

In rural Scotland, a flock of sheep is sheared to survive the summer while a shepherd finds protection during the winter thanks to the wool. Are the clouds above them simply witnessing the process or do they actually take part in it? Shot on Super 8 with its characteristic unexpected light leaks, Passing Clouds explores a different possibility to the birth of clouds. Throughout the film, the sheep, the shepherd and his dogs guide us towards understanding the mystery of this mythical cycle based on what happens once a fleece is no longer attached to a sheep's body.

In rural Scotland, a flock of sheep is sheared to survive the summer while a shepherd finds protection during the winter thanks to the wool. Are the clouds above them simply witnessing the process or do they actually take part in it? Shot on Super 8 with its characteristic unexpected light leaks, Passing Clouds explores a different possibility to the birth of clouds. Throughout the film, the sheep, the shepherd and his dogs guide us towards understanding the mystery of this mythical cycle based on what happens once a fleece is no longer attached to a sheep's body.
2024-07-31
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A free interpretation on the reliance between those who occupy the land and its interweaving with the sky
In India, young people must marry someone approved by the family. Those who fall in love with someone else risk being killed for dishonour. But now they have someone to turn to for help: the Love Commandos.
8.0A feature-length documentary going behind-the-scenes on the making of the 2015 film Tangerine.
0.0Documentary film about the making of Arttu Haglund's feature film Gone.
6.2Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the media generated – with far-fetched examples of canine television games, seduction manuals, aerobics class while holding a baby, among others.
0.0Quatre altitudes bosniaques is an exercise in topographic cinema shot in Bosnia-Herzegovina. The document draws on the geography of the city of Sarajevo, from which the filmmakers construct a visual ethnography fragmented into four levels of elevation.
0.0In their own words, this is the story of six women from the South Wales valleys and how they helped sustain the bitter year-long miners' strike, changing their lives forever.
0.0Michael Almereyda’s Paradise is a poignant and surprising sketchbook, a collection of brief episodes captured during a decade of travel. The film is marked by a sense of mystery, wonderment, and sly humor, reflecting a notion of life as a series of elusive, paradisiacal moments that are routinely taken for granted — and always slipping away.
0.0The Big Picture uncovers the untold story of a state-of-the-art cinema quietly forgotten in the center of Bristol, a vibrant UK city known for its countercultural spirit. Once a cutting-edge IMAX theatre, the building was abandoned for over a decade—until a collective of cinephiles reclaimed it. Blending DIY ingenuity with punk ethos, they’ve transformed a forgotten relic into the beating heart of a grassroots cinema movement—reviving not just a building, but a shared vision of what cinema can be.
0.0Drawing on a wealth of unseen archival material and unpublished notebooks, the film weaves a complex and personal portrait of Margaret’s life, from the perspective of a fellow artist sensitive to the potential Margaret envisaged for film as a poetic medium.
8.0Documentary about the working process and creation of the album "Is Anybody Out There?" (I.A.O.T)
Long before Kim Gordon was a cooler-than-thou multimedia artist in Body/Head, she was a cooler-than-thou multimedia artist in Sonic Youth. In the ’80s, Gordon and her bandmates were fixtures of New York’s downtown art and music scene; one regular haunt of theirs was legendary nightclub Danceteria, which served as the setting for a short film Gordon made sometime around 1985. Now, as Dangerous Minds points out, said video has surfaced online thanks to filmmaker/designer Chris Habib (a.k.a. Visitor Design). “Excellent video I found in my Sonic Youth archive,” Habib writes on the clip’s Vimeo page. “I digitized it for Kim during her [early 2000s] CLUB IN THE SHADOWS exhibition at Kenny Schachter’s old space in the West Village.”
6.0In September 2022, Bengaluru made national news when the IT hub region of Bellandur faced major flooding resulting in a nightmare for all its residents. The idea of the film is to explore the two main factors contributing to this - the area’s topography and the rapid urbanization interfering with the natural water network - using visuals of a sprawling, developing metropolis contrasted with that of the chaos and breakdown of essential services that happened during the floods.
An epic documentary of rise and fall of Ustasha regime in Croatia.
7.0The current trend to render prostitution a profession "as any other" is belied by women who were themselves prostitutes. With clarity and courage, the women in this film reveal the hidden face of that so-called "sex work". They are 22, 34 or 48 years old; they live in Montreal, Quebec and Ottawa - They have recently given up prostitution, or are trying to escape it. These women are leading the bitter fight to turn their lives around and it is a long and lonely struggle fraught with difficulties. Shot in a Cinéma Vérité style, The Fallacy (L'imposture) takes us to the heart of their realities.
0.0Tarantino reveres them, and for good reason. Welcome to the world of the kings of the Italian B-Movie.
0.0Local, organic, and sustainable are words we associate with food production today, but 40 years ago, when Fran and Tony McQuail started farming in Southwestern Ontario, they were barely spoken. Since 1973, the McQuails have been helping to build the organic farming community and support the next generation of organic farmers. This is a documentary about the McQuails that explores the very real ways their farm has contributed to the long term ecological viability of agriculture in Ontario. It is a call to action for all those who believe there is a better way to take care of our planet and feed the world.