Cinquenta e oito semanas(2024)

out of touch (franklinia still life)(en)

the franklinia flower, now extinct in the wild, appears here as a printed image (a drawing from 1782) pinned against a kitchen wall. hand and figure move disjointedly. the light of day gives way to electricity, to darkness, and to morning. recorded on a video camera built in 2002: an obsolete image tracing some accidental gestures and capturing a form of life existent only in cultivation. some fragments of vermeer, general electric, and chiquita brands international.

In The Pines(id)

This work re-examines the relationship between the elements that make up the quality of space, namely: "subject" and "object", "organic" and "mechanical", "reality" and "representation", "wholeness" and "partiality", " determinacy” and “indeterminacy”, “visibility” and “invisibility”, “natural” and “non-natural”.

sad cup(fi)

a short exploration of the life of depressive cups...in finnish.

DEEP SILVER(en)

A young man struggling with a shopping addiction embarks on a fashion-fueled journey to cleanse himself of an ailment called "Deep Silver."

Paradise(en)

A landscape film about isolation, fear, and religion in rural Pennsylvania.

Desert Vows(en)

Hunter, a bride-to-be, feels overworked and unappreciated. Her artistic spirit is squelched by the shallow corporate world she’s in and she has had enough. Unfortunately, she feels as if she can’t turn to Ian, her commercial executive fiancé, for solace. As her wedding day approaches, Hunter and her three bridesmaids embark on a road trip to Las Vegas for one last hoorah together. As the girls venture from the city, they decompress and let their personal barriers fall. An impromptu sightseeing excursion into the desert leads to a clash of anxieties and attitudes between Hunter, the bridesmaids, and her fiancé as Hunter searches for the road that’s right for her.

l'eau tonne à minuit(fr)

Routine(hu)

An experimental half-documentary half-fiction about a young person’s routine of getting to sleep and waking up.

1,2,3... Barcelona!(xx)

Tourists eating and taking photos. Tourists strolling and taking photos. Tourists bathing on the beach and taking more photos. Barcelona has become an overexploited photocall to the point of paroxysm, and this is what this film shows by turning the camera and pointing towards the visitors. A small gesture that, added to a powerful sound contrast and a caustic sense of humour, exposes without subterfuge a grotesque normality.

Our Boat(xx)

A curious miniature boat sails along the rivers and waterways of Sheffield, observing the people, places, and sights of the Peak District.

Nocturnal(en)

A one minute short film showcasing the sights, sounds, and people that characterizes Singapore's nightlife.

Amelia 2.0(en)

After his wife Amelia suffers an aneurysm that leaves her bedridden and slowly dying, police officer Carter Summerland searches for a way to revive her. He's approached by Wesley Enterprises pioneering a new program to extend life through robotics, they get caught in a public debate over human’s relationship with technology and her right to exist.

AIPOKAMORHC(en)

A unique visual interpretation of Tyler, the Creator's latest album, Chromakopia.

Praeoccupatio(it)

A man and a woman make guesses about the future while a child is still unborn

Psicosi multipla(it)

A psychoanalyst helps a patient to achieve his ambitions.

Broken(es)

PREP(en)

A bodybuilding fever dream fueled by childhood trauma, food porn and acid techno music.

The Artist and His Canvas(en)

An experimental film revolving around how an artist perceives a man and a woman.

Speaking in Tongues: Take One(en)

A 16mm experimental film that analogizes the discourse of racialized criminality and the carceral apparatus, which surveils and delimits the movements of Black people’s bodies, with the conventions and mechanics of the cinematic apparatus which regulates and standardizes the movement of the filmstrip through the motion picture camera and projector. Equal parts essay and visual art, Speaking in Tongues embodies the cinematic Black ecstatic that simultaneously re-envisions resistance defiance in the face of anti-Black state violence and subverts the conventions of cinematic realism through a manually and optically altered collage of original documentary and archival film sourced from Hollywood movies, television commercials, educational films, cartoons, European art cinema and miscellaneous ephemera.