

This is a documentary about the Diesel Electric Preservation Group, a group of volunteers from the West Somerset
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0.0A first-time director convinces his best friend to sell his house in order to fund their debut feature film. Everything goes really well. A documentary following the making of "The Last Stop in Yuma County."
0.0"Get a never-before-seen look behind the scenes of the making of the sexy and swinging sci-fi Cult classic, Barbarella, in Barbarella Forever. In Barbarella, sixties icon Jane Fonda starred as the saucy astronaut from the 41st century sent to stop an evil scientist and Barbarella Forever features footage of Fonda at work and play during shooting. Gain an insight into the creation of the film’s legendary hand-to-hand sex scene, as well as Fonda and co-star David Hemmings’ processes and working relationship, plus, an insight into the film’s suave French director Roger Vadim. This candid featurette is a snapshot of on and off-set life in groovy 1967 and an unforgettable time capsule capturing a film, and way of filmmaking, that they don’t make like this anymore!"
0.0Kuyashii Gonzo: Blood Visions and Chaos Magic is a Gonzo documentary about trying to make a no-budget feature film against the onset of the COVID-19 pandemic, unemployment, and death. To never give up, no matter how hard things get.
6.5An eye-opening investigation into the making of Hollywood sex scenes, shedding light on the real-life experiences behind classic scenes of cinema and tracing the legacy of exploitation of women in the entertainment industry.
10.0When Mariana connects the Military Dictatorship's violent legacy as the structure behind Brazilian families, she embarks on an introspective journey to deconstruct her family life growing up in Brazil.
9.0A short documentary about the rapidly disappearing era of heritage movie palaces and the film going experience once offered within those hallowed walls.
7.0In the year of 2022, a late teenager and their friends film moments they would prefer not to forget: their long season.
0.0Crayons and Paper follows Dr. Jerry Ehrlich, a New Jersey pediatrician who worked with Doctors Without Borders in war zones including Sri Lanka, Haiti, the Caucasus, and Darfur. Alongside medical care, he gave children crayons and paper, encouraging them to draw their experiences. The resulting images—bombings, shootings, and burning villages—offer a raw, heartbreaking glimpse into the impact of war on children. These drawings serve as powerful testimonies, capturing trauma that words cannot. This short film tells Dr. Jerry’s story and honors the children whose art bears witness to the horrors of conflict.
6.7On the occasion of the release of the blockbuster "Asterix & Obelix: The Middle Kingdom", unpublished images of the preparation of the film and the manufacturing secrets, as well as the crazy story of Asterix and Obelix since its origins.
0.0Dimitris Pistiolas, a retired employee for the Greek Post Office, is the owner of the largest cinema museum in the world. In two tiny venues in Athens lies his renowned by the Guinness World Records collection. Now, 90 years old, Dimitris recounts his past, hidden in his machines, hoping that his memories are not going to be lost forever.
7.3A hilarious introduction, using as examples some of the best films ever made, to some of Slovenian philosopher and psychoanalyst Slavoj Žižek's most exciting ideas on personal subjectivity, fantasy and reality, desire and sexuality.
0.0Confessions of people who have lost their sight during their lives. What are their feelings and how do they view their apparent handicap?
0.0A 64 year old cardboard collecting grandmother and a Brazilian bodybuilder reveal the identity of Macau through the pointillist minutiae of their life experience, emotional strength, and driving passions.
In a first K2 Visuals original documentary, K2 Visuals founder, Kenneth Irwin II, is lucky enough to sit down with Veteran, Frank Gann, and talk to him about his time in the military, the experiments he was involved with, and how one clerk at a VA cost him a whole lot.
0.0A documentary about the trials and tribulations of being a entrepreneur and film maker in Finland from the makers of Iron Sky franchise.
7.0“Other People’s Footage: Copyright & Fair Use” uses on-camera interviews with 19 noted documentarians including Haskell Wexler, Tia Lessin, Carl Deal, and Scott Hamilton Kennedy along with several legal experts to examine the three questions crucial to determining fair use exemptions for documentary filmmakers. The documentary presents illustrative examples from nonfiction films that use pre-existing footage, music and sound from other individuals' creations—without permission or paying fees.
7.1A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
7.5A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
7.0Documentary about the making of Sam Peckinpah's 1971 film "Straw Dogs."
10.0WORDS FROM HOME is a poetic documentary that explores the kinds of affection and identity in the portuguese language spoken in Brazil. Through migrants' stories and their reflections, the movie reveals how expressions, accents and memories form emotional and cultural bonds, showing how speaking connects us, differentiates us and, above all, brings us closer together.
