Hart van de Halm(2025)

Quid pro quo(nl)

The film is set on the streets of Groningen and highlights the intimate and invisible parts of Joram, his work and his studio: the street. Both the residents and visitors of the street are captured by Joram's raw, confrontational and intimate portraits. In the film, Joram and the many people he portrays talk about Joram, his work and life.

Nomadenland(nl)

In recent years, the number of people living in a bus or camper has increased significantly. But for this growing group, there are fewer and fewer places where you can legally park. The Kardinge car park in Groningen, a popular refuge for people staying in their campers, is also under pressure. Does the Netherlands actually have room for nomads and what drives people to want to live off the beaten track? Filmmaker Tom Tieman temporarily goes into hiding at the Kardinge car park and meets the current residents. Read more

De Drie Gezusters: From Origin to Icon(nl)

Huilende bruiden(nl)

Theater te water(en)

Documentary about 35 years of this theater group.

Could Be Worse(nl)

'Could Be Worse' is a romantic, colorful, musical hybride film about the beauty of every day life in Groningen. Shots portrayed as paintings show the course of a very normal Friday. There is no drama to be found in this movie. Because thats not very 'Gronings' at all. Everything just goes as it goes. And all that everything is beautiful, calming and just fine as it is. Like a true Groninger would say: 'Could be worse’.

Koud Water(nl)

The friendship between two hooligans is showing cracks as one still thrives on the violent world, while the other tries to escape its empty existence. Raoul thrives on the chaos of the hooligan life, while Anouar searches for a way out of the violence and emptiness. This debut film shows how their friendship is tested when Anouar distances himself, afraid to face his true feelings. Raoul refuses to let go. For him, riled up and high on drugs, instilling fear is the way to command respect. His buddy Anouar, however, is increasingly fed up with the world rife with violence and toxic masculinity.

Schoem(nl)

Set between the sublime tranquility of the Wadden Sea and the restless pace of Groningen city life, Schoem follows the story of Hades, a young skipper whose family is slowly falling apart. As the world changes faster than he can keep up, Hades is confronted with the emotional weight of change, loss, and unexpected connection. Inspired by Ingeborg Nienhuis's novella "Schoem or De vaarende Zoltkamper," this short film combines poetic realism with emotional depth. Directors Kashani and Komelizadeh draw on their own intercultural experiences, creating a work that is simultaneously simple and aesthetically daring.

Regreso a Raqqa(es)

Mémé(fr)

Adapted from famous French actor Philippe Torreton’s best-seller, GRANDMA is the portrait of the actor’s grandmother: a modest, unique but universal Norman peasant. Enriched with amateur films, nourished by major historical events, GRANDMA also tells the story of the end of a world, that of the countryside of our grandmothers, before the abyss of modernity.

Toubib(fr)

The Waves(eu)

Seven women, guided by a therapist gradually put their bodies into motion. As the dance therapy progresses they give us the moving testimonies of the physical and psychological tortures that they underwent during their incommunicado detention in Spain in the 2000s.

The Real Miss America(en)

Henry Fonda narrates this documentary short film produced by the United States Department of Defense as a recruiting tool for women to join the armed services. Women's training, social life, and living situations are depicted, as well as a wide variety of jobs in which women could serve in the various branches of the military. Secretary of Defense Robert A. Lovett speaks to the importance of women as part of the national defense, and General Matthew Ridgway praises women for their service in combat-support functions.

The Road to Canterbury(en)

Nearly 1,400 years ago St Augustine made Canterbury the center of the Christian faith in England. This is an exploration of the road which leads from London to Canterbury - a road which has many associations with such historical figures as Chaucer, Henry VIII and his daughter Elizabeth, Shakespeare, Pepys and King Charles II. The journey ends with an exciting portrayal of the glorious cathedral of Canterbury.

The Gospel of Jesus's Wife(en)

Was Jesus married? Who was Jesus's wife? Controversial and incredibly fragile, a document stirs up debate surrounding more than 1,500 years of Christian beliefs.

Lesvia(el)

Since the 1970s, lesbians from around the world have been drawn to the island of Lesvos, the birthplace of the ancient Greek poet Sappho. When they find paradise in a local village and carve out their own queer lesbian community, tensions simmer with the local residents. With both groups claiming ownership of lesbian identity, filmmaker Tzeli Hadjidimitriou—a native and lesbian herself—is caught in the middle and chronicles 40+ years of love, community, conflict, and what it means to feel accepted.

Creating Our DNA(en)

A short documentary following Little Mix after winning The X Factor and the release of their first two singles from their debut album ‘DNA’.

Heritage art concept project (third row) Vahagn Davtyan, Nahapet Quchak, Hamo Sahyan, Nerses Shnorhali, Razmik Davoyan, Hovhannes Grigoryan, Aram Pachyan(hy)

Kings of Convenience: Back from Hibernation(en)

Kings of Convenience return with the first new music in 12 years. This documentary shares the band's history, as well as their journey to create the 2021 album ‘Peace Or Love’.

Prism(fr)

For Prism, Belgian filmmaker An van. Dienderen invited Brussels-based Rosine Mbakam from Cameroon and Paris-based Eléonore Yameogo from Burkina Faso to work together on a film in which the differences in their skin color serves as a departure to explore their experiences with the biased limitations of the medium. Photographic media are technologically and ideologically biased, favoring Caucasian skin. Such white-centricity means that the photographic media assume, privilege and construct whiteness.