
0.0Marcelo was taken to Paris, where he has lived since he was 12. After the sudden death of his mother in 1992, he returns for the first time to the place where he was born. As he walks through the city of his childhood, a series of memories unfolds, revealing a story of friendship torn apart by tragedy and the social tensions that marked Brazil in the 1960s, leading him to question his identity and his place in the world.
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0.0A humble young security guard in the Fiji Islands rising from the struggles of city life pursues his dream of becoming a professional boxer as he steps into the ring to provide for his struggling family. Facing personal loss, fierce rivals, and a complicated mentor, Sam must fight not just for glory, but for redemption and identity.
0.0Three women on a morning train face life-changing choices that force them to confront love, betrayal, and desire as they decide their futures.
0.0American agent Captain Dieppe gets involved in the affairs of lonely Count Fieramondi in Northern Italy. Dieppe, hired to help the count reconcile with his wife who has gone to Rome to pay off gambling debts mistakenly falls in love with her cousin, Lucia, who is impersonating her. After Dieppe retrieves evidence of the debts and the real identities are revealed, he makes a final sacrifice to ensure the count and countess can reunite.
0.0A shepherd discovers his wine is gone and one of his sheep, Hervé, can suddenly talk.
0.0The film by Ed Atkins and Steven Zultanski combines a performative reading of Philip Atkins’ (Ed’s father) diary, written during the six months leading up to his death, with the reenactment of The Ambulance Game, a role-playing game played by Atkins and his daughter. Originally private, both the diary and the game are now performed publicly, with the camera alternating between the performers and the audience, emphasising voyeurism and shared intimacy. Exhibited at Tate Britain alongside Atkins’ writings, paintings, embroideries, video works, and drawings, Nurses come and go, but none for me (2025) marks both Hartwig Art Foundation’s first commission of a work by Ed Atkins and the artist's debut feature-length film.
0.0An obsessive fan kidnaps a former child star to live out the fantasy of having her character as a best friend.