
Navajo Film Themselves is a series of seven short documentaries: Intrepid Shadows (1966), The Navajo Silversmith (1966), A Navajo Weaver (1966), Old Antelope Lake (1966), Second Weaver (1966), The Shallow Well Project (1966), and The Spirit of the Navajos (1966).
0.0From the remote Australian desert to the opulence of Buckingham Palace - Namatjira Project is the iconic story of the Namatjira family, tracing their quest for justice.
0.0This film is an initiatory journey among the Fangs of Gabon and the Shipibos of Peru. With the sound of traditional instruments like the mogongo (arc in the mouth), the holy harp, and the Icaros, we discover the traditional peoples’ wisdom.
0.0The documentary adresses the meaning of music and the musical diversity present in Umbanda (a Brazilian religion with afroindigenous roots). With interviews with four umbandistas from Fortaleza - Ceará, Crossroads of the Sound pays reverence to the enchanted dimension where the sounds cross each other to make the spirits dance.
Resilience is dedicated to those whose lives have been fragmented by intergenerational trauma, but who wish to break the cycle.
0.0For more than 120 years, Mohawk ironworkers have raised America’s modern cityscapes. They are called 'sky walkers' because they walk fearlessly atop steel beams just a foot wide, high above the city. In this nuanced portrait of modern Native Americans' double lives, Jerry McDonald Thundercloud and his colleague Sky shuttle between the hard-drinking Brooklyn lodging houses they call home during the week and their rural reservation, a grueling drive six hours north, where a family weekend awaits. While the men are away working, their wives often struggle to keep their children away from the illegal temptations of an economically deprived area.
0.0On May 16th, 2019, the State of Maine made history by passing LD 944 An Act to Ban Native American Mascots in All Public Schools, the first legislation of its kind in the country. For Maine's tribal nations, the landmark legislation marked an end to a decades long struggle to educate the public of the harms of Native American mascotry. Fighting Indians chronicles the last and most contentious holdout in that struggle, the homogeneously white Skowhegan High School, known for decades as "The Home of the Indians". This is the story of a small New England community forced to reckon with its identity, its sordid history, and future relationship with its indigenous neighbors. It is a story of a small town divided against the backdrop of a nation divided where the "mascot debate" exposes centuries old abuses while asking if reconciliation is possible.
0.0Examines the violence and civil disobedience leading up to the hallmark decision in U.S. v. Washington, with particular reference to the Nisqually Indians of Frank's Landing in Washington.
0.0A young Native American man on his way to visit his uncle learns about his Navajo heritage by attending tribal gatherings, traditional ceremonies and listening to old folktales.
5.0An experimental look at the origin of the death myth of the Chinookan people in the Pacific Northwest, following two people as they navigate their own relationships to the spirit world and a place in between life and death.
0.0Angels Gather Here’ follows Jacki Trapman’s journey back to her hometown of Brewarrina to celebrate her parents, Bill and Barbara’s 60th Wedding Anniversary. Going home is never easy for Jacki. Amidst the family celebrations she reflects on her life; her story symbolising the strength, dignity and resilience of many Aboriginal people in the face of adversity.
Three intrepid women battle for Indigenous women's treaty rights.
6.0The story of an American hero and the Cherokee Nation's first woman Principal Chief who humbly defied all odds to give a voice to the voiceless.
10.0Rematriation explores scientific, cultural, economic and sociopolitical perspectives, as citizens fight to protect the last big trees in British Columbia from being felled. The lessons we take away permeate the fabric of Canadian identity.
Documentary examines the different paths taken by brothers Edward & Asahel Curtis in their photographs of Northwest Indians and Yukon explorers, as well as their influence on Seattle & Washington state
0.0The last surviving Native Americans on Long Island are the focus of The Lost Spirits. The film chronicles their struggles as an indigenous people to maintain their identity amidst relentless modernization and a heartless bureaucracy.
0.0Waters’ LIFT project, ᏗᏂᏠᎯ ᎤᏪᏯ (Meet Me at the Creek), is the fourth of a quartet of films, and focuses on interconnectedness and Cherokee values through the lifelong fight of Rebecca Jim, a Cherokee Nation citizen and waterkeeper warrior, as she leads the effort to restore Tar Creek in Miami, Oklahoma.
7.0The title of this video, taken from the texts of the architect Kengo Kuma, suggests a way of looking at everything as “interconnected and intertwined” - such as the historical and the present and the tool and the artifact. Images and representations of two structures in the Portland Metropolitan Area that have direct and complicated connections to the Chinookan people who inhabit(ed) the land are woven with audio tapes of one of the last speakers of chinuk wawa, the Chinookan creole. These localities of matter resist their reduction into objects, and call anew for space and time given to wandering as a deliberate act, and the empowerment of shared utility.
A documentary film about Comanche activist LaDonna Harris, who led an extensive life of Native political and social activism, and is now passing on her traditional cultural and leadership values to a new generation of emerging Indigenous leaders.
In Mexico, the lack of jobs in villages and communities forces people to migrate to cities in search of opportunities and better income. This is the case of Justino, originally from the village of Muchucuxcáh, in the Yucatán Peninsula, who after traveling to Cancun and encountering problems and suffering there, decided to return to his village and learn to work with wood. Justino demonstrates how humans can interact with nature and their surroundings to have a dignified job.
0.0The first mountains that the Amsterdam-based Colombian artist and filmmaker Ana Bravo Pérez saw in the Netherlands were black. In this experimental work, she follows the stench of the coal in the port of Amsterdam back to its origin: an open wound in northern Colombia. The mine is located in the territory of the Wayuu and has a huge impact on the indigenous people.
