Dragonfly(NaN)

Curandera(en)

A documentary film about one woman's incredible life journey to meet and build a relationship with Ayahuasca. Her name is Tatiana Aya Tupinambá and she chose the path of an Ayahuasca curandera. Travel into the jungle with us near Pucallpa, Peru to meet Tatiana's Ashaninka teacher, Juan Flores. Experience the magical location of Mayantuyacu, where Tatiana's journey of self-discovery and healing blossomed. Mayantuyacu is a world famous healing center and is known for it's incredible unique geothermal river which is the largest boiling river on the planet. Learn about plant 'dietas', see the process of making Ayahuasca, and witness the fascinating practice that is 'Curanderismo', the way of healing in the Amazon rainforest. Understand how the Ayahuasca songs, Icaros, are learned from the plants and connect to force that these vibrational medicines carry.

Los peloteros(es)

A group of kids in a poverty-stricken Puerto Rican rural town need money to purchase baseball uniforms for little league.

Surendettement : le combat des femmes(fr)

Blackboards(fa)

Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a group of old men looking for their bombed-out village; he offers to guide them, and takes as his wife Halaleh, the clan's lone woman, a widow with a young son. Reeboir attaches himself to a dozen pre-teen boys weighed down by contraband they carry across the border; they're mules, always on the move. Said and Reeboir try to teach as their potential students keep walking. Danger is close; armed soldiers patrol the skies, the roads, and the border. Is there a role for a teacher? Is there hope?

A Tree Grows in Brooklyn(en)

In Brooklyn circa 1900, the Nolans manage to enjoy life on pennies despite great poverty and Papa's alcoholism. We come to know these people well through big and little troubles: Aunt Sissy's scandalous succession of "husbands"; the removal of the one tree visible from their tenement; and young Francie's desire to transfer to a better school...if irresponsible Papa can get his act together.

Alma(es)

A single mother goes out for a run and never returns.

Pepe El Toro(es)

The simple life and the values ​​of loyalty and solidarity of the poor people in the environment of professional boxing, is the plot of this film, where Pepe el Toro shows the effort and tragedies that are experienced in this profession.

You the Rich(es)

Pepe el Toro is married to Celia la Chorreada and they have two children.

Where We Come From(de)

Summer 1994: Christian grows up under the violent hand of his father. When his mother dies, his aunt Juli fights to ensure that Christian can attend secondary school. In the process, he gets caught in the middle.

Doi Boy(th)

Sorn, an ethnic Shan sex worker, tries to build a future in Chiang Mai, Thailand, as a refugee far from home, but he is drawn into a complex relationship with one client, an investigator probing a political activist.

Pigs and Battleships(ja)

In the city of Yokosuka, Kinta and his lover Haruko, both involved with yakuza, brave the post-occupation period with a goal to be together.

Waira(qu)

In an isolated community, a young indigenous woman fights for her freedom after enduring sexual assaults. Confronted with a life-altering decision, she stands at a crossroads between resisting or forging a path away from the shackles of violence.

Pandemonium, the Hell's Capital City(es)

Adonai is an lunatic poet. He lives in an abandoned neighborhood of Caracas where he runs an underground radio called "Radio Pandemonium", he lives with his mom, his grandmother and a young lady who she calls very endearly, 'whore'. They survive among the corrupt, the death and the rising upheaval of the oppressed.

Nabat(az)

The story is set during an upsurge in the Nagorno-Karabakh conflict and revolves around an old, sick ex-forestry worker and his wife Nabat, whose son has died in battle.

Trash(en)

Trash is a coming of age drama set amongst the poverty stricken trailer parks of the deep South. In a spiraling tale of hatred, love and loyalty, two teenage friends realize that the only way for each of them to escape their miserable futures is by forever sacrificing the other.

Lady Oscar(en)

Oscar François de Jarjayes was born female, but her father insisted she be raised as a boy as he had no sons. She becomes the captain of the guards at Versailles under King Louis XVI and Marie Antonette. Her privileged, noble life comes under fire as she discovers the hard life of the poor people of France. She is caught up in the French Revolution, and must choose between her loyalty and love.

Satantango(hu)

Inhabitants of a small village in Hungary deal with the effects of the fall of Communism. The town's source of revenue, a factory, has closed, and the locals, who include a doctor and three couples, await a cash payment offered in the wake of the shuttering. Irimias, a villager thought to be dead, returns and, unbeknownst to the locals, is a police informant. In a scheme, he persuades the villagers to form a commune with him.

The Bowl(en)

A short film documenting the time the filmmaker spent in Kenya.

Vivante(s)(fr)

sin título(es)

"The prevailing stigmatization of the 'villero' universe is fed back by the images. In order to dismantle this stigmatization, other images must be presented or we need to reveal what the existing ones seek to cover up. The slum is usually represented from a limited and deceitful visual panorama. This representation has an intention. Cinema and television are two image-producing devices that strengthen the stereotypes that we have about the people who inhabit these spaces. And what happens in the field of painting? Do clichés reign there too? This visual essay seeks to confront various works by national painters and sculptors, belonging to the Palais collection, with the kinetic images of current cinema and television, to reflect on both the differences and the similarities in the meanings and discourses that both regimes of images can produce." César González