Count Almaviva lives with his Countess on their estate near Seville. The Count has his eye on his wife’s maid Susanna, who is betrothed to the Count’s servant, Figaro. Much to Figaro’s dismay, the Count plans to seduce Susanna on wedding night. Meanwhile, Cherubino, the Count’s young page, is infatuated with the Countess, but has just been dismissed after being discovered with Barbarina, the gardener Antonio’s daughter.
Figaro
Bartolo
Marcellina
Don Basilio
Antonio
Don Curzio
Walter Lee Younger is a young man struggling with his station in life. Sharing a tiny apartment with his wife, son, sister and mother, he seems like an imprisoned man. Until, that is, the family gets an unexpected financial windfall.
This delightful pairing of one-act musicals, one classic and one modern, takes a comical and moving look at the mysteries of love. Act I, based on Schnitzler's The Little Comedy, is a delightful romp through the sexual ennui of turn-of-the-century Vienna, as two wealthy but bored socialites masquerade as impoverished bohemians seeking romance. Act II, based on the Jules Renard play Summer Share, explores modern affection and disaffection as two married couples share a summer house in the Hamptons. An Off-Off-Broadway sensation that successfully moved to Broadway, Romance/Romance is a charming and tuneful small-cast gem, here filmed live for television.
I Heard a Voice is the first live DVD from AFI that was released on December 12, 2006. The concert was filmed at the Long Beach Arena in Long Beach, California on Friday, September 15, 2006. Part of the Decemberunderground Tour, the crowd was the largest AFI had ever headlined with over 13,000 people in attendance. The title of this DVD is lifted from a line of poetry in the decemberunderground CD booklet. Underneath the song 37mm, it says: "The power went out. I turned on the radio. The power went out. I turned on the radio. The power went out. I turned on the radio....I heard a voice." The moth on the case is also from the decemberunderground booklet.
In this fast-paced remake of the Maurice Chevalier vehicle Folies Bergère, talented Danny Kaye plays both a performer and a heroic French military pilot.
Mismatched travellers are stranded overnight at a lonely rural railway station. They soon learn of local superstition about a phantom train which is said to travel these parts at dead of night, carrying ghosts from a long-ago train wreck in the area.
The Red Hot Chili Peppers recorded live at Fuji Rock Festival 2006. Naeba Ski Resort, Niigata, Japan July 29, 2006.
Based on the controversial off-Broadway musical comedy revue, "Oh! Calcutta!" is a series of musical numbers about sex and sexual mores. Most of the skits feature one or more performers in a state of undress, simulating sex, or both. The show sparked considerable controversy at the time because it featured extended scenes of total nudity, both male and female. The title is taken from a painting by Clovis Trouille, itself a pun on "O quel cul t'as!" French for "What an arse you have!".
A musical based on the life and music of Johann Strauss, Jr.
Christina Aguilera's breathlessly energetic, senses-frazzling live spectacular of a concert brought the house down in Sydney Adelaide, Australia. The critically acclaimed live extravaganza thrills and awes, while Christina's vocal acrobatics remind you why hers is the Voice of a Generation.
1. Got Me Under Pressure 2. Waitin' For The Bus 3. Jesus Just Left Chicago 4. I'm Bad, I'm Nationwide 5. Pin Cushion 6. Cheap Sunglasses 7. Pearl Necklace 8. Heard It On The X 9. Just Got Paid 10. Rough Boy 11. Blue Jean Blues 12. Gimme All Your Lovin' 13. Sharp Dressed Man 14. Legs 15. Tube Snake Boogie 16. La Grange 17. Tush That Little Ol’ Band from Texas comes up big in ZZ Top: Live from Texas, a concert recorded on November 1st, 2007 at the Nokia Theatre in Grand Prairie, Texas. The hirsute trio (guitarist Billy Gibbons, bass player Dusty Hill, drummer Frank Beard) has been at it for nearly four decades now.
A dark-themed and redesigned West End production of Rodgers & Hammerstein's seminal Broadway musical tells the story of farm girl Laurey and her courtship by two rival suitors, cowboy Curly and the sinister and frightening farmhand Jud.
The Pogues playing on St. Patrick's Day in London's Town and Country serves to remind fans why we loved the band and possibly why their breakup was inevitable. A thoroughly sloshed Shane MacGowan mumbles and screams his way through most of their hits to that point in time. Of course, real fans like the mumbling and the screaming. Lots of energy, great guests - The Specials, the late Kirstie MacColl and especially the late great Joe Strummer - who not only gets up on stage for a stirring rendition of London Calling, but serves as a kind of host for the evening as he discusses what made the Pogues so great. The video times in at a paltry 60 minutes which leaves you begging for more, but between the singalong Wild Rover and the silly string silliness of Fiesta, it is a jam-packed entertaining piece of music history.
Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.
When a rich woman's ex-husband and a tabloid-type reporter turn up just before her planned remarriage, she begins to learn the truth about herself.
Anton Špelec (Vlasta Burin) is a producer of musical instruments by trade but a sharp-shooter at heart. He expects to be awarded a medal at a large parade in town where veteran sharp-shooters will be honored. When the town council is one medal short, Anton must wait another year for his prized possession. He drowns his disappointment in drink at the local pub and becomes so drunk that he insults the emperor who sentences him to jail. Instead of fulfilling the emperor’s orders himself, Anton sends his employee in his stead.
Rural comedy of the intrigues and stratagems involving a country wedding. From a comedy by Alexis Kivi.
This is an effective staging, though the set looks medieval and the costumes are modern. It’s well paced, well played, well sung. Jonas Kaufmann is an ideal Tito. His voice is not only beautiful and flexible, it’s also ample, retaining warmth and sweetness when he sings out. The character of Tito is too good to be true, but Kaufmann makes him intense, noble, and beliveable. Vesselina Kasarova is riviting as Sesto. Her voice is gorgeous and multi-colored, her technique exquisite, her immersion in the role complete.