The Metropolitan Opera - Verdi: Macbeth(2014)

La Bohème(fr)

Sea of Blood(ko)

Based on a revolutionary play supposedly written by the Eternal President of the Democratic People's Republic, Kim Il-sung, and rumored to have been co-directed by Kim Jong-il. This revolutionary work is also popular among the Chinese, especially those who lived through the Cultural Revolution, and have fond memories of revolutionary antics.

Elektra(en)

Strauss's opera adapted to the screen by Gotz Friedrich.

Rigoletto(it)

In Rigoletto, the deformed figure of the hunchbacked jester at the Mantuan court acts as a foil to his cynical and powerful master, an unscrupulous philanderer contrasted with his cruel and unforgiving fool. Rigoletto encourages and welcomes the Duke's conquests, pitilessly mocking his victims until he discovers that the Duke has abducted the one person he genuinely loves, his own daughter. As a result, the character of the court jester is transformed into a tragic figure who, in spite of his evident immorality and malice, allows us to sense the devotion he feels for his daughter and his horror at being destroyed by the same despotic world as that which he himself has helped to create.

Poulenc's The Human Voice / Bartók's Bluebeard's Castle(en)

Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayable, and the expression of despair in Poulenc’s monologue, the director Krzysztof Warlikowski perceives a shared dramatic thread, a shared feminine consciousness and a shared sense of imprisonment and suffocation: for the woman who penetrates the confines of Bluebeard’s castle and Elle, the woman who clings to a telephone conversation with a man as the only thing worth living for, are condemned to share the same fate. And this man she speaks to, does he really exist? Unless the director has interpreted Cocteau’s words to the letter and the telephone has become a “terrifying weapon that leaves no trace, makes no noise”…

Jenůfa(cs)

When a beautiful young woman in rural Moravia becomes unexpectedly pregnant, she learns that love is sometimes only skin-deep. Janáček took Gabriela Preissová's grim tale of infanticide and redemption, and condensed it into a masterful, spine-chilling drama. The tragic plight of the protagonists is presented with unsentimental realism that cannot help but trigger a response of deep compassion. Premiered at the National Theatre in the composer's hometown of Brno 115 years ago, the opera took him nine years to complete and is the first in which his distinctive voice can clearly be heard.

Sternenhoch(eo)

Trapped in an abusive marriage, a wealthy German prince desperately seeks a way out. But what appears to be the road to salvation soon turns into a highway to hell. The universal language of music meets the international language of Esperanto in this debut opera by Ivan Acher. The carpenter, forest worker, designer and composer has cleverly blended electro-acoustic and contemporary music to breathe life into Ladislav Klíma’s expressionist novel, The Sufferings of Prince Sternenhoch.

Mea Culpa – A ReadyMadeOpera(de)

In Mea Culpa, Christoph Schlingensief blurs a delicate line: he ignores the threshold that separates the healthy from the sick. By making his cancer the subject of an opera, premiering on the largest German-speaking theater, he is putting the art district under pressure: a wonderful institution like the Burgtheater must use its artistic resources lavishly to reveal the entire "truth" about us humans. At the end of the day, when the scenery on Janina Audick's revolving stage has finally come to rest, when Isolde's last Liebestad has been sung enchantingly beautifully by Elfriede Rezabek and indescribable jubilation breaks out, then Schlingensief is completely alone with his illness.

Janacek: Jenufa(cs)

"Yenufa" is an outstanding phenomenon in the music of the 20th century. Drawing on Moravian folklore, Janáček faithfully and deeply conveyed the drama of a peasant girl. The composer followed the path of Mussorgsky, revealing the spiritual life of people through the recreation of intonations of living speech. The libretto is based on a drama written in a naturalistic manner. Free from naturalism, Janáček's music has powerful emotional strength and psychological truth. It was written during a difficult period in the composer's life (illness and death of his daughter).

Rigoletto(en)

Rigoletto is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the play Le roi s'amuse by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. This 1994 recording, directed by Riccardo Muti, stars Roberto Alagna, Renato Bruson and Andrea Rost.

The Turn of the Screw(en)

Benjamin Britten’s opera of the Henry James novel. An inexperienced governess is sent to a country house to care for two children, whom she is gradually convinced have been corrupted by the ghosts of a previous manservant and governess…

Paradiso, oratorio(en)

The moon landing is juxtaposed to Dante and Beatrice's journey through paradise in this visual oratorio composed by Jacob ter Veldhuis.

Don Carlos(en)

The production by Deutsche Oper Berlin achieves a beautiful balance between the stage drama and the music. It proves that there are still singers who can perform Verdi's melodies at the highest level and that it is also possible to bring them together into an ensemble. The production fulfills all one's expectations of the modern city of Berlin in terms of stylishness and performance.

The Pirates of Penzance(en)

Sasha Regan’s award-winning All-male Company are set to lift everyone’s spirits with a treat in their new West End pirate’s cove. The swashbuckling pirates and their winsome lasses sail into the Palace Theatre with their inventive new take on W. S. Gilbert & Arthur Sullivan’s classic operetta THE PIRATES OF PENZANCE. Featuring a dazzling cast singing songs including: “I am a Pirate King”; “Oh, happy day, with joyous glee” and “A rollicking band of pirates we”, they are sure to raise the roof off the Palace Theatre!

Macbeth(en)

Carlos Álvarez takes the title role in the first of Verdi's Shakespearean operas, with Maria Guleghina as the manipulative wife whose desire to gain the Scottish throne drives her husband to murder and leaves both with blood on their hands. Bruno Campanella conducts the Symphony Orchestra and Chorus of the Gran Teatre del Liceu in the 2004 recording of Phyllida Lloyd's powerful production, first staged at London's Royal Opera House.

Svätopluk(sk)

Eugen Suchoň's opera Svätopluk returns to the stage of the Slovak National Theatre Opera in 2023. Since 1960, when it had its world premiere, this is the fifth production of this musical drama at the Slovak National Theatre. It returns as an eloquent witness of Slovak operatic history, as a bearer of a message, as an impulse for reflection and reassessment of historical attitudes in a broader context.

Wagner: Parsifal(en)

German composer Richard Wagner wrote Parsifal, which is a three-act opera that tells the story of the title character's quest to save the Knights of the Holy Grail by returning the Holy Spear, healing King Amfortas, and carrying out the sacred ceremony of uncovering the Holy Grail.

Lucia(en)

Members of an opera company performing Donizetti's "Lucia di Lammermoor" find their lives parallel those of the characters.

Let's Sing Again(en)

An orphan (Eight-year-old boy soprano Bobby Breen) gets a chance to sing opera in New York.

Verdi Aida(en)

Originally commissioned to celebrate the completion of the Suez Canal and the opening of Cairos new opera house, Verdis Egyptian epic Aida is here seen in a spectacular new staging in the Teatro Regio Torino by the Oscar-winning American film director William Friedkin, creator of such famous movies as The Exorcist and The French Connection. The cast features American soprano Kristin Lewis who has been heralded for her remarkable voice, which she uses with powerful dramatic instinct, and Georgian mezzo-soprano Anita Rachvelishvili, whose Amneris dominates the stage with her dark, rounded, irresistible voice and extraordinary stage presence. Gianandrea Noseda leading the Orchestra and Chorus Teatro Regio Torino received accolaides from all: he controls everything- orchestra, singers, chorus, dancers, acrobats- with an all-encompassing overview. He knows exactly when its time to linger over a timbre, a color, an expressive chord.