For him, the accordion is like a box in which you can get an entire orchestra in order to always have it on your own. Dynamic portrait of the gifted and charismatic accordionist Martynas Levickis.
Self
For him, the accordion is like a box in which you can get an entire orchestra in order to always have it on your own. Dynamic portrait of the gifted and charismatic accordionist Martynas Levickis.
2024-11-10
0
The 9th Symphony of Ludwig van Beethoven is one of the most popular pieces of classical music in the world. Even those who are not passionate about the classical music recognize the famous Ode to Joy. Despite the grim context in which it was created, the 9th Symphony leaves us fascinated, moved and uplifted by its creativity, its power and its culmination in the Ode to Joy. More than 160 years after it was written, Beethoven’s hymn to brotherhood was adopted by the European Union as its official anthem. But Beethoven’s Ninth is also met with enthusiasm far beyond the borders of Europe. What’s the explanation for its never ending success? What is it about this work of art that fascinates people all over the world?
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Phonology is the linguistic study of sounds, or phonemes. Bernstein's application of this term to music results in what he calls "musical phonology".
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Lecture 5 picks up at the early twentieth century with an oncoming crisis in Western Music. As these lectures have traced the gradual increase and oversaturation of ambiguity, Bernstein now designates a point in history that took ambiguity too far.
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: This lecture takes its name from a line in John Keats' poem, "On the Grasshopper and Cricket". Bernstein does not discuss Keats' poem directly in this chapter, but he provides his own definition of the poetry of earth, which is tonality. Tonality is the poetry of earth because of the phonological universals discussed in lecture 1. This lecture discusses predominantly Stravinsky, whom Bernstein considers the poet of earth.
At 41 years old, the Quebecois conductor Yannick Nézet-Séguin has established himself as one of the most gifted maestros of his generation, with numerous prestigious posts with some of the world’s greatest orchestras already under his belt, including the Philadelphia Orchestra and the Rotterdam Philharmonic Orchestra (music director), London Philharmonic Orchestra (principal guest conductor), and the Orchestre métropolitain de Montréal. One week before Nézet-Séguin's official nomination as music director of the Rotterdam Philharmonic Orchestra in 2008, filmmaker Christiaan van Schermbeek met the maestro for the first time. The once-in-a-lifetime event inspired Schermbeek to begin this documentary project, giving us a fascinating glimpse into the life of a truly extraordinary individual.
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Syntax refers to the study of the structural organization of a sentence, or as Bernstein summarizes, "the actual structures that arise from that phonological stuff."
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Bernstein provides two distinct meanings of the term ambiguity. The first is "doubtful or uncertain" and the second, "capable of being understood in two or more possible senses"
This film is a docufiction on the great Toscanini directed by well-known filmmaker Larry Weinstein; who pushes the boundaries of conventional documentary storytelling by borrowing tools from fiction films; including dramatic reconstructions and historical cinematic stylings.
Documentary on the life and accomplishments of the members of this uniquely talented musical family. The film focuses on the Figueroa family’s history within the context of its creative universe, dating back to the 19th century. Through the use of photographs, historic film footage, recordings, sheet music, newspaper clippings, and posters, the musical trajectory of the family is brought to life and their role in transforming the musical history of Puerto Rico and the world is portrayed.
The great composer of The Planets, Gustav Holst also taught himself Sanskrit, lived in a street of brothels in Algiers, cycled into the Sahara Desert, and allied himself during the First World War with a ‘red priest' who pinned on the door of his church "prayers at noon for the victims of Imperial Aggression". He hated the words used to his most famous tune "I Vow to Thee My Country" because it was the opposite of what he believed, and died before the age of 60 - broken and disillusioned.
A documentary by Tony Palmer on English composer Sir William Walton (1902–1983), made shortly before his death. The film includes the only full-length interview ever recorded with Walton. Filmed at his home on Ischia and in Oxford, London & Oldham, it includes contributions from Laurence Olivier, Sacheverell Sitwell and Lady Susana Walton. Specially performed extracts of his music are conducted by Simon Rattle in his first substantial contribution to television when he was in his early 20s, with Simon Preston, Julian Bream, Yvonne Kenny, Yehudi Menuhin, Iona Brown, John Shirley-Quirk, Elgar Howarth & Ralph Kirshbaum, the Philharmonia Orchestra, the Grimethorpe Colliery Band, Christ Church Cathedral Choir, Oxford & Los Paraguayos.
This is a film about Ludwig Wittgenstein and Arnold Schoenberg; two men whose lives and ideas run parallel in the development of Viennese radicalism. Both men emerged from the turmoil of the Habsburg Empire in its closing days with the idea of analyzing language and purging it with critical intent, believing that in the analysis and purification of language lies the greatest hope that we have. They never met and might never have fully understood one another, because while the nature of their genius they found themselves alone breaking new ground of the very frontiers of their respective disciplines. But their work springs from the same soil and shares a common ethical purpose, so that their ideas and methods echo and illuminate those of each other to a remarkable degree.
The 82-year-old Japanese Seiji Ozawa is one of the last remaining conductor legends of a golden era. Portrait of the ambitious maestro and educator who made the western repertoire really well known in Japan.
This is a full-length documentary honoring the life and work of American composer and artist John Cage. Cage is considered one of the most influential composers of the 20th century. This documentary features interviews with various personalities from different fields as they introduce us to the life and work of this great American artist.
Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.
Sheku Kanneh-Mason made history in 2016 when he became the first black winner of the BBC Young Musician competition. Sheku has six musically gifted siblings and this film explores their extraordinary talents and issues of diversity in classical music. We follow Sheku and his brothers and sisters and examine the sacrifices that parents Stuart and Kadie make in order to support their children in pursuing their musical dreams. Told through the prism of family life we get an understanding of what it is that drives this family to be the best musicians they can be. At the heart of the story is 17-year-old Sheku, and we see him coming to terms with his Young Musician win and the pressures and opportunities it brings. His life is changing dramatically as he now has to learn to deal with the challenges of becoming a world-renowned cellist.
A searching, melancholy Dutch documentary about the lives of four classical musicians who won the prestigious Queen Elisabeth Competition in Brussels, a victory that did not prove a guaranteed ticket to the top of the classical music world.
Documentary about an emblematic institution of the Spanish Arts, Madrid's Teatro Real, or Royal Theatre, released to celebrate it's 2nd centenary anniversary.
This feature length documentary tells the story of Mahani Teave who grew up on Rapa Nui (Easter Island) and left at age 9 to pursue her dream of being classical pianist-a journey that takes her from mainland Chile to The Cleveland Music Institute to Berlin and the great concert halls of Europe. At the age of 30, on the brink of international success, Teave gives up her career to pursue a new dream, coming back full circle to Rapa Nui to found a free music school for the island's children. The resulting school-named Toki, after the basalt tool once used to shape Easter Island's iconic sculptures-is a model of sustainability, incorporating tons of tires, bottles and Pacific Ocean plastic; surrounded by agri-environmental gardens to grow food. With Toki, Mahani hopes to shape a bold new future for Rapa Nui and inspire hope and change on Earth, our island home.
A musical journey in the footsteps of conductor Michel Brun, an atypical character, an atheist, who nevertheless plays sacred music, and who devotes his life to Johann Sebastian Bach. With the musicians of the Ensemble Baroque de Toulouse.