Por la gloria de sus padres(2023)

Antologia de l’atzar(ca)

Exergo(eu)

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

Dueño del tiempo(es)

Masones: Los hijos de la viuda(es)

TVM en Torres del Paine(es)

José Luis López Vázquez. ¡Qué disparate!(es)

José Luis López Vázquez, an essential artist in the history of Spanish cinema, manages to find a late love that changes his life, after having a successful professional life for years, but a rather neglected personal life.

11 Días en Ayacucho(es)

Dreamed to sea(es)

A monster that lives in the darkest part of the sea, a dreamlike representation of the journey towards the depths of something that one wants to avoid and that is finally faced.

Footprints, the Path of Your Life(es)

Revista 8 (Apuntes del 36 al 39)(es)

A la porra(es)

Buen Camino(ko)

A visually impaired woman in her 50s and an 18-year-old girl walk the Camino de Santiago. The older woman, Jae-han, is a masseuse who can only make out the dim outlines of things. She is accompanied by a girl named Da-hee. Jae-han dreams of presenting her own style of flamenco in front of the Cathedral of Santiago de Compostela after completing the pilgrimage. However, the journey, which began with a vague longing, turns out to be much more difficult than either had expected.

MY TRUTH(en)

Making of Pausa(es)

A Flower Blooms In The Remains(pt)

Audiovisual essay about walking through the streets of Lisbon. It explores discrimination and moving through spaces where one is not welcome.

NORA(es)

El Camino(ko)

let nothing turn me off(es)

Ale left her mother's house at the age of 12 because she felt she did not belong then, now at the age of 20 she lives in constant resilience. Realizing that she is repeating her mother's patterns, she embarks on a reflection of the decision-making power she now has.

Arte Mexicano(es)

Time and Memory(es)

A film essay that explores the relationship between film and memory, based on the personal memoir of the director. An autobiographical attempt to analyze this relationship going from the individual to the collective. From Chris Marker to Hitchcock and on to Kennedy´s assassination, passing through Fritz Lang and Bruce Willis, the memory of the images is fused with our own story, until they cannot be separated.