
The world of pimping in early 1980s America offers a rare, unfiltered glimpse into a controversial underground lifestyle. Through exclusive interviews with the notorious figure “Harold” and his associates—Alice, Lori, and Karen—the film provides a nuanced exploration of the lives of pimps and streetwalkers and the ways their paths intertwine. With a focus on both the allure and inherent dangers of this lifestyle, the documentary reaches a sombre climax, shedding light on the tragic murder of Alice Franklin, one of Harold’s streetwalkers, later that same year.

The world of pimping in early 1980s America offers a rare, unfiltered glimpse into a controversial underground lifestyle. Through exclusive interviews with the notorious figure “Harold” and his associates—Alice, Lori, and Karen—the film provides a nuanced exploration of the lives of pimps and streetwalkers and the ways their paths intertwine. With a focus on both the allure and inherent dangers of this lifestyle, the documentary reaches a sombre climax, shedding light on the tragic murder of Alice Franklin, one of Harold’s streetwalkers, later that same year.
1983-01-01
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6.0Putito is a production with no specific genre, where reality and fiction blend through a testimony written by José Carlos Henríquez - a feminist activist and male prostitute who plays himself in the project. Available in a censored and uncensored version.
0.0In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.
8.0A reflection on the concept of invisibility, narrated by women who clean public spaces in Mexico City. Combining documentary, fiction and still photography, the film is an intimate mosaic of testimonies and experiences that highlight the precariousness of work in the cleaning industry, in a world where subcontracting rules.
Daulatdia is an entire village in Bangladesh dedicated to prostitution. Every day, 1,600 trafficked, enslaved and abandoned women and girls sell themselves for £2 a time. In the midst of the trade live 300 children, many born in the village. Some will be groomed to be the future of the business like their mothers and grandmothers. With education programmes and support provided by Save The Children, a few may find their way out.
4.4British filmmaker Beeban Kidron ventures onto the mean streets of the South Bronx and other New York locales to examine the lives of those involved in the city's thriving sex industry.
0.0Through post-porn, performance and wrestling, Puck tries to figure out her place in the world.
6.7Four Black transgender sex workers in Atlanta and New York City break down the walls of their profession.
0.0After four years away, Huiju returns home to South Korea. Exchanges with her loved ones are awkward and clumsy. Huiju turns once again to her familiar rituals: pruning the trees, preparing a sauce, tying a braid.
5.2A strippers' convention and a major contest. The movie focuses on a few strippers, each with her own strong motive to win.
0.0In this feature-length documentary, six teenage girls, aged 14 to 16, agree to open up and have their private worlds invaded by the camera. They have to face problems that they intend to take on "to the end": early experience of sexuality, belonging to a gang, relationships with parents, social tolerance, friendship... They live tender and pure lives in their own way.
0.0Documentary about sexual harassment and rape cases in French Universities and Superior Education. Many women come forward about their personal cases and how, despite the many reports, barely no action is taken.
0.0Meet Andrew Lindy: a man with a camera and sex on his mind. Andrew is a New Yorker who travels the world to capture beauty for various freelance jobs. Andrew chases beauty but he longs for a connection. On an assignment for ELLE magazine, Andrew travels to Cuba and brings his camera and appetite for women with him. This is a look at the lack of sexual taboo in Cuba, as well as the financial difficulties that lead to prostitution in some Cubans, for the purpose of survival.
2.0A documentary about the girls of the Mustang Ranch, a legal brothel in Nevada.
0.0Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
1.0Sarah is a trans sex worker who fulfills her dream of breast augmentation. She show us her daily routine of life, showing people that whores are not vampires who only go out at night to do sex work, but also human beings with a normal life.
5.7Street pimps, all of them African-American, discuss their lives and work: getting started, being flamboyant, pimping in various U.S. cities, bringing a woman into their group, taking a woman from another pimp, and the rules and regulations of pimping. The men are clear: it's about money.
7.0The current trend to render prostitution a profession "as any other" is belied by women who were themselves prostitutes. With clarity and courage, the women in this film reveal the hidden face of that so-called "sex work". They are 22, 34 or 48 years old; they live in Montreal, Quebec and Ottawa - They have recently given up prostitution, or are trying to escape it. These women are leading the bitter fight to turn their lives around and it is a long and lonely struggle fraught with difficulties. Shot in a Cinéma Vérité style, The Fallacy (L'imposture) takes us to the heart of their realities.
8.0Pauline, Norah, Kristina and others wait for hours, sitting under a hut deep in the Bois de Vincennes. In front of the administrative detention center (CRA) in Paris, they have all come to see their loved ones locked up. Lives on hold, awaiting deportation or release. On this stage, these women tell their stories, talk to each other, share their experience, their revolt and their dreams with new visitors. They are the mirror of migrant detention, its reverse view.