Sloan McBride is an 1980s music star who is trying to hold on to her career. She hires Jenny as her assistant and Jenny seems to be the perfect employee. However, Jenny is actually planning her revenge because she blames Sloan for ruining her mother's career and causing her suicide.
Sloan McBride is an 1980s music star who is trying to hold on to her career. She hires Jenny as her assistant and Jenny seems to be the perfect employee. However, Jenny is actually planning her revenge because she blames Sloan for ruining her mother's career and causing her suicide.
2002-10-05
4.25
In late 1940s Los Angeles, Easy Rawlins is an unemployed black World War II veteran with few job prospects. At a bar, Easy meets DeWitt Albright, a mysterious white man looking for someone to investigate the disappearance of a missing white woman named Daphne Monet, who he suspects is hiding out in one of the city's black jazz clubs. Strapped for money and facing house payments, Easy takes the job, but soon finds himself in over his head.
Over the course of her stay at the remote residence, Ana becomes more and more familiar with Holden’s idiosyncratic methods that require the participating artists to abandon their own identities and live emotionally and psychologically as their characters. Captivated by her artistic investigation, Ana immerses herself wholly into the method and starts living as Violeta, until her fiction loses control.
An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.
Sparta Academy is the nation's top prep school, where students with poor grades undergo frightening torture under the school headmaster's direction. Kekko Kamen makes her appearance at the school in outrageous attire, completely naked except for her red mask, boots and gloves, and attacks the torturing teacher.
After the two vagabonds Robert and Bertram flee from prison, they get to know the innkeeper’s daughter Lenchen at the “Silver Swan” Inn. Because her father is in desperate need of money, Lenchen is to marry the creditor Biedermeier instead of her beloved military recruit Michel. In order to prevent that, Robert and Bertram travel to the capital and, under false names, manage to make their way into the house of the Jewish commercial advisor Ipelmeyer, to whom Biedermeier is deep in debt. During an evening costume ball, the bums steal the family jewels and give them to Lenchen’s father. Lenchen and Michael get married and Robert and Bertram flee in a balloon into the sky.
I was somewhere between the beggining and the end of life. After winter became spring, and summer became fall, and fall winter again. I always knew change would be constant.
When his woman walks out on him, the clown suffers from hallucinations, imagining various people and situations in his misery.
An odyssey based on true events: Thupten, Droma und Kalsang, three children from a Tibetan village, set out with their older companion Sonam for Shenzhen in Southern China. They're intending to perform as a band on TV. The special thing about their long and difficult journey is that none of them can see.
A behind the scenes look at the new James Cameron blockbuster “Avatar”, which stars Aussie Sam Worthington. Hastily produced by Australia’s Nine Network following the film’s release.
The Metamorphosis of Ismaila Ba is the story of two women who meet in a cafe. There is an undeniable attraction, even as each of them sees the depth of the other's pain. Things immediately get complicated when they are brutally attacked in what seems like a random act of violence.
General Heinz Büchner is in charge of a special unit of the German army. His son Christopher is a member of the unit. They get the mission to take out a band of terrorists that plan an attack on the American headquarters in Heidelberg.
Mutiny employs a panoply of expression, gesture, and repeated movement. Its central images are of women: at home, on the street, at the workplace, at school, talking, singing, jumping on trampolines, playing the violin. The syntax of the film reflects the possibilities and limitations of speech, while “politically, physically, and realistically” flirting with the language of opposition.