As Cores do Meu Reisado(2019)

Essa Terra é o Meu Quilombo(pt)

Cine-Guarany(pt)

Caixa D'Água: Qui-Lombo é Esse?(pt)

The documentary "Caixa D'água: Qui-lombo is this?" It reports, through testimonies from former residents and photographic collections, the importance in the cultural and historical scope of the Getúlio Vargas neighborhood located in Aracaju, capital of Sergipe. Emphasis is placed on black culture and the presence of black slaves and their descendants, with the rescue of issues related to their origin, orality, geographical location and awareness of their racial identity, showing that, although this community exists in an urban area, it still maintains many aspects of the quilombo life of the former black slaves in Brazil.

Serrote do Gado Brabo(en)

Documentary realized in the Quilombola community Serrote do Gado Brabo, Pernambuco. Here are their stories and struggles.

A Terra E O Tempo - Vozes Do Quilombo(pt)

Valley of Souls(pt)

A black family tries to defend their land against invaders but gets caught between a mischievous witch and a tortured spirit eager for revenge.

Um Vestido Para Lia(pt)

Entre Corpos(pt)

Phoenix Club(pt)

A gente não combina com essa sala(pt)

Is Marriage Business?(pt)

First feature film in Alagoas state, Brazil. A girl waits for a streetcar. A gentleman offers her a ride. In front of her home, he invistes her for a walk at sunday.

The Shadow of the Cage(en)

Education is a caged bird. This short film pays homage to experimental cinema, which is characterized by the absence of narrative, lack of focus, paint or scratches on the screen, abrupt cuts and asynchronous sound. With the aim of redefining our way of seeing, exploring new spatial and temporal concepts.

Theory of Sets(fr)

Made entirely on Roger Wagner's HyperStudio software, Chris Marker explores set theory, using Noah's Ark as an example.

Bullfight in Okinawa(xx)

Chris Marker’s Bullfight in Okinawa is a bizarre, 4 min documentary that introduces viewers to Japan’s subterranean past time of bullfighting. Part of Markers five-film “Bestiary” series, Bullfight employs observational documentary techniques and, in particular, Marker’s camerawork is impressive — tight framed shots, free-hand pans, and quick zooms all contribute to the film’s urgent sense of tension — and, if it weren’t for the suspense inducing music, this short-gem would be damn close to pure objective documentary cinema.

Blue Helmet(fr)

A young man, who served as a peacekeeper in Bosnia and Herzegovina for a few months during the war, recounts his experiences. Throughout the film, we only see his face filmed in close-up, along with a few photos. The interview acts as a strong testimony to the failure of the international community in the Yugoslav crisis.

Award Presentation to Andy Warhol(en)

In 1964 Film Culture magazine chose Andy Warhol for its annual Independent Film award. The plan was to show some of Andy's films and have Andy come on stage and hand him the award. Andy said, no, he didn't want a public presentation.

Velvet Underground's First Public Appearance(en)

Velvet Underground's first public appearance.

Notes for Jerome(en)

During the summer of 1966 Jonas Mekas spent two months in Cassis, as a guest of Jerome Hill. Mekas visited him briefly again in 1967, with P. Adams Sitney. The footage of this film comes from those two visits. Later, after Jerome died, Mekas visited his Cassis home in 1974. Footage of that visit constitutes the epilogue of the film. Other people appear in the film, all friends of Jerome.

Scenes from Allen's Last Three Days on Earth as a Spirit(en)

This is a video record of the Buddhist Wake ceremony at Allen Ginsberg's apartment. You see Allen, now asleep forever, in his bed; some of his close friends; and the wrapping up and removal of Allen's body from the apartment. You hear Jonas' description of his last conversation with Allen, three days earlier. You see the final farewell at the Buddhist temple, 118 West 22nd Street, New York City, and some of his close friends: Patti Smith, Gregory Corso, LeRoy Jones-Baraka, Hiro Yamagata, Anne Waldman, and many others.

Williamsburg, Brooklyn(en)

Shot in 1950 upon arriving in America, Mekas did not edit and present the footage until 2003 making this both his first and last film shot on 16mm.