Everybody knew(2025)

Mi pesadilla fue que me mataba la guerrilla(es)

Burning Sun: Exposing the Secret K-pop Chat Groups(en)

A BBCEye investigation into three K-pop stars who were sharing evidence of sexual crimes in secret chat groups.

Welcome Home Freckles(ko)

After four years away, Huiju returns home to South Korea. Exchanges with her loved ones are awkward and clumsy. Huiju turns once again to her familiar rituals: pruning the trees, preparing a sauce, tying a braid.

Carnations(en)

Seven strangers are interviewed to talk about the relationship they have with their mother.

Nothing Compares(en)

Since the beginning of her career, Sinéad O’Connor has used her powerful voice to challenge the narratives she was surrounded by while growing up in predominantly Roman Catholic Ireland. Despite her agency, depth and perspective, O’Connor’s unflinching refusal to conform means that she has often been patronized and unfairly dismissed as an attention-seeking pop star.

Pédophilie dans l'Église, le poids du silence(fr)

Remnants of the Lost Childhood(tl)

In an abandoned house, three young adults tried to reminisce about their childhood lives and the community they were once part of. As the storytelling continues, we find remnants of tragedy and trauma from their past.

La última muñeca(es)

Alias Akhenaton(fr)

things that won't die(es)

After finding some videos she uploaded to YouTube when she was a child, Manuela attempts to follow the trail she herself has left on the Internet. A search that looks into all that things that won't never die and that, especially, thinks about the way we look at ourselves.

Religieuses abusées, l'autre scandale de l'Église(fr)

Prey(en)

An examination of sexual abuse in the Catholic Church, the film centres on Rod McLeod, a man who is suing the church for restitution after having been abused in childhood by priest William Hodgson “Hod” Marshall, and includes testimonial interviews from some of Marshall's other victims.

The Immortal City(en)

From the legendary times of Romulus and Remus to the present day, the compelling story of the eternal city's twenty-five centuries of civilization traces the rise of Christianity over paganism through studies of Vatican art treasures.

Shootball(ca)

Manuel Barbero, father of a sexual abuse victim, and Joaquin Benitez, the pederast who abuse the son of Manuel and 20 more children, are the main characters of this documentary. The director of the film approaches these key figures of this story with a work of journalistic investigation. For the first time, a pederast speaks and confesses with his face uncovered in a documentary.

Femmes prêtres : vocations interdites(fr)

Les Couturiers de l'Église(fr)

How God Created Us: Coming Out in the Catholic Church(de)

125 employees of the Catholic Church come out as queer! In the exclusive ARD documentary, believers in the service of the Catholic Church in Germany dare to go public together. People who identify as non-heterosexual talk about fighting for their church - sometimes at the risk of losing their jobs as a result. There are priests, religious brothers, parish assistants, diocese employees, religion teachers, kindergarten teachers, social workers and many more who report intimidation, denunciations, deep injuries, decades of hide and seek and double lives. The Catholics report a system in which pressure, fear and arbitrariness leave employees uncertain as to what exactly happens when they stand by their sexual orientation or identity. The investigative documentary listens to those who live their faith every day and are nevertheless degraded by the church as an institution.

Postcard (Or, from afar, you are a mirage)(es)

"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.

Nach dem Sturm(de)

The protests of 1968 had a significant impact on the great cities of the world. But people like to forget that the periphery went through the same social upheavals – Central Switzerland, for example. This is hardly surprising: in the founding cantons of the Old Swiss Confederacy, society followed a strict order; tradition, shaped by centuries of Catholic rule, seemed untouchable. But in the 1960s, the local youth could not take these stifling conditions anymore: starting in 1969, resistance broke out across Central Switzerland.

The Happiest Man on Earth(fi)

A lonely 40-year-old man sits on the balcony of a Finnish apartment building. Joonas Berghäll has learned that he will die in 14 years’ time, unless he changes his way of living or attitude towards life. Joonas wants to make a film about the state of wellbeing of Finnish men, drawing from his own experiences and mirroring the society at large. The film is built around six stories. It starts with the context of school and proceeds through the contexts of military service, custody battle, burnout and substance abuse to end on the subject of premature death caused by health problems.