Tiempos circulares(2025)

Sunset Boulevards(fr)

In this documentary about the exile of two famous French actors in Argentina during and after World War II, the director Cozarinsky returns to Argentina after many years in France and recalls places and events from his childhood, particularly the celebration of the liberation of Paris on in August of 1944, in Buenos Aires's Plaza Francia. Featuring testimony from various authors and acquaintances of Maria (Renee) Falconetti and Robert Le Vigan, the film explores their lives and final years in Argentina.

Messi(es)

His teachers, coaches, childhood friends and Barça teammates, together with journalists, writers and prominent figures from the history of football, come together in a restaurant to analyze and pick apart Messi's personality both on and off the field, and to look back at some of the most significant moments in his life. Viewed from Álex de la Iglesia's unique perspective, Messi recreates the player's childhood and teenage years, from his very first steps, with a football always at his feet, through to the decision to leave Rosario for Barcelona, the separation from his family, and the role played in his career by individuals such as Ronaldinho, Rijkaard, Rexach and Guardiola.

Argentina Animated(es)

A 3D dragon has become a 2D character. In his quest to recover, he discovers fragments of Argentine animation, new friends and teachings.

Cartoneras(pt)

Cartoneras is a documentary that grapples with Latin America’s urban realities, and the cardboard publishing movement that has emerged from these in the 21st century. Reflecting on the different contexts that propelled this form of community publishing, like Argentina’s 2001 economic crisis, the independent art scene, and the movements which formed around waste-pickers, the film’s narrative is developed through conversations with important actors from the cartonera world.

Corporate Accountability(es)

Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.

Proyecto Ibera(fr)

Landwirtschaft in Südamerika - Argentinien(de)

Resistencia Cultural(es)

Trabantem až na konec světa(cs)

The third installment in Dan Přibáň's series of travel documentaries describes the author's journey with his friends across South America in vehicles that are often notorious but cult in their own way. The charming dynamics of the group on screen are further enhanced by the high-quality craftsmanship.

TRAY TRAY KO(xx)

Draped in an electric blue fabric, the artist acts as a conduit between the tangile and the spiritual, blurring the boundaries between human form and natural elements.

Debt(es)

DEBT is the story of a frantic pursuit: the search for the responsible for the televised cry of hunger of Barbara Flores, an eight-year-old Argentinean girl. Buenos Aires, Washington, the IMF, the World Bank and Davos; corruption and the international bureaucratic lack of interest.

Social Genocide(es)

After the fall of the military dictatorship in 1983, successive democratic governments launched a series of reforms purporting to turn Argentina into the world's most liberal and prosperous economy. Less than twenty years later, the Argentinians have lost literally everything: major national companies have been sold well below value to foreign corporations; the proceeds of privatizations have been diverted into the pockets of corrupt officials; revised labour laws have taken away all rights from employees; in a country that is traditionally an important exporter of foodstuffs, malnutrition is widespread; millions of people are unemployed and sinking into poverty; and their savings have disappeared in a final banking collapse. The film highlights numerous political, financial, social and judicial aspects that mark out Argentina's road to ruin.

UNA Historia: lucha por la educación y la cultura(es)

Through archival footage and testimonies from professors, students, staff, and graduates, the documentary traces the history of the National University of Arts, focusing on the Audiovisual Department, while critically addressing the impact of the current government's underfunding of education and cultural institutions in Argentina.

Compañero Fernando(es)

This documentary is a portrait made in Mexico by a group of Argentine exiles, directed by the painter Nicolás Amoroso.

Presencia lejana(es)

A documentary about Finnish twin sisters, one of whom disappeared in Argentina in 1977.

Borges para millones(es)

The life and work of Argentinian writer Jorge Luis Borges, a long interview, fragments of some of his most significant verses and dramatizations of some of his stories. Borges for everyone.

Fileteras(es)

The cold and humid night gives rise to the story of the fileteras of the port of Mar del Plata. Filming the productive heart of the city, the prejudices and emotions experienced by its workers are unraveled: maternity wards, conventions and family legacy.

As if it was the last one(es)

A voice says, “Start the car, I killed him!”, and a car speeds away. A basketball court, a family table, a school, and a public plaza begin as ordinary, empty spaces, gradually filling with life—though always marked by an absence. This short film retraces the life of Franco Castro López, a 16-year-old who enjoyed everyday life with his family and friends, doing what he loved and moving through the places he called his own. As national news outlets begin reporting on the deaths of several young people whose families are demanding justice, Franco’s case resurfaces. Through news footage, home videos, testimonies, voices, and photographs, a story once silenced becomes visible again. More than ten years after his killing, his face still covers the walls of Mar del Plata—carrying the hope that he was the last.

Our House in Cuba(es)

There was a time in Argentina, not so long ago, when the army wasn't only one, official, but many and made up by civilians. In those times of courageous youths determined to fight to the death for that cause upheld around Peronism as wll as some left-wing postulates, revolutionary Cubas was a beacon of hope in the world scheme -a Montonero nation. "A House in Cuba" seeks to recover the curious adventure of a couple of Montonero parents and their small children, who were lovingly sent into exile in order for their parents to take up arms.

Argentina... Argentina...(es)