a steak falls off a truck and the boys can't decide how to divvy it up, ultimately losing it completely, and the truce is off.
Tom calls the exterminators, but they send a cat, who despite his various tools, doesn't fare much better than Tom usually does.
Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.
Scrat tries to finish his rather large collection of acorns when things start going nutty.
Short film of 300 individually painted images. A lost film.
Mairy, a thirty-year-old woman from Philippines, works in a village in Cyprus. She takes care of Mr. Michalis, an eigthy-five-year-old man with arteriosclerosis. Mr. Michalis spends his days in front of the television, watching time and again a soap opera with a heroine named Anna. He soon becomes obsessed with this heroine, to the point of calling Mairy 'Anna', despite the remarks of his daughter Melpo. When Mairy finds some old photographs she makes an important discovery...