Corpos que Contam(2025)

Volver a Volver(es)

The Sykora family are only four people out of millions of Venezuelans that have recently escaped their collapsing country. They land in the Czech Republic, the country where Grandpa Jan was born, but also a place utterly strange to them. In a matter of months their savings have almost gone and job seeking becomes a nightmare. Again, the dream of just having a normal life starts to vanish. Will the family manage not to crumble along the way?

Eric & Ernie: Behind the Scenes(en)

A history of the British television comedy double act Morecambe & Wise to coincide with the BBC drama about their early lives.

The Last Supper(en)

A documentary of burgeoning popstar Frimann's last gig in Liverpool before moving back home to Norway

Federer: Twelve Final Days(en)

Originally a home video never intended for public viewing, this film captures the final chapter in Roger Federer's legendary tennis career, featuring Roger, his family, and his three main rivals: Rafael Nadal, Novak Djokovic, and Andy Murray.

This Is My Body(fr)

Jérôme was sexually abused as a child by a priest. In a deeply personal film, he tries to search for clues in his memories and come to terms with the complicity of his former social environment.

A Propos d'Enedice(fr)

Deshilando Luz(es)

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?

Lost Men(en)

My grandfather, Neftalí Madrigal Cartín, was an important writer, he was married for 57 years, had 3 children and was also homosexual. This documentary is a journey down memory lane that my father and I undertook to revisit the life of my grandfather and, in the process, discover ourselves.

PRK30 - O Rádio pelo Avesso(pt)

It's a hot day in 2006(en)

A couple enjoy a hot summer's day together.

Inside Track: Senna and McLaren(en)

The story of the Ayrton Senna / McLaren partnership of 1991, and their amazing chronicle of success.

ENTRANCE(zh)

This is an installation documentary created in 2015. The quiet process of making boxes indoors reflects the author's patience and caution, the narration when the screen is black reflects the author's familiarity and confidence in what he wants to express, and the dodging perspective and trembling picture when facing the crowd outdoors reflect the photographer's cramped and alienated. A lot of things happened after 2015, and the film was re-edited. The current version has almost used the best materials of that year.

La plaque tournante(fr)

Homos en politique, le dire ou pas ?(fr)

“Being French in 2024 means being able to serve as Prime Minister while openly gay.” With these words closing his policy speech on January 30, 2024, Gabriel Attal made history. The documentary *Homos en politique: le dire ou pas?* uses this milestone — the appointment and visibility of France’s first openly gay Prime Minister — as a springboard for a broader inquiry. Journalists Jean-Baptiste Marteau and Renaud Saint-Cricq travel across France to meet LGBTQ politicians of all generations, from Paris to rural towns. Eleven years after the protests against same-sex marriage, has France really changed? Through interviews with figures like Bertrand Delanoë, Sarah El Haïry, Jean-Philippe Tanguy, Franck Riester, and others, the film explores how coming out intersects with politics, homophobia, and representation — questioning whether saying “I’m gay” in politics is still an act of courage or simply a sign of the times.

Restoring Hope(en)

This often confronting documentary observes a Māori restorative justice model through the eyes of straight-talking Mike Hinton, manager of Restorative Justice at Manukau Urban Māori Authority. The bringing together of victims (including wider whānau) and offenders may offer an alternate way forward for "a criminal justice system failing too many and costing too much”. Restoring Hope kicked off Māori Television’s 2013 season of Sunday night documentaries. In a Herald On Sunday preview, Sarah Lang argued it was “enough to restore hope in local documentary-making.” I’m in an arena where people have high emotions, they get stressed and pressured. I’m reasonably confident that I can avoid situations where I’ll be unsafe. I don’t have any death wish — I’ve got a game of golf tomorrow. – Mike Hinton, on the dangers of the job

buen vivir – ñutse canseye(en)

Oil extraction in the Amazon region is contaminating the land and water of a natural paradise. A slow process that threatens the health and traditional culture of local communities. Thirteen women raise their voices against the destruction of their land. Through protests and silent resistance, they confront an opaque global power structure.

Trajados(pt)

A documentary that explores how queer fashion, often born on the streets and in underground niches, has become a viral phenomenon on social media, shaping the aesthetics of global pop culture. Through the interaction between LGBTQIA+ influencers, content creators, and digital platforms such as Instagram, TikTok, and YouTube, trends that were once marginalized now occupy the center of the fashion industry. The film investigates how this evolution impacts not only the visibility of the queer community but also the consumption and creation of contemporary fashion

Madhavpur: A Cinematic Journey(en)

Madhavpur: A Cinematic Journey" stands as a singular testament to the beauty and allure of Madhavpur village and does not encompass multiple seasons or episodes. Therefore, there is no season overview or main events per season to provide.

Born For This: The Tia Bee Stokes Story(en)

"Born For This" chronicles the inspiring journey of Tia Bee Stokes, a mother of five who, while battling cancer, danced for 15 minutes every day, turning her fight into a powerful testament of resilience and hope.

火藥, burn my eyes(es)

In 1967, Beulah struck Reynosa. Family survives through images from memory circling the wreck. Rituals of celebration and violence like hurricane, shift between dancing, cyanotypes, blue fire and lost family archive. We have come to see the damage that was done and the treasures that prevail. Thus invent colors that burn the eyelid like 火藥.