
The film is about how the occupation has changed and sometimes broken the lives of people living on the peninsula. Hromadske journalist Natalia Humeniuk arrived in Crimea on the day of the so-called ‘referendum’ on 16 March 2014, where she talked to people in Bakhchisarai, Simferopol, Yalta and Sevastopol. Since then, the journalist has returned to the peninsula at least once a year: she talked about the first political prisoners, the beginning of repressions against Crimean Tatars, the economic conditions and everyday life of the residents of the occupied Crimea, and what it was like to be a Ukrainian in the occupied Crimea or even an activist of the ‘Crimea is ours’ movement who began to criticise the occupation administration. After 5 years, Hromadske journalists returned to the people whose stories were told in the first months of the annexation.


The film is about how the occupation has changed and sometimes broken the lives of people living on the peninsula. Hromadske journalist Natalia Humeniuk arrived in Crimea on the day of the so-called ‘referendum’ on 16 March 2014, where she talked to people in Bakhchisarai, Simferopol, Yalta and Sevastopol. Since then, the journalist has returned to the peninsula at least once a year: she talked about the first political prisoners, the beginning of repressions against Crimean Tatars, the economic conditions and everyday life of the residents of the occupied Crimea, and what it was like to be a Ukrainian in the occupied Crimea or even an activist of the ‘Crimea is ours’ movement who began to criticise the occupation administration. After 5 years, Hromadske journalists returned to the people whose stories were told in the first months of the annexation.
2019-03-21
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Special project to mark the 5th anniversary of the occupation of Crimea
8.0As the Russian invasion begins, a team of Ukrainian journalists trapped in the besieged city of Mariupol struggle to continue their work documenting the war's atrocities.
7.8For five teenagers living in the conflict-ridden Donbas region of Ukraine, a Himalayan expedition provides a brief escape from reality. A portrait of a generation that, in spite of everything, is able to recognise and celebrate the fragile beauty of life.
0.0Story about one man's mission to bring christmas joy to children in the Eastern Ukrainian crisis area.
8.0The unique testimony of the tragic events and crimes of russia through the eyes of Ukrainians, which the entire world must see and feel. Film was created from 200 hours of chronicles: survival, resistance, and life during the war. Every minute was filmed by Ukrainians with their mobile phones. Each story in the documentary is a film captured and filmed by Ukrainians on their devices.
10.0This lesson in political revelation focuses on the shooting down of the Malaysian passenger jet MH17 over eastern Ukraine in 2014. A meticulous, investigative exposé that lays bare the mechanisms of Russian warfare.
0.0Documentary about Ukrainian heroes and others who keep making music in the harshest conditions, to lift people's spirits during the war with Russia. Shot on location in Ukraine, Russia, and Poland.
8.0A chronicle of the civil uprising against the regime of Ukrainian president Viktor Yanukovych that took place in Kyiv in the winter of 2013/14. The film follows the progress of the revolution: from peaceful rallies, half a million strong in the Maidan square, to the bloody street battles between protesters and riot police.
0.0When Russian armed forces invaded Ukraine, Moldovans raced to the borders to assist refugees, offering warm food, rides, and shelter. At the same time, a group of Moldovan filmmakers formed an ad-hoc film collective to document the unwavering efforts of volunteers and the fate of refugees through multifaceted lenses. Despite these acts of solidarity, a segment of the population's Soviet nostalgia fuels a growing fear that the country could be drawn into the war.
6.9One year after the beginning of the full-scale Russian invasion of Ukraine, philosopher Bernard-Henri Lévy takes us to the heart of the combat through this war diary made during the second half of 2022. From Kharkiv and Bakhmut to Kherson, in the aftermath of the city’s liberation, this documentary bears witness to the ravages of war through the testimonies of soldiers, chronicles of the front and portraits of civilians, and shares with us the struggle of the Ukrainian people.
7.5The film’s events take place on a single day: August 24, 2022, the day Ukraine celebrates the 31st anniversary of the renewal of independent statehood. The film combines places and people that best capture the country’s wartime spirit. The locations are: the relatively safe cities of Kyiv and Lviv; the cities under daily missile fire of Kharkiv and Mykolaiv; a trench at the frontlines near Donetsk; and the beaches of Odesa. The film presents a day in the life of a beach police patrol, a woman anti-tank missile operator, a water delivery driver, a mortar unit soldier, a rapid assault unit soldier, a 14-year-old pub janitor, an artist and a former member of parliament. Together, these people and places create an engaging mosaic of a day in the life of Ukraine.
8.0Between February and April 2025, filmmakers Bernard-Henri Lévy and Marc Roussel filmed the Pokrovsk and Soumy fronts in eastern Ukraine, following the fighters of the Anne de Kyiv Brigade, armed by France. They filmed the daily lives of the inhabitants, bombarded by Russian forces terrorizing civilians on the eve of possible negotiations. They interview President Zelenskyy, who is reluctant to travel to Washington, and then watch the rebroadcast of the meeting with Ukrainian soldiers in a bunker. For the real heroes are the anonymous fighters and civilians who hold their heads high in the face of adversity and suffering, and who are filmed on a daily basis. The final part of Lévy’s “Ukrainian Quartet”, Our War is a diary, peppered with flashbacks in which the author recalls the high points of this war that began in 2014.
7.9Over 93 days in Ukraine, what started as peaceful student demonstrations became a violent revolution and full-fledged civil rights movement.
0.0A man hikes through late-winter woods. Russia invades Ukraine. It’s difficult to reconcile the scales of action described by those sentences, but this difficulty is what John Gianvito dwells on in his new video. It may simply be that this is a diary, movingly plain and provisional in construction, which recounts what its author did for a few months last year: he watched a war on the internet and went outside. Even if that’s true, such a description makes Gianvito’s images seem less strange than they are
6.8A Polish vehicle traverses the roads of Ukraine. On board, people are evacuated following the Russian invasion. This van becomes a fragile and transitory refuge, a zone of confidences and confessions of exiles who have only one objective, to escape the war.
0.0Bombed-out streets, destroyed Russian tanks, evening meals in an Underground repurposed into a shelter. Image by image, the directors push beyond easily reproducible images of war to enter the reality the country has experienced since February 24, 2022.
10.0In 2014, the war begins. Immediately, a system of evacuation of the wounded and killed is being built, the outpost of which is the Dnieper - it is here that the first will be delivered, it is here that they are still received. Tatiana Guba has been coordinating the evacuation for 5 years. She is called "Mom Tanya". Thousands of people are grateful to her for her life. Serhiy Kryvorotchenko, director of the Dnipro Airport, has deployed a helicopter evacuation system since the beginning of the war. Eugene Titarenko, the film's director, in 2014-2015 was part of a volunteer medical battalion, communicates with the heroes of the film about the evacuation system. The viewer will see the whole way of saving lives, will be directly in the vortex of events and will understand how many people are involved in the process of saving one person.
0.0On February 24, 2022, Yevhen, together with his friends, volunteered to join the first aid squad on the front line. They provided life-saving support and evacuation of the wounded. This film reveals the experiences of these young men for six months full of drama, despair, fear, hatred, bitterness, love, and, most importantly, faith in victory.
0.0A year ago, on 29 December 2019, prisoners were exchanged with the self-proclaimed ‘LPR’ and ‘DPR’. Among the Ukrainians who returned home were journalist Stanislav Aseyev, tanker Bohdan Pantiushenko, and human rights activist Andriy Yarovoi. Four months earlier, on 7 September, Crimeans Oleg Sentsov and Oleksandr Kolchenko were released from Russian colonies. We spoke to the former prisoners about their first year of freedom.
6.5The story of three Czechs who doubted the reality of the war in Ukraine. Together with the film crew, they went from Prague to Kharkiv, and then to the Donbas. The Czechs were under fire, saw the wounded, mass graves and underground schools.