The parallel stories of four Pakistani immigrants in Greece become the trigger for the director to explore the story of his father, a worker in the Perama Shipyard. The background unfolds a most deadly shipwreck, Libyan immigrants found in limbo, as well as a (possibly racist) crime, which was committed during the shooting of this film.
The parallel stories of four Pakistani immigrants in Greece become the trigger for the director to explore the story of his father, a worker in the Perama Shipyard. The background unfolds a most deadly shipwreck, Libyan immigrants found in limbo, as well as a (possibly racist) crime, which was committed during the shooting of this film.
2024-03-11
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This movie tells the story of Omar Mukhtar, an Arab Muslim rebel who fought against the Italian conquest of Libya during the second Italo-Senussi War. It gives western viewers a glimpse into this little-known region and chapter of history, and exposes the savage means by which the conquering army attempted to subdue the natives.
Upon entering the harbor, the voyager leaves the exceptional condition of the boundless sea--this traversable space of maritime immensity--to come ashore in an offshore place, in a container world that only tolerates the trans-local state of not being of this place--nor of any other really--but of existing in a condition of permanent not-belonging, of juridical non-existence. He comes to signify the itinerant body, bound to string along a chain of territories, never reaching a final destination. Probing the protocols of access time and again, he moves through non-civil places, waits for status in off-social spaces, only to remain suspended in the post-humanist lapse. What used to be a state of temporary exemption--survival in the fluid time-space of legal deferral--has slowly consolidated into the prime mode of migratory subsistence. The site of this existence is connected but segregated; it is the world system of contained mobility. (Video Data Bank)
X-Mission explores the logic of the refugee camp as one of the oldest extra-territorial zones. Taking the Palestinian refugee camp as a case in point, the video engages with the different discourses — legal, symbolic, urban, historical — that give meaning to this exceptional space.
Facing the risk of deportation from Germany, Altay learns that he must present a valid reason to the immigration office to stay. On his way home, he encounters a man wearing a Spider-Man mask and, curious about his valid reason, conducts a brief interview. During their conversation, Altay realizes that a series of encounters has been helping him make sense of his recent anxieties. Inspired by this, he begins recording conversations with people who share a similar sense of delusion and brings strangers into organic dialogues. Through a blend of fiction, documentary, and animation, the film explores ...
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