

Short film of a general landscape about the saturation of the city. 35mm.

Short film of a general landscape about the saturation of the city. 35mm.
2024-10-24
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0.0A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.
0.0Documentary charting the fascinating life and work of Lee Miller, a model for Vogue in 1920s New York who became the only female photojournalist to cover the Second World War. Having given up photography in later life and virtually disowned her own work, Miller's extraordinary archive of 40,000 negatives was only rediscovered after her death. George Melly, David Hare, friends, colleagues and her only son, Tony Penrose, trace the story of her unconventional life through her own remarkable pictures and photographs, as well as rarely seen archive footage.
0.0Six sequences about Fascism and its segments throughout history.
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10.0Vignettes of life in the village Kryvorivnya in the Carpathian Mountains of Ukraine, where once the novel "Shadows of Forgotten Ancestors" was written and later filmed and where, to this day, the passage of time has its own pace.
Andrzej Różycki's film is not only a portrait of Zofia Rydet, a female artist, and her working methods, but also a capture of maturity and great passion. Rydet lets the viewer into her world, allowing them to observe her and peek in without restrictions. With great calm, she talks about the anxieties that accompany old age, the inevitable processes associated with it, which, however, are unable to stop her enormous desire to capture moments that pass irretrievably. Rydet's mission is endless, just as the roads she photographed are endless. The artist's skills were a way of life for her; thanks to them, she created, got to know people, saw beauty, shared it, loved, observed the changing landscape, and communicated everything that words cannot express.
0.0Fernando Lemos, a Portuguese surrealist artist, fled from dictatorship to Brazil in 1952 searching for something better. The movie follows the last moments of his journey and the struggle for the preservation of his legacy, trying to fulfill his last great desire: to be a good dead man.
0.0A unique visual interpretation of Tyler, the Creator's latest album, Chromakopia.
8.0This work re-examines the relationship between the elements that make up the quality of space, namely: "subject" and "object", "organic" and "mechanical", "reality" and "representation", "wholeness" and "partiality", " determinacy” and “indeterminacy”, “visibility” and “invisibility”, “natural” and “non-natural”.
0.0Here is an actor, one who has been asked to dwell in the perilous gap between text and image. In the voids where traces of the past have been erased by an unknown error, she begins to assemble her own script.
8.0This work is an attempt to overcome alienation amidst the fragmented construction reality of everyday narrative. Rethinking the meaning of reflections and shadows, framed subjects, body movements, screen, as well as sounds that are constructed by connecting the expression of their existence with the history of representation in modern art.
0.0Anders Petersen is one of Europe's leading still photographers. A unique performer on the international photographic arena. He has published books like Café Lemitz, Boundary to Love, Prison, Nobody has seen anything and Close / Distance. The books and images have influenced and inspired a generation of Scandinavian photographers.
7.0A pair of identical twins, one a photographer and the other a painter, have very little in common.
6.0Residents of the same street in Haarlem, and acquaintances and relatives of Kees Hin, together tell the story of Little Red Riding Hood, each in fifteen words.
10.0An experimental half-documentary half-fiction about a young person’s routine of getting to sleep and waking up.
0.0"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins
0.0Artist Tom Phillips walks us through his ongoing project to photograph the same 20 London locations once a year for the rest of his life.