

bettie page documentary

bettie page documentary
2008-06-11
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7.0A legend of the Hollywood Golden Age, Gregory Peck (1916-2003) had an exemplary career, working under some of the greatest directors: Alfred Hitchcock, Elia Kazan, Raoul Walsh, Vincente Minnelli... Portrait of an actor with irresistible charm and strong political commitments.
6.6An intimate portrait and saga of four film pioneers--Harry, Albert, Sam and Jack who rose from immigrant poverty through personal tragedies persevering to create a major studio with a social conscience.
7.61972 was a turning point in Ilie Nastase's career: he won his first US Open, while also reaching both Wimbledon and Davis Cup finals. Moving back and forth in time and featuring amazing archive footage and exclusive interviews with top athletes, the documentary explores Nastase's highs and lows, the controversies that surrounded him and the enduring impact he has had on the world of tennis. Lovable, charming and generous, yet temperamental, arrogant and obscene, Mr. Nice'n'Nasty disrupted the old-fashioned etiquette of the sport in the 70s thus becoming its first rebel rock star.
6.5The 1960s opened with La Dolce Vita by Federico Fellini and its unforgettable lead: Marcello Mastroianni. The actor seemed to glide effortlessly through his roles — and through life — as if to say that life is not all that serious, or perhaps that it is far too serious not to be laughed at. But what kind of man was hiding behind the actor with the handsome, boyish looks, who appeared so gentle and nonchalant?
0.0A documentary pilgrimage to the annual James Dean Festival in Fairmount, IN as seen through the eyes of the cultural icon's die-hard fans, affectionately known as 'Deaners'.
5.4Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.
6.6Newly discovered interviews with Elizabeth Taylor and unprecedented access to the star’s personal archive reveal the complex inner life and vulnerability of the groundbreaking icon.
0.0Billy Ruane, storied impresario of the 90s Boston indie music scene. Billy promoted shows and inspired cult-like followings of bands by the likes of The Lemonheads, Dinosaur Jr., Pixies, Superchunk, Buffalo Tom, Elliott Smith, Pavement, and Sonic Youth. His gracious treatment of artists set new standards in music. But underneath Billy’s exuberant cartoon-like demeanor and Harvard education, was the pain of a man with deep trauma, who struggled with bipolar disorder and substance abuse, and was confounded by the weight of an endless supply of money.
7.3In 1933, Merian C. Cooper and Ernest B. Schoedsack, two audacious and visionary directors, dared to create a motion picture that eclipsed everything seen until then: when King Kong was released, it was celebrated as an artistic and technical revolution and became the first myth created by the young cinematic art.
8.0A kaleidoscopic portrait of the English actress and singer Jane Birkin, heroine of pop culture.
7.5The portrait of a woman who remembers. Sheila tells the story of Sheila, without concessions or evasions. Her childhood, her parents, her beginnings, the rumors, her love affairs, her marriage, her son, her successes, her farewells, her return, her mourning. The journey of an extraordinary popular icon who never stopped fighting. The courage of an artist who never gives up. "Sheila, toutes ces vies-là" is also a journey through time. 60 years of pop music, punctuated by numerous archives, personal films, timeless hits and illustrations by Marc-Antoine Coulon. But also 60 years of fashion, through a legendary wardrobe (her TV show outfits) that Sheila invites us to rediscover.
6.7This is the story of a man who climbed the Hollywood ladder, one rung at a time, until he reached the top and became the most popular American actor of his era.
4.7A sexual film that revealed the activities of Seungha, who made her debut as an adult film actress after working as an idol singer.
6.3An original documentary from Turner Classic Movies, Garbo offers an intimate look at the life and career of the movies' most luminous, reclusive and mystifying star. A portrait of Garbo the woman is drawn through interviews with biographers and admirers, plus many of the friends, relatives and associates who came closest to penetrating the lonely star's veil of solitude.
6.8On stage since she was a toddler, Googoosh has been an icon of Iranian pop culture since the 1970s. Her progressive style and raw singing talent attracted worldwide acclaim and saw her performing alongside the likes of Tina Turner and Ray Charles. But the star's career came to an abrupt halt after the Islamic Revolution, which banned women from singing in public. Googoosh was placed under house arrest, where she remained for the next two decades. Niloufar Taghizadeh's documentary, which includes interviews with the charismatic singer (now in her seventies, but still performing and advocating for women and girls) and arresting archival footage, offers both a loving portrait of a national icon and a fascinating historical and cultural record of Iran.
0.0A compilation of early-day silent films that serves as a glimpse back to the formative days of the movie industry as a salute to Hollywood's Golden Year, so proclaimed by the Hollywood Chamber of Commerce as 1953.
5.5This short promotes the premise that movies often create a demand for the fashions seen in them. It starts with a vignette in rural America. A mother and daughter go to town to buy a new dress. In the dress shop window is a designer dress worn by Joan Crawford in a recent movie. We then go to Hollywood and visit Adrian, MGM's chief of costume design, and see how multiple copies of a single clothing pattern are produced. The film ends with short segments of several MGM features.
0.0The private Joan Crawford fought as hard to create a normal family life as she did to establish her career. She forged her own path and to that end became a single parent, eventually adopting and raising four children. Like many parents, she picked up a 16mm camera and began filming both the special and the ordinary events of her family’s life. These home movies (ca. 1940–42) present that which one rarely gets to see: a larger-than-life personality at home, unadorned, just being herself—and often in color, at a time when her feature films were black and white. Crawford filmed most of the home movies herself; when she is on camera, it is unclear who is behind it.