Quadri espansi(2013)

Django & Django: Sergio Corbucci Unchained(en)

A tribute to Italian filmmaker Sergio Corbucci (1926-90), presented by American filmmaker Quentin Tarantino.

Il mistero della cattedrale(it)

A retrospective look at the making of Michele Soavi's "The Church" including interviews with cast and crew.

Sophia Loren, a special destiny(fr)

With a maddening sensuality, the unforgettable actress of the film "A Special Day" embodies the golden age of Italian cinema. From the suburbs of Naples to Hollywood, this biographical documentary looks back at the flamboyant career and destiny of Sophia Loren.

Marcello Mastroianni, the Ideal Italian(fr)

A portrait of the mythical Italian actor Marcello Mastroianni (1924-96), a unique performer who was one of the kings of European cinema.

Sword-and-Sandal: The Story of the Period Epic(fr)

The history of the peplum genre, known as sword-and-sandal cinema, set in Antiquity, from the silent film era to the present day.

American Actors in a Declining Italian Cinema(en)

A look at various American actors whose career switched from USA to Italy in the 70s and 80s.

Couples mythiques du cinéma: Monica Vitti et Michelangelo Antonioni(fr)

Before they met, they had not found success in the film industry. Michelangelo Antonioni did not direct Italian comedies. Monica Vitti did not have the looks of a Sophia Loren or a Gina Lollobrigida. United in life and on screen, they would become the creators of L'Avventura, La Notte, and L'Eclisse. Three legendary films, three declarations of love.

La Stanza Di Una Formica(it)

Oltre il confine(it)

Les Fantômes du Cinéma(en)

Enter into the world of #DiorCruise 2026 with 'Les Fantômes du Cinéma', a film by Matteo Garrone that conjures up the intersection of temporalities and identities conveyed through Maria Grazia Chiuri’s new collection. The grounds of Rome’s Villa Albani Torlonia are the setting for dreamlike scenes in which ghostly figures clad in costumes associated with the films of Fellini, Visconti, Pasolini and more interact with the models as they prepare to unveil the House's latest creations. Featuring cameos by the photographer Brigitte and members of the House’s ateliers, this enchanting episode of magical realism is a poetic paean to the powerful femininity the Creative Director of Women’s collections has championed since the start.

Olympia: Part One – Festival of the Nations(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

30 Days in Hell: The Making of 'The Devil's Rejects'(en)

An exhaustive, detailed documentary on the 30-day film shoot of "The Devil's Rejects"

The Making of Roar(en)

A production of Roar (1981) had special demands on both cast and crew. Learn about this incredible film and about the amazing people who made ROAR possible.

How to Win Eurovision(en)

Greg James and Russell Kane present a look at all the ingredients needed to become a Eurovision winner, celebrating the UK's successes and also its hall of shame.

Les Tuche : un phénomène qui tuche tout le monde(fr)

The phenomenon took everyone by surprise. In the span of three years, despite the mixed reception from the press upon its release in 2011, the Tuche family, a group of eccentric unemployed individuals, found a place in the hearts of the audience. With over eight million viewers during the television broadcast of the first installment and 4.6 million box office admissions for the second part, it became the biggest French success of 2016. The Tuche family has become a phenomenon. Word of mouth gave the film a second life beyond theaters, turning this tribe into the most popular family in French cinema.

De Dirty Dancing à Ghost : le destin brisé de Patrick Swayze(fr)

Pier Paolo Pasolini - Agnès Varda - New York - 1967(fr)

Holding her 16mm camera, an optical prosthesis for a 20th-century stroller, Agnès Varda filmed 42nd Street in NYC in 1967, filming crowds of passers-by to the beat of the Doors. Recovered from the French director's boxes, with images of Varda, Pasolini and New York. Pasolini is shown walking in the Big Apple (where he went to present 'Hawks and Sparrows').

When Eurovision Goes Horribly Wrong(en)

Angela Rippon presents a guide to some of the Eurovision Song Contest's most disastrous moments. Including the kiss that ruined the chances of Danish singer Birthe Wilke.