ADN(2023)

Damp Moss(en)

Glittering illusions of vectorized providence struggle to guide the viewer toward a path of re-enchantment.

Atlantis(en)

A documentary portrait of Utopia, loosely framed by Plato’s invocation of the lost continent of Atlantis in 360 BC and its re-resurrection via a 1970s science fiction pulp novel.

The Deep Web(en)

Knight explores the millions of layers that make up the internet and its resultant complexity. He sought to create a sense of 'things within things and layers within layers,' nodding to the multiple portals one has to navigate and find to enter the deep web.

Fogos em mim(pt)

Experimental university short film inspired by grief, the passage of time and the filmmaking process

Overwork(de)

The found-footage short film OVERWORK offers a personal reinterpretation of a collection of instructional 16mm films from the German Employment Agency.

LegXpression(en)

An experimental narrative, “Legxpression” uses leg movements to portray the raw emotions of its characters, contrasting the fleeting nature of commodified intimacy with the enduring depth of genuine love.

White Tendons(es)

A lost traveler encounters a talking clown puppet that won’t stop looking at a mysterious orange light.

Lake(en)

Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface. As they glide farther away and draw closer together, they reach out in collective queer and desirous exchanges — holding hands, drifting over and under their neighbors, making space, taking care of each other with a casual, gentle intimacy while they come together as individual parts of a whole. The video reflects on notions of togetherness and feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”

Sequence 9(en)

Lurker(en)

A voyeuristic night photographer discovers that she has become the subject of some thing's lens.

Ruminant(en)

Paul Clipson unexpectedly exchanged his court sound engineer, Jefre Cantu-Ledesm, for a promising artist named Kadet Kuhne, who presents herself in this experimental film with ambient meditation drawing on the theme in Barake from 1992. Cadet is a very interesting creature who not only makes music but audiovisual art, sculpture, photography and canvas.

Blue Permanence / Swan Blood(en)

Above all, an experiment. Two identical films mirror each other. The only thing that differentiates between them is colour and sound, which is simply reversed. Through the use of just colour and sound, each part invokes unique sensations in the viewer. Not a single identifiable object features. Instead, the films focus on repetition, texture, movement and light.

Fotofinish 2(it)

Documentary filmed on the occasion of the “2003, Odyssey in Space Zero” operation inside the Spazio Zero Theater in Rome. The document, filmed between 21 October and 30 November 2003, recounts the representation of Fotofinish not as a single and continuous work, but as the evolution over time of the moods and movements of the actors who, replica after replica, have developed an awareness of the space and arrived at the joy of staging.

Espace Projeté(en)

A man grapples with his anxiety, attempting to calm him self in the shadow of his idols. As the ideal and the real collide.

NEAT MEAT(en)

A man goes on a walk.

Macabre Metrics(ko)

A young, wannabe streetwear influencer dying to make an impact on the world gets a lot more than he bargained for when a shy but obsessive fan decides to help him become a star for his own gain at the expense of everyone else involved. Macabre Metrics is an almost feature-length, visually experimental exploration into the world of image culture set in Seoul. Shot entirely on iPhone with animated sequences.

Last Minute Habit(en)

Saga, a kid tasked to make a film project, procrastinates, a lot. A habit that keeps coming back into his life continues to put him in rock bottom. He has a few ideas on how to embrace it.

Animot(cs)

The experimental documentary filmed at rescue centres in Prague and Vlašim refuses the anthropocentric perspective and views the world through the eyes of wounded animals. The term Animot was taken over from Jacque Derrida. While the French philosopher and deconstructivist uses the term to refer to everything animalistic and non-human, the film, on the other hand, uses intimate details to point out the proximity between human beings and animals. They are connected by their vulnerability, helplessness and mortality.

Polsish(en)

As a woman attempts to outrun her intrusive thoughts, her evening begins to unravel alongside her mind.