Title cards introduce images we watch without narration; they are displays of shape and color. François de Roubaix's electronic music accompanies these images, photographed under a polarizing microscope. The crystals appear to move like tiny organisms: small four-part fans share the frame with flowing lines of pink. Multiple patterns appear side by side.
Title cards introduce images we watch without narration; they are displays of shape and color. François de Roubaix's electronic music accompanies these images, photographed under a polarizing microscope. The crystals appear to move like tiny organisms: small four-part fans share the frame with flowing lines of pink. Multiple patterns appear side by side.
1978-12-31
7
Examines the sea horse, the only fish that swims upright. We watch it use its prehensile tail to wrap around plants and other sea horses. A frontal bulge houses organs including an air ballast. Three fins propel this fish. We see a female place her eggs in a male's pouch where they are fertilized and nurtured until birth in violent contractions. Inside the pouch are nurturing blood vessels. We then follow the growth of an embryo, greatly magnified: we examine its heart beating and its dorsal fin moving. Young sea horses attach themselves to each other. The film ends with images of many sea horses moving on the ocean floor, superimposed on a horse race.
An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.
Authorities close down a restaurant after a violent crime is committed on the premises; the employees look for new jobs and try to track down the murderer.
Virgil Thomson composed many musical portraits of people as they faced him. Like a visual artist using different visual elements, Virgil established personal sketches using the palette of musical expression. EVERBEST VIRGIL perpetuates this tradition by linking the portrait of a composer to his own composition. I filmed Virgil, in his apartment at the Chelsea Hotel, in Manhattan, shortly before his death. These are the last images taken from the life of one of America's most treasured composers.
"The Frog Prince" was one of several adaptations of Brothers Grimm fairytales that Lotte Reiniger made in London between 1953 and 1955: others include "The Gallant Little Tailor", "Hänsel and Gretel", "Sleeping Beauty", "Snow White and Rose Red" and "The Three Wishes".
Napoleon III, the Commune, the third Republic in the background. In the foreground, two pretty, talented sisters, Virginie and Pauline Cardinal. They are ballerinas at the Opera de Paris and very much courted by wealthy, elegant men. They will manage to climb in the society of their time, despite parents set on respectability but also attracted by money.
Nazi and Caesar used to be dance elites and a couple in the academy of arts, but separated because of a misunderstanding to study dance. Years later, they met again and former emotions for dance art brought them together again.
A short film from the Lumière brothers, filmed in a Dresden street.
Federico and Olivia are editing their first short films, which encountered mistakes during shooting. Both discover that they filmed at the same location and accidentally interfered in each other’s films. Together, they find a way to edit their two shorts into one.
Bosco Hogan plays Joyce's alter-ego, Stephen Daedelus, growing up in Ireland in the early part of the 20th century, and at odds with the strictures of his Catholic home and family. The film charts his search for knowledge and understanding, during a decline in his family's circumstances, that leads him to revelations on the nature of art, beauty, and politics. However, his personal renaissance makes him feel unwelcome in his own country, and forces him to make a choice between exile as artist or staying and facing personal defeat.
The struggle of a teenage boy to assert himself amid the frenetic activity of a large family.
The world is made of boxes. We live in them, we move within them, we see the world through them and we wind up in them in the end. Huacal City introduces us to the empty containers market at the Supply Center in Mexico City, where every day thousands of wooden boxes are bought, sold and repaired.
In a party, Fico bumps into Manolo, an old friend from school, a rascal who is running away from the mob who is after him. To take shelter in his friend house, Manolo fakes a desease that will start a series of entanglements that will change their lives. Soon they will find out that everything but friendship is an illusion.
Heer Raanjha is a 1970 Indian Hindi-language romantic musical film directed by Chetan Anand. It stars Raaj Kumar and Priya Rajvansh and tells the tragic love story of Heer, a wealthy girl, and Ranjha, who has been banished by his family. The film is often referred to as a Punjabi version of "Romeo and Juliet.
Like a Spiral is a dialogue between Beirut and five women, migrant domestic workers, under the Kafala system. Expressing their belonging to a society in collapse, the women's voices rise through the film's grainy images to denounce their stolen freedom with an inalienable thirst for existence. Their memories dance in the rhythm of oppression. Caught within life's spiral, they lift themselves up to not sink into oblivion.
A short about American life and history produced for the millennium New Year's Eve celebration.
A portrait of Robert, a troubled but poetic soul struggling with his purgatorial existence in a hackney scrapyard.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Karlon, born in Pedreira dos Húngaros (a slum in the outskirts of Lisbon) and a pioneer of Cape Verdean creole rap, runs away from the housing project to which he had been relocated.
When asked a question on politics, late Palestinian poet Mahmoud Darwish once answered: “I write about love to expose the conditions that don’t allow me to write about love.” In TWO TRAVELERS TO A RIVER Palestinian actress Manal Khader recites such a poem by Mahmoud Darwish: a concise reflection on how things could have been.
Based on an unrealized film script written in 1964 for The Homosexual Law Reform Society, a British organisation that campaigned for the decriminalization of homosexual relations between men, "The Colour Of His Hair" merges drama and documentary into a meditation on queer life before and after the partial legalization of homosexuality in 1967.
A cinematic devotional book. Based on interviews with an unemployable sufferer (and his fellows), living in the East German countryside. Who lost his memory in 1989 and woke up into several nightmares.
The city of Madrid as it appears in the Spanish films of the 1950s. A small tribute to all those who filmed and portrayed Madrid despite the dictatorship, censorship and the critical situation of industry and society.
A documentary about the artistic and verbal expressions of mentally ill people.
As daylight breaks between the border cities of El Paso, Texas, and Juarez, Mexico, undocumented migrants and their relatives, divided by a wall, prepare to participate in an activist event. For three minutes, they’ll embrace in no man’s land for the briefest and sweetest of reunions.
Twenty-five films from twenty-five European countries by twenty-five European directors.
Featuring new, previously unseen footage documenting the bizarre and unsettling things that happened to filmmakers David Farrier and Dylan Reeve as Tickled premiered at film festivals and theaters in 2016. Lawsuits, private investigators, disrupted screenings and surprise appearances are just part of what they encounter along the way. Amidst new threats, the duo begins to answer questions that remained once the credits rolled on Tickled, including whether the disturbing behavior they uncovered will ever come to an end.
Jan Schmidt and Pavel Juráček turn their attention to the problem of Czechoslovakia's unloved cars in this whimsical documentary short.
An insight into the creative process of photographer Brigitte Lacombe, exploring her obsession with taking pictures and how her lens defines her relationship with her subjects and the world.