

A documentary road movie. Traveling across his homeland, the filmmaker explores what Yakut cinema is, and what it means to the Sakha people and to himself.
6.5A young man talks to his psychiatrist about strange visions he has been having in his dreams.
5.3An unfortunate highschooler finds an ancient book that summons Allentown's deadliest maniacs back from the dead.
6.1A duo of Edgar Allan Poe adaptations about a greedy wife's attempt to embezzle her dying husband's fortune, and a sleazy reporter's adoption of a strange black cat.
5.5When DEA agents are taken captive by a ruthless South American kingpin, the Delta Force is reunited to rescue them in this sequel to the 1986 film.
7.01982, Poland. A translator loses her husband and becomes a victim of her own sorrow. She looks to sex, to her son, to law, and to hypnotism when she has nothing else in this time of martial law when Solidarity was banned.
Forced collectivism, famines, errors and mistakes mark Stalin´s ruthless rise to dictorial power and only increase his madness until he even declares a chicken to be an English spy that should be liquidated.
Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.
7.3The ghost of a hanged man returns to fulfill his promise. All of his accusers must die!
Celtic Thunder presents Take Me Home, an all new show, as seen on PBS. The DVD with a running time of almost 2 hours long features 13 new Celtic Thunder performances! After the smash success of the first Celtic Thunder production in 2008, producers Sharon Browne and Phil Coulter have developed an all-new Irish-music showcase. The sharply dressed male vocalists who starred in the first show have returned, and each performer gets a chance to show off his pop sensibility. The energetic set includes traditional Celtic tunes as well as rock covers and original compositions by Coulter.
6.7Ghost nation? Violent home? Traumatised country? What does the horror of one of the most famous writers of our time hide? What does his fictional America expose? To what extent does cinema feed itself off his unique vision and expression of fear? In other words: what kind of America is Stephen King telling us about?
6.0After a family tragedy, Chuck Wilson hopes to start a new life in Ashland Falls with his wife Maria and little sister Elizabeth, but he quickly discovers that the town has a dark history of being haunted by a ghostly woman who drives residents to suicide.
5.8A gang of thieves calling themselves the Santa Claus Gang are wreaking havoc, and the police can't keep up. Police Captain Gilbert is distracted by a Chinese reporter writing a story on his squad, and taxi driver Daniel is in the midst of a relationship crisis. After a string of mistakes in which the thieves outsmart the police time and time again, Daniel and his super-taxi pitch in.
6.0An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.
7.6Yatora is the perfect high school student, with good grades and lots of friends. It's an effortless performance, and, ultimately… a dull one. But he wanders into the art room one day, and a lone painting captures his eye, awakening him to a kind of beauty he never knew. Compelled and consumed, he dives in headfirst—and he's about to learn how savage and unforgiving art can be!
7.7Harry, Ron and Hermione walk away from their last year at Hogwarts to find and destroy the remaining Horcruxes, putting an end to Voldemort's bid for immortality. But with Harry's beloved Dumbledore dead and Voldemort's unscrupulous Death Eaters on the loose, the world is more dangerous than ever.
6.3At age 17, Eglantine is troubled by a number of things. Her argumentative parents comprise an absentee and philandering father and an overprotective, occasionally alcoholic mother. Her boyfriend Sébastien is a couple of years older; he's ready, but she isn't. Frequent furtive visits to her therapist help her to see that these issues are not 'problems', but 'difficulties', which she has the strength to overcome.
5.7Roscoe's wife, tired of his endless drunkenness, reads of an operation that cures alcoholism and has him admitted to No Hope Sanitarium to get the surgery. Roscoe, wanting out, eventually disguises himself as a nurse to effect his escape.
4.6Recep Ivedik has been depressed since the death of his grandmother. Everyone who tries to help him fails. A young girl named Zeynep, who can't find an apartment, stays with Recep. Initially, the two can't stand each others but after a while, they grow close. Despite many adventures together, Recep's depression won't go away. That is until he experiences something he had never experienced before.
4.2A wife throws her husband out of the house, telling him not to return unless he brings her a fur coat. Deciding that the only way he'll get one is to make his own, he grabs his rifle and goes hunting. All his efforts fail, though, until he meets Felix, who offers to help him shoot rabbits, and impresses the man with his marksmanship skills. However, it turns out that shooting the rabbits isn't quite as easy as they thought it would be.
8.0Why does Doris Dörrie have a bag on her head in the interview? Consistent in the sense that in her works she always poses the question of how we want to be perceived. Dörrie takes us through the most important stages of her life, her films, her work as a mentor and teacher, and also addresses existential themes: Identity, motherhood, her role as a woman. And she talks openly about fears, setbacks and crises, such as the untimely death of her partner and cameraman Helge Weindler. "Shut up and breathe", the advice of a Tibetan lama, carries her through life - even beyond the screen.
0.0A first-time director convinces his best friend to sell his house in order to fund their debut feature film. Everything goes really well. A documentary following the making of "The Last Stop in Yuma County."
0.0CREE CODE TALKER reveals the role of Canadian Cree code talker Charles 'Checker' Tomkins during the Second World War. Digging deep into the US archives it depicts the true story of Charles' involvement with the US Air Force and the development of the code talkers communication system, which was used to transmit crucial military communications, using the Cree language as a vital secret weapon in combat.
0.0An overview of the history of Great Britain's Amicus Films, which was a rival of Hammer Studios in the horror field. Included are interviews with company co-founder Max Rosenberg, cameraman Freddie Francis and director Roy Ward Baker, and clips from various Amicus productions.
6.4A documentary about the production of From Dusk Till Dawn (1996) and the people who made it.
8.0Negev Desert, Israel, 1987. Bashir Abu Rabi'a works as a pyrotechnics and special effects assistant on the film Rambo III, starring Sylvester Stallone, a shoot that will have far-reaching consequences for the local Bedouin population.
0.0In a decaying Soviet-era retirement home, a vibrant group of elders cling to life by staging Shakespeare. Yet loneliness lingers beyond the theater’s doors, until drama begins to blur with reality.
1.2A Night at the Movies, the ongoing TCM series of one-hour "Film Studies 101" specials, takes up the subject of "Fantasy" in its seventh and latest installment. Once again Laurent Bouzereau has created a documentary examining the many different ways that writers and directors have explored a particular genre--in this case, the limitless world of the imagination as portrayed in fantasy films.
7.4The film follows the story of a San Francisco Pentecostal minister Richard Gazowsky on his quest to shoot a groundbreaking fantasy film called Gravity: The Shadow of Joseph (described by him as "Star Wars meets The Ten Commandments"). The film follows him and members of his church as they go through pre-production and fly to Alberobello, Italy, for initial shooting that turns out to be marred with difficulties.
10.0With no Forest left to hunt and no land to cultivate, the Maby-Guarani depend on the sale of their handcraft to survive. Three young Guarani filmmakers accompany the daily life of two comunities united by the same history, since the first contact with the Europeans until the intense coexistence with today’s White people.
0.0A short documentary about the making of Abbas Kiarostami's 'Shirin'.
6.8The Characters of Star Wars is a Video Documentary included in the 2004 DVD release of the Star Wars Original Trilogy. It explained the Mythos of many of the "Star Wars" Characters.
6.7On the occasion of the release of the blockbuster "Asterix & Obelix: The Middle Kingdom", unpublished images of the preparation of the film and the manufacturing secrets, as well as the crazy story of Asterix and Obelix since its origins.
A Chippewa prophecy foretells a time called the 7th Fire when lost traditions will be recovered. Native American filmmaker Sandra Sunrising Osawa examines how the Chippewa Indians of Northern Wisconsin have struggled to restore the centuries-old tradition of spearfishing — and the heated opposition they have encountered.
0.0Combining archival photos with new and found footage, this short film presents a personal, impressionistic rendering of what it's like growing up Mi'kmaq in Newfoundland, while living in a culture of denial. Vistas is a series of 13 short films on nationhood from 13 Indigenous filmmakers from Halifax to Vancouver. It was a collaborative project between the NFB and APTN to bring Indigenous perspectives and stories to an international audience.
An interview with director Paul Annett, focusing on his cult film The Beast Must Die.
6.0The story of the creation of The Spirit of the Beehive, a film directed by Víctor Erice in 1973.
0.0By letting go of the urge to control and embracing the unexpected, the creative process finds a new pulse. Thus, Gut Knows What Mind Does Not Understand aims to celebrate what emerges when we trust our intuition and the experiences the world offers us.
0.0Red Fever is a witty and entertaining feature documentary about the profound -- yet hidden -- Indigenous influence on Western culture and identity. The film follows Cree co-director Neil Diamond as he asks, “Why do they love us so much?!” and sets out on a journey to find out why the world is so fascinated with the stereotypical imagery of Native people that is all over pop culture. Why have Indigenous cultures been revered, romanticized, and appropriated for so long, and to this day? Red Fever uncovers the surprising truths behind the imagery -- so buried in history that even most Native people don't know about them.
