Papua New Guinea: Anthropology on Trial(1983)

Archipelago(it)

Men and women in the Horn of Africa and adjiacent regions of the Middle East tell stories of their relationships and contacts with demons and spirits in their life and culture.

American Hardcore(en)

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

Global Metal(en)

In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.

Le compagnon déloyal(fr)

With the Army(en)

A report following the dramatic events of the Sandline affair, which resulted in the resignation of Papua New Guinea's Prime Minister, Sir Julius Chan.

Burden of Dreams(en)

The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.

Statues Also Die(fr)

Commissioned by the journal Présence Africaine, this short documentary examines how African art is devalued and alienated through colonial and museum contexts. Beginning with the question of why African works are confined to ethnographic displays while Greek or Egyptian art is celebrated, the film became a landmark of anti-colonial cinema and was banned in France for eight years.

Baruya Muka Archival(en)

A detailed record of the first stage male initiation ceremony of the Baruya of the Eastern Highlands of Papua New Guinea. A group of nine to 12 year old boys are followed through their first initiation - from the last days with their families through their nose-piercing and other rituals and ordeals to the final feast given in their honour. It is a tough time, the beginning of a ten-year journey to warrior and manhood.

Congo(en)

An experimental ethnographic documentary that criticizes the colonizer view of anthropology.

Bamboo Theatre(cn)

This film is a portrait of unique cultural space for Spirits, Gods and People. While permanent theatres are commonly built in most cosmopolitan modern cities, Hong Kong preserves a unique theatrical architecture, a Chinese tradition that has lasted more than a century - Bamboo Theatre.

Stone and bag(xx)

The film delves into the work processes of an archaeological team from the Aranzadi Science Society at the San Adrián Tunnel site. Interspersing this observation with archival materials, the film explores the relationships between archaeology and museography, as well as the different ways in which these two practices produce the displacement of objects.

Metal: A Headbanger's Journey(en)

The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.

The Alaska-Siberian Expedition(en)

Captain Kleinschmidt leads an expedition sponsored by the Carnegie Museum to the arctic regions of Alaska and Siberia to study the natives and the animal life.

Wild Honey(ru)

The Decline of Western Civilization Part II: The Metal Years(en)

An exploration of the heavy metal scene in Los Angeles, with particular emphasis on glam metal. It features concert footage and interviews of legendary heavy metal and hard rock bands and artists such as Aerosmith, Alice Cooper, Kiss, Megadeth, Motörhead, Ozzy Osbourne and W.A.S.P..

Kill Your Idols(en)

A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century

Into the Jungle(en)

Conservationists Jim and Jean Thomas braved the steamy jungles of Papua New Guinea to save a tree kangaroo from extinction and ended up providing water and sanitation to ten thousand people in one of the most remote places on earth.

Sweet Osmanthus Flowering Late(zh)

"Sweet Osmanthus Flowering Late" is a feature-length ethnographic film that envisions social rejuvenation and collective convalescence in the aftermath of the pandemic. Filmed in Wuhan, the film follows the everyday lives of three middle-class households. It postulates the existence of a mass dreaming phenomenon that facilitated fatigued Chinese inhabitants to rejuvenate themselves following the secluded episode of lived experience and to coexist with the enduring imprints of "the event" on their social lives.

Residence(pt)

This is the story of Dona Virginia, an elderly woman who awaits the expropriation of her house. Year after year, the government threatens to destroy the place, her past and her memories.

Dead Birds(en)

The film's title is borrowed from a Dani fable that Gardner recounts in voice-over. The Dani people, whom Gardner identifies mysteriously as "a mountain people," believe that there was once a great race between a bird and a snake, which was to determine the lives of human beings. Should men shed their skins and live forever like snakes, or die like birds? The bird won the race, dictating that man must die. The film's plot revolves around two characters, Weyak and Pua. Weyak is a warrior who guards the frontier between the land of his tribe and that of the neighboring tribe. Pua is a young boy whom Gardner depicts as weak and inept.