Sgt. Mike Berry - officer, man of God, and world famous underwater detective, stands on Lake Chesdin's muddy shore, ready to dive for a murder weapon through a kaleidoscope of memories.
Sgt. Mike Berry - officer, man of God, and world famous underwater detective, stands on Lake Chesdin's muddy shore, ready to dive for a murder weapon through a kaleidoscope of memories.
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What do you call an Indian woman who's funny in 20th Century Britain? A British performer? A Black comedienne? An enigma? This humorous and comedic documentary, brings the laughs and dreams of four Indian women cabaret performers while posing the questions: What is comedy and who defines it? Is it culturally specific, or can anyone enjoy the joke? Who makes it into the mainstream and why? Does comedy always have to come from a white perspective in Britain to be taken seriously? What -- ultimately, do you call a funny Indian woman?
A group of filmmakers shadow some glamour photographers in order to discover the skill involved in getting 'magic' to appear on the photos.
In 2001, satellite imagery captured a mysterious “thermal anomaly” on an unexplored volcano at the ends of the Earth. What lies inside could provide new clues to help predict volcanic eruptions around the globe. But the island is so remote with conditions that are so extreme. No one has ever been able to reach the top to investigate what lies inside.. until now.
Jon Richardson, one of Britain's most cautious men, is sent on a mission by his wife Lucy Beaumont, to investigate the things they are most scared about.
In 2004 the Oregon State Hospital, former site of the film One Flew Over the Cuckoo's Nest, revealed the existence of thousands of corroded copper urns, each containing cremated human remains. Photographer David Maisel captured these beautifully unique urns of forgotten souls on film. Exhibiting their photos revealed secrets, influenced political decisions and reunited families. This film will show how art can stimulate social change and will document the ongoing controversy surrounding a proper memorial for these institutionalized casualties.
Stan Lee and Len Wein talk about X-Men & Wolverine.
The shocking finale of the titular trilogy, which features graphic footage of the macabre and grotesque as directed by Brazilian filmmaker Lázaro Hahn.
No Mercy, No Remorse takes viewers back to the winter of 1993, with a journey into the deeply disturbing world of Paul Charles Denyer, the then 21-year old who is currently serving three life sentences for the Frankston murders.
A look at the unusual process used in the making of the film Shortbus (2006) featuring interviews, behind the scenes footage and clips from the feature film. Director John Cameron Mitchell starts with the concept of using real sex in a film with a positive message. The cast of unknowns is selected from homemade audition tapes and then a callback audition workshop. More acting workshops are used to develop the characters and script. The project overcomes a number of obstacles and the rest of the film's development is followed up until its premiere at the Cannes Film Festival.
A documentary that invites the viewer to immerse themselves in a intimate and thoughtful walk through Poblenou Cemetery in Barcelona, better know as "El Santet", to see what is happening at its surrounding areas and, especially, inside: work, buildings, people watching over those who are no longer here, cemetery workers... A trip through a space that is closer than we think.
Bogart was interested in this project because it offered a chance to work with his new bride. The studio wasn't convinced, but the result speaks for itself.
In a warehouse in the heart of Los Angeles, a dwindling handful of devoted craftspeople maintain more than 80,000 student musical instruments, the largest remaining workshop in America of its kind. Meet four unforgettable characters whose broken-and-repaired lives have been dedicated to bringing so much more than music to the schoolchildren of this city.
The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.
Mondo-style docudrama about a war correspondent who comes back home and has a spiritual crisis about his own mortality. Surreal fantasy sequences are mixed with graphic real autopsy footage.
Most of us think of death as something clear-cut, and that medical science has it neatly figured out. This feature documentary explodes such assumptions through its exploration of a phenomenon that blurs life and death to an unprecedented degree. In what Tibetan Buddhists call tukdam, advanced meditators die in a consciously controlled manner. Though dead according to our biomedical standards, they often stay sitting upright in meditation; remarkably, their bodies remain fresh and lifelike, without signs of decay for days, sometimes weeks after clinical death. Following ground-breaking scientific research into tukdam and taking us into intimate death stories of Tibetan meditators, the film juxtaposes scientific and Tibetan perspectives as it tries to unravel the mystery of tukdam.
Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.
An Editor recounts the diaries of a failed film production as they attempt to construct a new narrative from the remaining footage.
From the turtles of the Farasan Islands to the ibex that dot the Asir Mountains, this documentary captures Saudi Arabia's diverse wildlife and scenery.
An unflinching look at the ongoing debate on violence in movies and its effect on the audience.