1933: The Fall of Weimar Republic(2020)

The Damned(it)

In the early days of Nazi Germany, a powerful noble family must adjust to life under the new dictatorship regime.

The Haunted Screen: German Film After World War I(en)

In this film essay, critic Peter Buchka explores the German cinema of the 1920s, ranging from the disquieting images of Fritz Lang's Metropolis to the castrating sexuality of Marlene Dietrich in Die Blaue Engel. The program provides an introduction to Weimar cinema, with Buchka's essay narrated over the images from film clips of 1920s era German films.

Erfurt - Gesichter eines Bezirkes(de)

Bookkeeper Kremke(de)

In this realistic, unsentimental portrait of Germany’s dire economic situation, a middle-aged payroll clerk loses his job due to technological advances and, unable to find another, descends into despair. The film’s director, Marie Harder, was one of only a few women directors of the time and was also the head of the German Social Democratic Film Office. She made only two known films before her accidental death in exile in Mexico in 1936.

Asphalt(de)

One of the last great German Expressionist films of the silent era, Joe May’s Asphalt is a love story set in the traffic-strewn Berlin of the late 1920s. Starring the delectable Betty Amann in her most famous leading role, Asphalt is a luxuriously produced UFA classic where tragic liaisons and fatal encounters are shaped alongside the constant roar of traffic.

Friendship of Men(de)

In this docudrama Rosa von Praunheim looks into Johann Wolfgang von Goethe’s sexual orientation, especially into his erotic experiences during his travels in Italy. Contrary to the common belief, von Praunheim argues that Goethe was not a heartbreaker and conqueror after all. It was only in Italy, that he had diverse sexual experiences, not least with men. Von Praunheim bases his assumption on letters written by Goethe to his friend Friedrich Heinrich Jacobi about these sexual encounters. Some of the content of these letters is re-encated in the film. At the same time, historians and linguists analyse and classify the letters into their historical context.

Motherland(en)

A lighthearted psychodrama about mommy issues and Hillary Clinton.

13. Parteitag der Liberal-Demokratischen Partei Deutschlands, Weimar 1982(de)

Report from the party congress of the Liberal Democratic Party of Germany (LDPD) from April 5 to 7, 1982 in Weimar.

Grbavica: The Land of My Dreams(bs)

A woman and her daughter struggle to make their way through the aftermath of the Balkan war.

Léopold R.(fr)

The painter Léopold Robert took his own life on 20 March 1835 in his Venice studio, at the height of his fame. The central character of this film, the narrator, attempts to discover the causes of the artist's suicide with the help of his voluminous correspondence.

Das Boot(de)

A German submarine hunts allied ships during the Second World War, but it soon becomes the hunted. The crew tries to survive below the surface, while stretching both the boat and themselves to their limits.

Kerpeikkari(fi)

Story of Juhani Aataminpoika (1826-1854), first known serial killer in Finnish history.

Rita, the documentary(es)

An aesthetic and politic portrait of Mexico ́s 90s decade through the biography of artist Rita Guerrero (1964-2011), who developed in different fields, mostly music and theater. She was the vocalist of Santa Sabina, a rock band in which she was the most remarkable figure. She committed herself to different social movements such as the Zapatista Army Movement (EZLN) and the Electoral Left. She died at 46 from breast cancer. Her voice and music left a mark on a generation.

Never Look Away(de)

German artist Kurt Barnert has escaped East Germany and now lives in West Germany, but is tormented by his childhood under the Nazis and the GDR regime.

Tad(en)

The story of Abraham Lincoln's presidency told from the perspective of his son, Tad.

Plutocracy II: Solidarity Forever(en)

The film, which is the second part of an ongoing historical series, covers the seminal labor-related events which occurred between the late 1800's and the 1920's. Its subtitle refers to a 1915 song composed by Ralph Chaplin as an anthem for unionized workers. The film itself is the cinematic version of that anthem, as it allows us a comprehensive understanding of the need for these early labor unions, and the enormous sacrifices of its members to ensure fairness, safety, and equality in the workplace.

Serenity(el)

Originally edited in two versions. Version I, 70 minutes; version II, 90 minutes. (The only known existing version is not Markopoulos’s edit and contains additional titles, music and voice-over added later than 1961. 65 minutes.) Filmed in Mytilene and Annavysos, Greece, 1958. Existing copy on video, J. and M. Paris Films, Athens.

The Chronicles of Melanie(lv)

The 14th of June 1941, Soviet-occupied Latvia: Without warning, the authorities break into the house of Melanie and her husband Aleksandr and force them to leave everything behind. Together with more than 15 000 Latvians, Melanie and her son get deported to Siberia. In her fight against cold, famine and cruelty, she only gains new strength through the letters she writes to Aleksandr, full of hope for a free Latvia and a better tomorrow.

Henry VIII - Live at Shakespeare's Globe(en)

The Tudor Court is locked in a power struggle between its nobles and the Machiavellian Cardinal Wolsey, the King's first minister and the country's most conspicuous symbol of Catholic power. Wolsey's ambition knows no bounds and when his chief ally, Queen Katherine, interferes in the King's romance with Ann Bullen, he brings ruin upon himself, the Queen and centuries of English obedience to Rome.

Saga of the Ancient Bulgars: The Ladder of Vladimir the Red Sun(ru)

The second part of Bulat Mansurov's planned epic film series; “The Saga of the Ancient Bulgars". The film depicts the life and reign of Prince Vladimir Svyatoslavich of Kiev, known in legends as Vladimir the Red Sun. The story begins in 972 AD, after the death of his father, Grand Prince Svyatoslav, which ignites a power struggle among Vladimir and his brothers. The film emphasizes that Russian princes only succeeded when they maintained good relations with the Bulgars and other steppe nations. It also depicts Vladimir's reflection on his rise to power upon receiving the book "The Ladder" in 1005, ten years after his conversion to Christianity.