Halali und Halleluja(2024)

Gosia@Tomek(pl)

What happens to a relationship if a partner suddenly becomes severely disabled after an accident? For Gosia it is clear that she will stand by her boyfriend Tomek no matter what in order to let him live as normal and fulfilled a live as possible. But time and again she becomes painfully aware of her own limits, as well as of those of a society that talks a lot about inclusion but often does not seem to be ready for it. GOSIA@TOMEK is based on more than 3000 emails that Gosia has been writing to Tomek daily since his accident.

Sweep it Up, Again(de)

„I began documenting their lives, if only because I hoped each film would have a happy ending.“ (Gerd Kroske)

Journey to Somewhere(es)

A young woman, who has inherited her grandparents' huge house, a fascinating place full of amazing objects, feels overwhelmed by the weight of memories and her new responsibilities. Fortunately, the former inhabitants of the house soon come to her aid. (An account of the life and work of Fernando Fernán Gómez [1921-2007] and his wife Emma Cohen [1946-2016], two singular artists and fundamental figures of contemporary Spanish culture.)

Partners(en)

18 partners discuss the choices they’ve made in deciding on their mates. At its heart, this unscripted documentary film is about acceptance; a gentle message that we shouldn’t judge the choices of others, even if they seem a little different.

La teoría del espiralismo(es)

Novena(en)

In 2012, Stephen Vaughan and Kay Ferreter are invited to address the congregation at St. Joseph's Redemptorists Church in Dundalk, Ireland for the Solemn Novena Festival. In a powerful speech, the pair describe their experiences being gay and lesbian in Ireland, feeling excluded by Catholic doctrine, and the importance of a more inclusive church.

Connection | Isolation(en)

Connection | Isolation presents eight intimate portraits of trans and post-gender individuals navigating the challenges of the COVID-19 pandemic. Amidst moments of connection and isolation, these participants reveal a deepening awareness of gender, their bodies, and trans community. Created by an all trans and queer crew, this hybrid documentary film interlaces portraits with reenactments, integrating archival material documenting what so many experienced and many still do.

This Is It(en)

A compilation of interviews, rehearsals and backstage footage of Michael Jackson as he prepared for his series of sold-out shows in London.

Plating Blind(en)

Nathan Quinell is a fully trained chef… he also happens to be legally deaf and blind. That’s never stopped him from chasing his dreams to become a full-time cook, but now Nathan must prove himself to his peers, his students and potential employers.

À la canne blanche(fr)

Voices from the Shadows(en)

‘Voices from the Shadows’ shows the brave and sometimes heartrending stories of five ME patients and their carers, along with input from Dr Nigel Speight, Prof Leonard Jason and Prof Malcolm Hooper. These were filmed and edited between 2009 and 2011, by the brother and mother of an ME patient in the UK. It shows the devastating consequences that occur when patients are disbelieved and the illness is misunderstood. Severe and lasting relapse occurs when patients are given inappropriate psychological or behavioural management: management that ignores the severe amplification of symptoms that can be caused by increased physical or mental activity or exposure to stimuli, and by further infections. A belief in behavioural and psychological causes, particularly when ME becomes very severe and chronic, following mismanagement, is still taught to medical students and healthcare professionals in the UK. As a consequence, situations similar to those shown in the film continue to occur.

A Jupatarama(es)

Is There Anybody Out There?(en)

While navigating daily discrimination, a filmmaker who inhabits and loves her unusual body searches the world for another person like her, and explores what it takes to love oneself fiercely despite the pervasiveness of ableism.

Lloydie, The Boy from St. Thomas(en)

Keifer Nyron Taylor captures the last days of his grandfather, Lloydie Plummer, exploring his violent upbringing in Jamaica, his close friends and the damage done to the family he built after migrating to the UK.

The Skin Horse(en)

An award-winning, ground-breaking TV documentary dealing sensitively with the topic of sex and intimacy within the disabled community.

The Foster Family(sv)

Julia always said that her upbringing as a biological child in a foster family was a happy time. But something is wrong. In The Foster Family, we follow director Julia's journey back in time, where she, together with her parents Ewa and Lennart and the foster child Patrik, recollect the shocking events that changed their lives over thirty years ago. The children are at the center of this strong, touching and warm documentary about a system where you can love, but not too much.

Fighters(en)

Meet Matt Edwards, a lower-limb amputee boxer determined to break barriers and obtain his amateur boxing license—the crucial first step toward his dream of becoming a professional fighter. But the real fight isn’t just in the ring; it’s against a system that continues to put up obstacles, reflecting the everyday struggles disabled people face simply to be included in society.

The Current: Explore the Healing Powers of the Ocean(en)

The story of individuals from all walks of life that have faced incredible obstacles, found the drive to overcome their disabilities, and have through water sports become real everyday heroes.

Las Preguntas que Perdimos(es)

Ramba Zamba(de)

Ramba Zamba: a theater with handicapped and non-handicapped people/actresses and actors, which has been living and working on inclusive integrative togetherness impressively every day for thirty years now. The film accompanies the mentally and physically impaired actresses and actors for six months through the theatrical production of the play GOLEM, from the beginning of rehearsals to the premiere. In doing so, the film is also partly influenced by the portrayed persons themselves, quasi inclusively co-determined, by them capturing their own view and perception, their view of reality itself on film.