
Film of local events in Ajmer province including the fair at Pushkar.

0.0Gorgeously dreamlike colour images of (then) French India – present-day Puducherry.
0.0Carousels, doubling up on the helter skelter and an enormous key feature in the annual funfair on Mitcham Green.
0.0Hundreds of thousands of Indian men and women – indigenous inhabitants and landless farmers – demand their right to existence by making a 400 kilometre protest march from Gwalior to Delhi. How can one fight for one’s rights without using violence? With such an important contemporary question, the film spreads far beyond the borders of India. It shows the multiple facets of this imposing protest march and focuses as well on the daily realities of these proud people.
4.8Journey across India, a breath taking land shaped by a myriad of cultures, customs and traditions. Come face to face with the Bengal Tiger and explore the work of this majestic creature with stunning clarity. Soar over blue-hazed Himalayan peaks and sweep down towards the thundering Indian Ocean as we celebrate the power and beauty of India's greatest ambassador - the mighty Bengal Tiger.
0.0In the 70s, Barsham Faire on August Bank Holiday became a tradition for many to celebrate things 'medieval' and raise funds for local arts events. It put Barsham on the map.
Documentary on the Great Stupa at Sanchi, built by the Emperor Ashoka, and adorned with some of the finest examples of Buddhist art in the world.
An overview of the principles and directives of India's post-independence constitution.
An experimental documentary that portrays Jiva's life within a Hindu family that practices the Hare Krishna religion. Jiva lives in a typical house in the Buenos Aires suburbs with his wife and eight children, where a deep religiosity constantly filters into everyday life. Throughout the film, a split screen reflects the different aspects of this way of life.
Every individual confronts fundamental questions about the nature of reality, self-identity, and elusive happiness, yet few make these their life goal. An international group of students have traveled to a monastery in a remote area of southern India with the single purpose of discovering these answers. GURUKULAM is a journey into their lives, a wisdom tradition, and the contemplative space in which it is carried.
The remarkable story of one woman raising an army of over 10,000 people to help save one of the rarest birds on Earth from the depths of extinction.
5.3Somi is pregnant with her second child. A girl, she hopes. Together with her husband she prepares for this new phase of their parenthood. It means that their son has to go to school, but as an ex-Naxalite that is tough to achieve in contemporary India, where people like them are third-rate citizens. They lack the certificates and an opaque bureaucratic process doesn't help. Directors Isabella Rinaldi, Cristina Hanes and Arya Rothe of the NoCut Film Collective concentrate on Somi's close family ties, painting a portrait of ex-Naxalites in India. Once, Somi and her husband were communist rebels fighting for the rights of Indian tribes. However, to safeguard their family's welfare, they surrendered to the government in exchange for marginal compensation and simple accommodation.
Rumer Godden the 88 year old author is taken back to India, where she lived from 1908-1945 to revisit her unconventional life there and to share with her daughter the experiences which inform all her writing.
5.0Botanical gardens in Bombay plus the highly decorative Jain Temple in Calcutta.
5.7Sue Perkins immerses herself in the complex life of Kolkata and sees how it is reinventing itself as a megacity with a reputation for eccentricity, culture and tolerance.
6.1An exploration of the 'respectable' and 'immoral' stereotypes of women in Indian society told from the point of view of two striptease dancers in a Bombay cabaret.
2.0Early film footage of fun fair workers and revelers at Devil's Dyke on the South Downs, taken by pioneer James Williamson in around 1896. At a fair at Devil's Dyke, boys scrap beside wooden swing boats. Others, wearing dark suits, watch chains and caps, stretch up to push one of the swing boats. The boys are aware of the camera, which films them from a fixed position. A couple swing sticks in the air, playing up to the camera while the boys work. At the merry-go-round, two women stand in the foreground. They wear shirts with full pleated sleeves and boaters. Other visitors to the fair pass by the camera, including a man with a pipe and a woman with a wide cloak. Young visitors ride on a track, the South Downs in view behind. They cycle, turning a wheel in front of them. An open-top carriage rides away from the camera and back again along a switchback railway, driven by a worker who jumps on and off.
