“El Apagón: Aquí Vive Gente” is a documentary directed by Bad Bunny and Blanca Graulau. This 23-minute film explores the socio-economic challenges in Puerto Rico, focusing on the effects of power outages and gentrification driven by the real estate and energy sectors. Through visuals and personal stories, the documentary highlights the experiences of Puerto Rican communities facing these issues.
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A documentary on the historic first-ever visit of a Palestinian National team to Europe, following the Palestinian women's team as they arrive in Ireland to a heroes' welcome and play a solidarity friendly against Bohemian FC on May 15th, 2024. The sold-out match marked the 76th anniversary of the Nakba and highlighted the ongoing genocide and human rights violations happening every day in occupied Palestine. It was one of the most emotional and important games ever held at Dalymount Park in its long and storied history since 1901, and the event raised over €100,000 for three Palestinian humanitarian organizations.
Greek Sarakatsani community members, a former group of nomadic animal breeders, share personal experiences and discuss the concept of identity today. A tribute to collective memory through an experiential journey that sets out from the past, progresses into the present, and contemplates the future.
Honorable Ronald V. Dellums, winner of the San Francisco Foundation 2005 Community Leadership Awards (Robert C. Kirkwood Award) - for his decades of courage, leadership, and vision in championing peace, justice, diversity, and economic equality, both locally and globally, and for his impact in moving the AIDS pandemic and its solutions to the top of the global agenda.
National Center for Lesbian Rights, winner of the San Francisco Foundation 2009 Community Leadership Awards (the John R. May Award), for its pioneering spirit and unwavering commitment to advancing the civil and human rights of LGBT people. Its precedent-setting case victories have rewritten laws to change the legal landscape for all LGBT people and families across the nation. Through litigation, public policy advocacy, and public education, NCLR advocates on behalf of LGBT people and their families nationwide. For 30 years, NCLR has been at the forefront of pursuing justice, fairness, and legal protections for all LGBT people.
Michael Franti, winner of the San Francisco Foundation 2009 Community Leadership Awards (the Helen Crocker Russell Award) - artist, activist, founder of Spearhead, for embodying a social movement of justice and activism and being a voice for the vulnerable. By founding the music groups Spearhead and the Disposable Heroes of Hiphoprisy, as well as the Power to the Peaceful festival, Michael built an underground movement to spread a message of social justice and advocated for underrepresented people. His recent film, I Know I'm Not Alone, highlights the human cost of war and empowers people to utilize their vote and recognize their collective power to impact American foreign policy.
For 40 years, the community-organizing group ACORN advocated for America’s poorest communities, while its detractors accused it of promoting the worst of liberal policies. Riding high on the momentum of Barack Obama’s presidential victory in 2008, ACORN was at its political zenith when a hidden-camera video sparked a national scandal and brought it crashing down. The story involves voter fraud, a fake prostitute, and the rise of Breitbart.com.
The baker, the pie-maker and the diminished long-term community of Hoxton Street face gentrification in this compelling portrait of a rapidly changing London.
Two tons of snow—flown from New Hampshire to Puerto Rico in 1952 in order to “gift” Puerto Ricans a “white Christmas”—become a metaphor for the colonialist paternalism of America’s relationship to Puerto Rico.
God sends his best angel to Earth to carry out a delicate mission.
Documentary about the Lyon sex workers who occupied the church of St. Nizier on June 3, 1975.
In 1999, Innu community members who, 40 years previously, had been forcibly relocated from their remote northern region of Labrador to established settlements in the province, return to Hebron to reminisce and reckon with the destructive impact the relocation had on their traditional ways of life and Indigenous identity. This film serves as a companion piece to Carol Brice Bennett’s book "IkKaumajannik Piusivinnik – Reconciling With Memories," and stands as the only known audio-visual document of the reunion of a resettled community in Newfoundland & Labrador.
In the 1970's, filmmakers Tom Burger, Bill McKiggan and Chuck Lapp began documenting the history and current struggles of inshore fishermen in Atlantic Canada to form a union. Until 1979 it was illegal for fishermen to form a union in Nova Scotia. The committed funding from the National Film Board was withdrawn for this film, however the filmmakers continued to edit the film by entering the NFB at night. The CBC refused to broadcast the film, but it was finally released in 1990 and broadcast nationally that year on Vision TV.
Undead dark riders invade a wild west saloon, blasting away everyone in sight - now only a bad-ass Native American warrior can save the town.
Bruce is a young man who finds himself struggling with commitment issues. Although he thinks life is going smoothly, he starts to become friends with a man who wears a wolf mask. Slowly and surely Bruce sees this masked man everywhere he goes and starts to wonder if he is imaginary or if he himself is actually the masked man.
The Complete Jam serves up a staggering 49 performances, divided between 16 promotional videos (previously available on the |Video Snap VHS collection), a seven-song excerpt from a 1980 live show, and a staggering 26 more drawn from the best of the band's television performances, ranging from their U.K. debut on Marc Bolan's fondly remembered Marc through to their nine-song farewell performance on The Tube. A couple of entertaining interviews, a photo gallery, and a short (and, sadly, very poorly narrated) documentary on the band's history complete the portrait.
In April 1977, the small coastal town of Seabrook, New Hampshire became an international symbol in the battle over atomic energy. Concerned about the dangers of potential radioactive accidents, over 2,000 members of the Clamshell Alliance, a coalition of environmental groups, attempted to block construction of a nuclear power plant. 1,414 people were arrested in that civil disobedience protest and jailed en masse in National Guard armories for two weeks.
Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.
Pussy Riot make a comeback after a long absence to stand with Ukraine. Their story and their struggle are told through archival footage and interviews with the group’s members.