Jerry runs into the Metropolitan Opera, trying to evade Tom.
1962-12-21
5.1
Thousands of birds flock into a seaside town and terrorize the residents in a series of deadly attacks.
Someone drops off three cute little kittens; Tom is put in charge of them while Mammy goes shopping. But behind her back, the three little angels are real devils.
Thirty years after the events of the first film, a new blade runner, LAPD Officer K, unearths a long-buried secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard, a former LAPD blade runner who has been missing for 30 years.
After the devastating events of Avengers: Infinity War, the universe is in ruins due to the efforts of the Mad Titan, Thanos. With the help of remaining allies, the Avengers must assemble once more in order to undo Thanos' actions and restore order to the universe once and for all, no matter what consequences may be in store.
The Guardians must fight to keep their newfound family together as they unravel the mysteries of Peter Quill's true parentage.
As the Avengers and their allies have continued to protect the world from threats too large for any one hero to handle, a new danger has emerged from the cosmic shadows: Thanos. A despot of intergalactic infamy, his goal is to collect all six Infinity Stones, artifacts of unimaginable power, and use them to inflict his twisted will on all of reality. Everything the Avengers have fought for has led up to this moment - the fate of Earth and existence itself has never been more uncertain.
Thor is imprisoned on the other side of the universe and finds himself in a race against time to get back to Asgard to stop Ragnarok, the destruction of his home-world and the end of Asgardian civilization, at the hands of a powerful new threat, the ruthless Hela.
Light years from Earth, 26 years after being abducted, Peter Quill finds himself the prime target of a manhunt after discovering an orb wanted by Ronan the Accuser.
King T'Challa returns home to the reclusive, technologically advanced African nation of Wakanda to serve as his country's new leader. However, T'Challa soon finds that he is challenged for the throne by factions within his own country as well as without. Using powers reserved to Wakandan kings, T'Challa assumes the Black Panther mantle to join with ex-girlfriend Nakia, the queen-mother, his princess-kid sister, members of the Dora Milaje (the Wakandan 'special forces') and an American secret agent, to prevent Wakanda from being dragged into a world war.
Every second of every day, from the moment he was born, for the last thirty years, Truman Burbank has been the unwitting star of the longest running, most popular documentary-soap opera in history. The picture-perfect town of Seahaven that he calls home is actually a gigantic soundstage. Truman's friends and family - everyone he meets, in fact - are actors. He lives every moment under the unblinking gaze of thousands of hidden TV cameras.
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.
While working underground to fix a water main, Brooklyn plumbers—and brothers—Mario and Luigi are transported down a mysterious pipe and wander into a magical new world. But when the brothers are separated, Mario embarks on an epic quest to find Luigi.
Set in the 22nd century, The Matrix tells the story of a computer hacker who joins a group of underground insurgents fighting the vast and powerful computers who now rule the earth.
The story follows Carol Danvers as she becomes one of the universe’s most powerful heroes when Earth is caught in the middle of a galactic war between two alien races. Set in the 1990s, Captain Marvel is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe.
The adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.
Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.
Unlucky assassin Ladybug is determined to do his job peacefully after one too many gigs gone off the rails. Fate, however, may have other plans, as Ladybug's latest mission puts him on a collision course with lethal adversaries from around the globe—all with connected, yet conflicting, objectives—on the world's fastest train.
When the creator of a popular video game system dies, a virtual contest is created to compete for his fortune.
Contents Boulez: Initiale /Boulez Ensemble (chamber ensemble) Schubert: Der Hirt auf dem Felsen, D965 (Von Chezy / Muller) Anna Prohaska (soprano), Jörg Widmann (clarinet), Daniel Barenboim (piano) Mozart: Piano Quartet No. 2 in E flat major, K493 Daniel Barenboim (piano), Michael Barenboim (violin), Yulia Deyneka (viola), Kian Soltani(cello) Berg: Chamber Concerto for Piano and Violin with 13 Wind Instruments Michael Barenboim (violin), Karim Said (piano), Boulez Ensemble
How do we live together in an age of conflict? How do you heal a divided and angry people? In their 2017 production of Mozart’s La clemenza di Tito, Peter Sellars and Teodor Currentzis examine these questions through the story of a warrior-emperor who brings peace to his divided land and pardons his own would-be assassins. Written under a time crunch (legend has it that it was written in only 18 days, although it is likely an exaggeration) during the last year of Mozart’s life, the opera is based on a libretto written more than half a century earlier by Pietro Metastasio. It was commissioned for the coronation of Leopold II as King of Bohemia, and received its first public performance at the Estates Theatre in Prague on September 6, 1791.
Like many of John Adams’ operas, Doctor Atomic is based on recent world historical events—here, the effusive Robert Oppenheimer, “father of the atomic bomb,” anxiously awaits the bomb’s first test in Los Alamos, New Mexico. Adams adapted the work into a symphony, comprising its three main acts. In the second half of the program, Adams conducts his 2015 violin concerto, Scheherazade.2, which restages the tale of the One Thousand and One Nights heroine as a strong woman navigating a patriarchial society, incarnated by the solo violin part. The work was composed specifically for Canadian-American virtuoso Leila Josefowicz and co-commissioned by the Royal Concertgebouw Orchestra, who perform it to perfection. The evening then closes out with Tromba Lontana, an orchestral fanfare written to mark the 150th anniversary of Texas’s independence from Mexico in 1836.
Walt Disney's timeless masterpiece is an extravaganza of sight and sound! See the music come to life, hear the pictures burst into song and experience the excitement that is Fantasia over and over again.
Claude D'Anna's film of Verdi's Macbeth is a gloomy affair, stressing the descent into madness of the principal villains. It's acted by the singers of the Decca recording of the opera (with two substitutions of actors standing in for singers) and the lip-synching is generally unobtrusive. The musical performance is superb, conducted by Riccardo Chailly with admirable fire, and sung by some of the leading lights of the opera stages of the 1980s. Shirley Verrett virtually owned the role of Lady Macbeth at the time, and she delivers a terrific performance, the voice equal to the role's wide register leaps and it's suffused with emotion, whether urging her husband on to murder or maddened by guilt in the Sleepwalking Scene. Leo Nucci's resonant Macbeth may lack the ultimate in vocal color and steadiness (his last notes of the great aria Pietà, rispetto, amore are wobbly) but he compensates with intensity in both singing and acting.
A collaboration between award-winning American filmmaker Sofia Coppola and Italia haute couture king Valentino comes in the form of a revival of Giuseppe Verdi's classic opera, La Traviata. Captured live from the Teatro dell'Opera di Roma.
Young Cab Calloway's mother is concerned, because Cab spends his days listening to the radio, pretending to lead a miniature orchestra. A deacon passing by the apartment hears him singing and advises him go to his wife's gypsy tea room. As she reads the tea leaves, she sees situations which lead to Cab and his orchestra performing musical numbers.
Leith Stevens leads his orchestra in a nice assortment of standards in a variety of musical styles, including Dixieland and swing. Mr. Stevens was a popular orchestra leader of the era who later became a musical director for an assortment of television shows and his facility with more than one style of music, so important for his later career, is much in evidence here.
37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.
This is an effective staging, though the set looks medieval and the costumes are modern. It’s well paced, well played, well sung. Jonas Kaufmann is an ideal Tito. His voice is not only beautiful and flexible, it’s also ample, retaining warmth and sweetness when he sings out. The character of Tito is too good to be true, but Kaufmann makes him intense, noble, and beliveable. Vesselina Kasarova is riviting as Sesto. Her voice is gorgeous and multi-colored, her technique exquisite, her immersion in the role complete.
American composer Jake Heggie’s compelling masterpiece, the most widely performed new opera of the last 20 years, arrives in cinemas in a haunting new production by Ivo van Hove. Based on Sister Helen Prejean’s memoir about her fight for the soul of a condemned murderer, Dead Man Walking matches the high drama of its subject with Heggie’s beautiful and poignant music and a brilliant libretto by Tony and Emmy Award–winner Terrence McNally. Met Music Director Yannick Nézet-Séguin takes the podium, with mezzo-soprano Joyce DiDonato starring as Sister Helen. The outstanding cast also features bass-baritone Ryan McKinny as the death-row inmate Joseph De Rocher, soprano Latonia Moore as Sister Rose, and legendary mezzo-soprano Susan Graham—who sang Helen Prejean in the opera’s 2000 premiere—as De Rocher’s mother.
Inspired by the magical realism of Gabriel García Márquez, Mexican composer Daniel Catán’s 1996 opera tells the enchanting story of a Brazilian opera diva who returns to her homeland to perform at the legendary opera house of Manaus—and to search for her lost lover, who has vanished into the jungle.
The success of Verdi’s third opera, a stirring drama about the fall of ancient Jerusalem at the hands of Nebuchadnezzar (Nabucco), catapulted the 28-year-old composer to international fame. The music and Verdi himself were subsumed into a surge of patriotic fervor culminating in the foundation of the modern nation of Italy. Specifically, the Chorus of the Hebrew Slaves ('Va, pensiero'), in which the Israelites express their longing for their homeland, came to stand for the country’s aspirations for unity and that exciting era in Italian history, the Risorgimento, or 'Resurgence'.
Director Carrie Cracknell makes her Met debut, reinvigorating the classic story with a staging that moves the action to the modern day, in a contemporary American industrial town.
Music Director Yannick Nézet-Séguin conducts Verdi’s grand tale of ill-fated love, deadly vendettas, and family strife, with stellar soprano Lise Davidsen as the noble Leonora, one of the repertory’s most tormented—and thrilling—heroines. Director Mariusz Treliński delivers the company’s first new Forza in nearly 30 years, setting the scene in a contemporary world and making extensive use of the Met’s turntable to represent the unstoppable advance of destiny that drives the opera’s chain of calamitous events. The distinguished cast also features tenor Brian Jagde as Leonora’s forbidden beloved, Don Alvaro; baritone Igor Golovatenko as her vengeful brother, Don Carlo; bass-baritone Patrick Carfizzi as Fra Melitone; and bass Soloman Howard as both Leonora’s father and Padre Guardiano.
Puccini’s bittersweet love story returns to cinemas, with soprano Angel Blue starring as the French courtesan Magda, opposite tenor Jonathan Tetelman as Ruggero, an idealistic young man who offers her an alternative to her life of excess. Maestro Speranza Scappucci conducts Nicolas Joël’s Art Deco–inspired staging, which transports audiences from the heart of Parisian nightlife to a dreamy vision of the French Riviera. Soprano Emily Pogorelc and tenor Bekhzod Davronov complete the sterling cast as Lisette and Prunier.
Extraordinary soprano Asmik Grigorian tackles the demanding role of Cio-Cio-San, the loyal geisha at the heart of Puccini’s devastating tragedy. Tenor Jonathan Tetelman stars as the callous American naval officer Pinkerton, whose betrayal destroys her. Mezzo-soprano Elizabeth DeShong reprises the role of the steadfast maid Suzuki, and baritone Lucas Meachem is the American consul Sharpless. Acclaimed maestro Xian Zhang takes the podium to conduct Anthony Minghella’s vivid production.
Two singers at the height of their powers—radiant soprano Nadine Sierra and tenor sensation Benjamin Bernheim—come together as the star-crossed lovers in Gounod’s sumptuous Shakespeare adaptation, with Met Music Director Yannick Nézet-Séguin on the podium to conduct one of the repertoire’s most romantic scores. Bartlett Sher’s elegant staging also features baritone Will Liverman and tenor Frederick Ballentine as the archrivals Mercutio and Tybalt, mezzo-soprano Samantha Hankey as the mischievous pageboy Stéphano, and bass-baritone Alfred Walker as Frère Laurent.