The fractures in the reception system of the Spanish State leave thousands of undocumented immigrants on the streets every year when they reach the age of majority. Emilia Lozano, an unwavering activist for human rights and the feminist movement, in her ongoing struggle for social justice, redefines the concept of family for many of them through love, empathy, and solidarity.
The fractures in the reception system of the Spanish State leave thousands of undocumented immigrants on the streets every year when they reach the age of majority. Emilia Lozano, an unwavering activist for human rights and the feminist movement, in her ongoing struggle for social justice, redefines the concept of family for many of them through love, empathy, and solidarity.
2024-07-01
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Man-pulled rickshaw, which have served Kolkata for over eight decades face virtual extinction as a result of legislation introduced by the State Government in 1981. This would rob over 100,000 people of a living. The film analyzes the critical situation, and on the basis of concrete facts and figures, questions whether such a step would be fruitful at all. The image of a man pulling a man is a depressing and a negative one - but not more negative than that of the image of a man going without food.
This film explores the consequences of the decisions we take and shows those things which really matter. After leaving his wife and children and promising he would be back, a man lives in a tent at a Mexico City park. There, he earns his living by selling balloons. After 30 years, he needs to fulfill his promise and return home. Will his family accept him back? Is he going to be able to change a life on the streets for the comfort of his home?
One night in 1983, the life of the Yangali family changed completely. The four brothers from the town of Churcampa in Ayacucho were attacked and separated by state terrorism.
Spain, November 5, 2021. After an emergency landing, several people traveling from Casablanca (Morocco) to Istanbul (Turkey) escape from Palma de Mallorca airport.
SHE IS US: THE STORY OF JUDGE SONGHAI ARMSTEAD is an animated film that chronicles the extraordinary story of social justice warrior Songhai Armstead who was system impacted, faced systemic obstacles, and found purpose in empowering others. After a challenging childhood in foster care, Songhai embarks on a remarkable journey that shows the importance of creating opportunities. The film is a production of The Righteous Conversations Project and Second Nurture, a non-profit organization that mobilizes communities to support foster families and help children thrive. She is Us was directed by Samara Hutman & C. Lily Ericsson and animated by an extraordinary team of young people who know the potential of art and story to shape our world.
Revisit the events of 1984, when six female vigilantes kidnapped an Auckland University lecturer and assaulted him in a violent political action, triggering debates about gender politics that divided New Zealand and led to social change.
An epic journey of courage, hope and generosity, filmed in 15 countries. Child of Nature follows 5 connected stories of young people who, against all odds are transforming their lives and the lives of those around them.
A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.
A spicy dive into New York’s underground queer sex party scene.
Featuring unprecedented access inside the White House and State Department, The Final Year offers an uncompromising view of the inner workings of the Obama Administration as they prepare to leave power after eight years.
On January 8, 2020, Ukraine International Airlines Flight 752 went down as it was leaving Iranian air space. All 176 people on board were killed, many of them Iranian Canadians. For weeks Iranian authorities vociferously denied responsibility, but foreign governments and agencies were certain the plane was shot down by Iranian military, a fact Iran’s government eventually admitted. There were no answers as to why the plane was fired on or even why it was allowed to take off, since hostilities had broken out in the region in preceding days.
An archival documentary about the U.S. military’s response to the political and racial injustices of the late 1960s: take a military base, build a mock inner-city set, cast soldiers to play rioters, burn the place down, and film it all.
A small group of activists take on systemic racism and prejudice in Baltimore's public transportation, battling against the odds to create a brighter future for their community.
Martine is a marriage counsellor at the Women's Centre in Montreuil. Between files and dance steps, she takes us on a tour of the centre, telling us how she welcomes women who are victims of domestic abuse and the battles they fight alongside the association.
This is a story that’s never been told. SHOW HER THE MONEY addresses how women are getting less than 2% of venture capital funding and demystifies what venture capital is. Featuring rock-star female investors who invest in diverse women entrepreneurs with innovations that will change the world, Show Her The Money reminds us that money is power and women need it to achieve true equality.
In Iraq 2003 Corporal Martin Webster filmed fellow soldiers beating Iraqi youths during rioting in Al Amara. Two years later, a British newspaper obtained his footage. The story that ran led to outrage across the world.
Elliot Page brings attention to the injustices and injuries caused by environmental racism in his home province, in this urgent documentary on Indigenous and African Nova Scotian women fighting to protect their communities, their land, and their futures.
The stories of a group of Latina migrant mothers whose kids have been taken away by an unfair system in Italy.
A Western-like documentary set in a remote rural region in Lesotho: a frontier space where the ways of modern society are of little, if any, value. The arrival of economic migrants from China has irrevocably upset the balance of power, as old laws and ancient gods are doddering away. Subtle moments and small gestures reveal the trauma of expatriation, the burden of personal sacrifice, solitude and alienation, as well as the painful experience of otherness. As old structures begin to disintegrate and violence is about to erupt, one rule asserts itself above all others: eat or be eaten.