Vermeer and Music(2013)

Cecil Taylor: All The Notes(en)

Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the unconventional stance of this media-shy modern musical genius, regarded as one of the true giants of post-war music. Seated at his beloved and battered piano in his Brooklyn brownstone the maestro holds court with frequent stentorian pronouncements on life, art and music.

Les secrets de François Truffaut(fr)

Blood of Two(en)

The first collaboration between Matthew Barney & Elizabeth Peyton, Blood of Two is a unique, site-specific work that draws its references from Hydra itself – the surrounding environment, animals, humans, and local traditions are all part of the project in equal measure. Blood of Two centers on the former function of the Slaughterhouse and the customs of Hydra to establish connections between paganism and religion, ancient and modern, the ritualistic and familiar. As much as its conflicted terms strive for balance and fusion, it is Blood of Two’s greater resistance to these impulses, its failure to surrender unconditionally to them that ultimately counts, as a network of overlaps and crisscrosses.

Mark of the Hand(en)

Guyanese painter Aubrey Williams (1926-1990) returns to his homeland on a “journey to the source of his inspiration” in this vivid Arts Council documentary, filmed towards the end of his life. The title comes from the indigenous Arawak word ‘timehri’ - the mark of the hand of man - which Williams equates to art itself. Timehri was also then the name of the international airport at Georgetown, Guyana's capital, where Williams stops off to restore an earlier mural. The film offers a rare insight into life beyond Georgetown, what Williams calls “the real Guyana.” Before moving to England in 1952 he had been sent to work on a sugar plantation in the jungle; this is his first chance to revisit the region and the Warao Indians - formative influences on his work - in four decades. Challenging the ill-treatment of indigenous Guyanese, Williams explored the potential of art to change attitudes. By venturing beyond his British studio, this film puts his work into vibrant context.

Generation A: Portraits of Autism and the Arts(en)

A documentary about young people with autism, and how arts and creative therapies help them to lead fuller lives.

Frankenthaler: Toward a New Climate(en)

A 30-minute film about Helen Frankenthaler, who invented the stained canvas at the age of 24 and influenced a whole generation of "color field" painters.

Georgia O'Keeffe(en)

Georgia O'Keeffe appears on camera for the first time to talk candidly about her work and her life in this 1977 documentary.

Tender Images(en)

Fifteen imaginative stable images in black, sepia, and white light. Serene and yet stimulating in spirit.

Cesar's Grill(en)

In order to rescue his father's ramshackle grill restaurant, filmmaker and vegetarian Dario Aguirre is traveling back to his homeland Ecuador. What starts out as a strange debate about opening times, chips and Excel spread sheets, develops into a moving family drama.

Pelle vegetale. Un'intervista(it)

Vermeer Master of Light(en)

Vermeer: Master of Light, is a visual quest in search of what makes a Vermeer a Vermeer. It is a journey of discovery, guiding the viewer through an exploration of Vermeers paintings and examining the secrets of his technique.

No Ideas But in Things - the composer Alvin Lucier(en)

“Don’t ask me what I mean, ask me what I’ve made” – inspired by this motto, the documentary accompanies the American composer Alvin Lucier (1931 - 2021) on concert travels to The Hague (Netherlands) and Zug (Switzerland). Lucier explains and comments on his œuvre – from his early live electronics performances (MUSIC FOR SOLO PERFORMER,1965 and BIRD AND PERSON DYNING, 1975) up to the premiere of his ensemble piece PANORAMA 2 in 2011. One of Lucier’s key works, I AM SITTING IN A ROOM (1969), is introduced as a central structuring device in the film. At home in Middletown, Connecticut, Lucier offers rare insights into the beginnings of his pioneering works, his time as a member of the Sonic Arts Union, his relations with John Cage and David Tudor, as well as his teaching practice at Wesleyan University.

O Cristo de Vitória da Conquista(pt)

Underground and Emigrants(de)

In this film, outspokenly homosexual filmmaker Rosa von Praunheim has documented his encounters with friends in the New York "underground" arts movement, the better-known of whom are William Burroughs (who says nothing for the camera), Andy Warhol (seen in the distance) and Fernando Arrabal (who is interviewed in Spanish). The emigrants named in the title are notable Germans who left the country before World War II, such as Greta Keller and Grete Mosheim. Reviewers at the time of the film's release considered it to have been a sort of paid vacation for the filmmaker rather than a serious effort. (Clarke Fountain, Rovi)

Balthus through the Looking-Glass(fr)

Using rare images of the artist filmed at work in his studio, exclusive interviews with his family and close friends, photographs by Henri Cartier-Bresson, and unpublished artwork, this award-winning feature documentary highlights the painter’s complex creative process. Acclaimed as the definitive film portrait of the master, Balthus through the Looking-Glass was shot on Super 16 over 14 months in Switzerland, Italy, France and the Moors of England by the director of Fellini, I’m a Born Liar. (Arte)

Alex Colville: The Splendour of Order(en)

A view of the life and works of the late Alex Colville, the celebrated Canadian painter. Shows the influence on his life and works of his experience as an artist during World War II, and of his relationship with his wife, Rhoda. Friends and critics speak of the construction and sense of menace in his work, and Colville comments on his sense of order, goodness, and contingency.

Mudflat(en)

Years ago, artists would walk around the muck at the edge of the San Francisco Bay in Emeryville, and build loads of sculptures out there on the flats, created from driftwood and found objects that drivers would enjoy as they motored south on the old Highway 17 (known in numerous radio ads as 'Highway 17, The Nimitz'). Grabbing material off someone else’s work was considered fair game and part of the fun, and contributed a kinetic dynamic to the ongoing display. Now the place is a park, and the sculptures are gone, but you can see what it used to be like in this neat and funny documentary by Ric Reynolds, augmented by Erich Seibert’s wonderful musique-concrète/time-lapse sequences. The flashback circus sequence includes Scott Beach and Bill Irwin. Sculptors interviewed include Walt Zucker, Tony Puccio, Robert Sommer, Ron & Mary Bradden, and Bob Kaminsky.

Hungary 2011(hu)

Anthology film made as an act of protest against Hungarian government of Viktor Orban.

Reading Alistair MacLeod(en)

This feature doc profiles acclaimed writer Alistair MacLeod. Hailed internationally as a master of the short story, MacLeod also wrote a novel, No Great Mischief, which was celebrated around the world. Depicting men and women living out their lives against the haunting landscape that surrounds them, most of MacLeod's work is firmly based in Cape Breton even if his characters stray elsewhere. Focusing on the complexities and abiding mysteries at the heart of human relationships, MacLeod maps the close bonds and impassable chasms that lie between people and invokes memory and myth to celebrate the continuity of the generations. This film portrait explores the life and work of this giant of literature.

Packed In A Trunk: The Lost Art of Edith Lake Wilkinson(en)

The story of artist Edith Lake Wilkinson, a painter who was committed to an asylum in 1924 and never heard from again. All her worldly possessions were packed into trunks and shipped to a relative in West Virginia where they sat in an attic for 40 years. Edith's great-niece, Emmy Award winning writer and director Jane Anderson, grew up surrounded by Edith's paintings, thanks to her mother who had gone poking through that dusty attic and rescued Edith's work. The film follows Jane in her decades-long journey to find the answers to the mystery of Edith's buried life, return the work to Provincetown and have Edith's contributions recognized by the larger art world.