Flipside Video Fanzine Number 1(NaN)

311 - Mardi Gras 2020(en)

Multi-Platinum rock act 311 celebrates their 30th Anniversary by performing 50 shows in 50 U.S. States. This concert film was shot on location in New Orleans, LA for Mardi Gras 2020 and features the band's biggest hits to date, including 'All Mixed Up', 'Don't Stay Home', 'Down' and more!

Live @ Echoes with Jehnny Beth(fr)

The Hold Steady: A Positive Rage(en)

Documentary of Brooklyn bar band The Hold Steady featuring backstage interviews, fan commentary and live footage. Also, drinking.

Irish Catholic(en)

Meet Shavon O'Brien: Her family doesn't understand her, her church ignores her, even Jesus forgets about her. With only the spirit of Sinead O'Connor to guide her, Shavon battles institutional child abuse, narcissistic group think, a talking stomach and a singing poop bucket! Shavon goes from Catholic to Crusty Punk in this very, very, very, dark musical comedy!

The Bomb(en)

Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.

An Audience with Elton John(en)

Elton John entertains a celebrity studio audience, answering questions and singing songs with his guests.

SLC Punk(en)

Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.

IAM Concert Mouv'Live(fr)

East LA Interchange(en)

East L.A. Interchange follows the evolution of working-class, immigrant Boyle Heights, the oldest neighborhood in East Los Angeles from multiethnic to predominately Latino and a cradle of Mexican-American culture in the U.S. The documentary tells the story of how one neighborhood managed to survive the construction of the largest and busiest freeway interchange in the nation and explores the shifting face of community in the United States today arguing why it should matter to us all.

We Were Feared(en)

We Were Feared chronicles the rise and fall of the Cuckoo's Nest punk rock club. Hailed as the birthplace of slam-dancing, the Nest famously shared a parking lot with a cowboy bar and the mayhem that would ensue when both clubs emptied was immortalized in the Vandals' songs “The Legend of Pat Brown” and “Urban Struggle.” Featuring interviews with the people who populated the scene, archival images of gigs, and live performances by Black Flag, the Circle Jerks, & T.S.O.L.

The Soloist(en)

A Los Angeles journalist befriends a homeless Juilliard-trained musician, while looking for a new article for the paper.

Undiscovered(en)

A group of aspiring entertainers try to establish careers for themselves in the city of Los Angeles.

NOFX: The Final Show (Night 2) Oct 5, 2024(en)

NOFX brought the curtain down on four decades of punk mayhem this weekend, as they played their final shows at Berth 46 in Los Angeles. Changing setlist for each gig, California's pharaohs of punk took a varied, often fast and usually silly journey through their massive catalogue, accompanied by a crew of mates including Rancid's Tim Armstrong, Bad Religion's Brett Gurewitz and Foo Fighters' Chris Shiflett. As they finished up on Sunday night (October 6), it ended in typically chaotic fashion, doing The Decline with a host of guests, with Pennywise guitarist Fletcher Dragge smashing the band's instruments. Frontman Fat Mike recently insisted that this would be it for NOFX, with no future reunions ever to happen. A promise such behaviour will help to keep... Before that smashey ending, they turned up to suck live one final time...

Punk: Attitude(en)

A documentary on the music, performers, attitude and distinctive look that made up punk rock.

Art as a Weapon(en)

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

Green Day: The Early Years(en)

"Green Day: The Early Years" chronicles the rise of the world's most influential punk band, from their origins playing shows at Berkley's notorious Gilman Street venue in the late 80s, through the release of the platinum-selling Dookie in 1994.

Blake and Gwen: Now and Then(en)

Follow the offstage, unlikely romance of the king of country, Blake Shelton, and pop princess, Gwen Stefani. Both stars braved their share of challenges on the way to writing their own love song.

Taking the City By Storm: The Birth of Milwaukee's Punk Scene(en)

Taking the City By Storm: The Birth of Milwaukee's Punk Scene is a documentary focusing on the progression of Milwaukee's Protopunk, Punk, New Wave, and Alternative music scene from 1975-1985.

Dead Kennedys: Fresh Fruit for Rotting Eyeballs(en)

Fresh Fruit for Rotting Eyeballs features a brief history of the Dead Kennedys' early years up to their first UK tour, never before seen live performances, interviews with Klaus Fluoride and East Bay Ray, comments by music journalists, and insights from the key people involved with the recording of the DK's first album. Jello Biafra's 1979 run for mayor is also highlighted.

Pearl Jam: Touring Band 2000(en)

28 songs filmed entirely with handheld cameras by Pearl Jam crew members across 19 different cities from the bands' 2000 North American tour. Reflecting the time and composition of an actual concert set list, this video is, in the words of Eddie Vedder, "in some ways the visual equivalent of the bootlegs that have been released in the past year... a basic document of what may occur at any given Pearl Jam concert."