
Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

0.0Glittering illusions of vectorized providence struggle to guide the viewer toward a path of re-enchantment.
6.0Continuing the story of Aurora Greenway in her latter years. After the death of her daughter, Aurora struggled to keep her family together, but has one grandson in jail, a rebellious granddaughter, and another grandson living just above the poverty line.
6.4A documentary portrait of Utopia, loosely framed by Plato’s invocation of the lost continent of Atlantis in 360 BC and its re-resurrection via a 1970s science fiction pulp novel.
0.0Experimental university short film inspired by grief, the passage of time and the filmmaking process
7.3The film centres on Moncho and his coming-of-age experience in Galicia in 1936. Moncho develops a close relationship with his teacher Don Gregorio who introduces the boy to different things in the world. While the story centres on Moncho's ordinary coming-of-age experiences, tensions related to the looming Spanish Civil War periodically interrupt Moncho's personal growth and daily life.
7.1A young man from rural Turkey arrives in Istanbul with dreams of working on a ship and stays with a cousin while he searches for work. Over time, the former’s struggles to find employment and the latter’s troubles and disappointments strain their relationship and living situation.
6.4Set in 1920, Inge travels from Germany to rural Minnesota in order to meet the man destined to be her husband.
5.0Orson Welles presents a proposed film project to prospective investors in Spain. Speaking to an audience of wealthy arts patrons, Welles outlines his vision for an improvised, documentary-style fiction set in the world of bullfighting, centered on a solitary, existential matador who stands apart from his peers. As he expounds on cinema, performance, and the ritualized spectacle of death, the film captures a project that would ultimately remain unrealized.
10.0Rhea is a 24-year-old woman who has just moved into a new house with her husband. Over the course of 10 years she will have three different partners with whom she will experience three moves in different parts of the world. In the intimacy of a universal living room, the viewer will experience the passage of time and how the protagonist is getting rid of many material belongings. Her relationships seem very volatile and light. However, a novel written by her first love will endure in time amidst so much personal and material rupture.
10.0Mario King (Vonii Bristow) is an inspirational speaker in the constant pursuit of fame. Though his grandfather (Cameron Arnett) always instilled the importance of living a life of integrity, Mario's affluent lifestyle leads to temptation, sending him down a path of destruction fueled by his own greed and arrogance. Disgraced and humiliated, Mario picks up a delivery job in a small town in North Carolina hoping to make ends meet. When a speeding ticket threatens his livelihood and freedom, Mario must take on community service work at Safe Harbor homeless shelter. While reluctant at first, Mario soon finds his calling in helping others with the encouragement of Olivia McBride (Morgan Graham) and Steven Young (Cornelius Muller). As Mario re-discovers the true meaning of "making Him famous," he begins to feel as if his past life is pulling him back.
0.0Imran Khalil made it: he finally got his big break as an actor. However, after an incident at a press event goes viral and gets him fired, he is forced to return to Luton and figure out his next move.
0.0A delirious man wakes up in a mysterious room, he begins to discover that this reality is not what it seems.
The found-footage short film OVERWORK offers a personal reinterpretation of a collection of instructional 16mm films from the German Employment Agency.
8.0Follows the experiences of young Black men whose lives have been abruptly snatched away. Micah is a young man who finds himself in the Inbetween, a mysterious realm between life and death, after his life is suddenly cut short. As he journeys through this liminal space, guided by a group of other young men, they confront what it means to be a Black boy in today’s society, weaving together a narrative of resilience and self-discovery, in order to ultimately empower each other to embrace empathy, mutual compassion and self-worth.
0.0Making Dust is an essay film, a portrait of the demolition of Ireland's second largest Catholic Church, the Church of the Annunciation in Finglas West, Dublin. Understanding this moment as a 'rupture', the film maps an essay by architectural historian Ellen Rowley on to documentation of the building's dismantling. Featuring oral interviews recorded at the site of the demolition and in a nearby hairdressers, the film invites viewers to pause and reflect on this ending alongside the community of the building. The film is informed by Ultimology, and invites its audience to think about the life cycles of buildings and materials, how we mourn, what is sacred, how we gather, what we value and issues of sustainability in architecture.
0.0Two people from different caste start to fall in love but after their parents not allowing them to stay together, they run away.
0.0An experimental narrative, “Legxpression” uses leg movements to portray the raw emotions of its characters, contrasting the fleeting nature of commodified intimacy with the enduring depth of genuine love.
0.0Through archival footage and testimonies from professors, students, staff, and graduates, the documentary traces the history of the National University of Arts, focusing on the Audiovisual Department, while critically addressing the impact of the current government's underfunding of education and cultural institutions in Argentina.
