Amateur shots of pilgrims and temples at Haridwar, followed by rural scenes and the Gorrie family at home.
Against the backdrop of Partition, independent India’s first hockey team defeats England, their erstwhile coloniser, to win the Gold at the 1948 London Olympics. Six decades later, when Nandy Singh, a member of this iconic team suffers a stroke, his tenacious struggle to recover, inspires his daughter to retrace his journey. Using archival footage and interviews with teammates, she reveals lives shaped by the Gold, and by Partition that made them refugees. Revealed also is a friend in Pakistan never spoken of before. Her journey in search of him morphs into a quest for the lost ‘watan’ (homeland).
Whiskey-making, one of the oldest traditions in the mountains, has been illegal since the end of the 18th century. Tradition is a portrait of Appalachian moonshiner Logan Adams, who began practicing his trade as a boy because “back then there wasn’t any jobs…about like now.” Adams discusses his vocation and why he continues to make whiskey despite having served a string of jail sentences for the practice. Adams’ story and family interviews are intercut with a federal revenue agent who describes the methods used by law enforcement agents to apprehend moonshiners. The film concludes with a tour by Adams of his still as he describes the whiskey-making process. This film will be of interest to anyone interested in moonshining, the economic and traditional forces that motivate illegal whiskey making, the law and its penalties, as well as anyone interested in what a practice long stereotyped by outsiders really entails.
A look at the enduring relationship between the nomadic shepherds and the Indian wolf, who both defy the pressures of the modern world, in the south central plains of India.
"Fascinating India" spreads an impressive panorama of India’s historical and contemporary world. The film presents the most important cities, royal residences and temple precincts. It follows the trail of different religious denominations, which have influenced India up to the present day. Simon Busch and Alexander Sass travelled for months through the north of the Indian subcontinent to discover what is hidden under India’s exotic and enigmatic surface, and to show what is rarely revealed to foreigners. The film deals with daily life in India. In Varanasi, people burn their dead to ashes. At the Kumbh Mela, the biggest religious gathering of the world, 35 million pilgrims bathe in holy River Ganges. This is the first time India is presented in such an alluring and engaging fashion on screen.
This is a silent film, with a musical soundtrack, shot during a boat journey along the waterways of Kashmir that took him to the festival. Using the simplest equipment, a Super-8-camera with a special lens, and directing his attention at simple things--the rhythmic splashing of a heart-shaped oar, the sparkle of evening sun on still waters--Albert Falzon has captured the timeless slow motion of Northern India.
A documentary about Hindu cow worship and the British BSE crisis.
RROMANI SOUL traces the true origin of the Rroma people. Through rituals, song and dance we follow emblematic figure and "Queen of the Gypsies" Esma Redzepova to Macedonia, south of France and finally to India. The film reveals for the first time ever that the true and unique origin of the Rroma is Kannauj in Uttar Pradesh, India.
Brazil is one of the most dangerous countries for environmentalists. The rural community of Belisário holds the country's second largest bauxite reserve, right below one of the most bio-diverse areas in the world: the Atlantic Forest. The small community was shaken when the beloved Gilberto, a Franciscan Friar, received a death threat followed by the lines: "you've been talking against mining way too much". PT: O Brasil é um dos países mais perigosos do mundo para defensores do meio ambiente. Em Minas Gerais, a comunidade rural de Belisário abriga a segunda maior reserva de bauxita do país, em uma das áreas de maior biodiversidade do mundo: a Mata Atlântica. A tranquilidade do pequeno vilarejo foi abalada quando Frei Gilberto, um franciscano que dedica sua vida à preservação da natureza, recebeu uma ameaça de morte com o seguinte aviso: "você tem falado demais contra a mineração".
An intimate portrait of the lives of Delvys and Carlos, siblings who live alone with their elderly mother in a rural part of a small Cuban town. The film portrays a family engulfed in their inner worlds. Between the sacrifices they make out of love for those who are present, and their longing for things that are absent, they struggle to find meaning as they reflect, contemplate, and carry the weight of existence, trying together, to move forward.
An unprecedented UHD film on Karnataka's rich biodiversity narrated by David Attenborough. Portraying the state with highest number of tigers and elephants using the latest technology - a masterpiece showcasing the state, its flora, fauna.
Lord Lytton takes up the post of Governor of Bengal.
Sixteen year olds Palani and Karthik want to become "ladyboys." They're bullied in school and beaten by their families. Their parents would like to see them grow up as normal boys, but they're falling deeper and deeper into the world of the "Aravanis." Loved as dance performers but hated as homosexuals, their stories emblazon the inner conflicts of India's gender culture today.
During social and political turmoil, what is the manifestation of divine intervention? How do the gods and goddesses act in the volatility of the contemporary world? If they walk on earth as men and women, how do they endure the chaos of modernity? Centering on the terrible and majestic incarnations of Goddess Kali and her celestial avatars, this film is a metaphysical contemplation in times of perpetual emergencies. Avikunthak’s remarkable sense of forms finds expression in the extraordinary combination of performance and essayistic cinematic practices.
A song is heard in the distance. It comes from the Hekeng village, famous for its ancient earthen buildings, also called tulou. It is where the last original Hakka families live amidst the exodus of those looking for a more modern environment. Among them there is Zhang Zhouyin, an elderly man concerned about the state of the village's temple; or her daughter-in-law, Wei Yi, who spends her entire day guiding tourists through these awe-inspiring houses. And then there’s young Zhang Weibo, her son, who manages to find joy even in the simplest of things... Hekeng: a place frozen in time whose songs have endured for centuries.
Man-pulled rickshaw, which have served Kolkata for over eight decades face virtual extinction as a result of legislation introduced by the State Government in 1981. This would rob over 100,000 people of a living. The film analyzes the critical situation, and on the basis of concrete facts and figures, questions whether such a step would be fruitful at all. The image of a man pulling a man is a depressing and a negative one - but not more negative than that of the image of a man going without food.
This portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.
Set in a small town in the region of Tamil Nadu, in southern India, the film follows the days and works of a hijra family. Silky, Mahima, Trisha, Durga, Kuyili, Priyanka, Vasundhara and Yamuna, under the firm protection of their guru Lakshmi Ma, deliver snippets of their marginal but sovereign existence. From a millenia-old sacred tradition to getting by every second, "Guru" composes with them a poem of intertwined voices in which the world is a tough playground, where the third gender is primarily the resistance force of a life shared.
Richly detailed amateur ethnographic film on the agrarian economy and society in rural Punjab.
In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.