Examining the meaning and significance of the insights that WikiLeaks shared with the world, the resulting behaviour of the governments involved, the extraordinary personal risk taken by Assange, and the wider fundamental issues around press freedom that affect all of us and our right to know.
Self
Self
The campaign to free Julian Assange takes on intimate dimensions in this documentary portrait of an elderly man’s fight to save his son. Arguably the world’s most famous political prisoner, WikiLeaks founder Julian Assange is a figure pretty much everybody has an opinion about; perhaps more importantly, he serves as the emblem of an international arm wrestle over freedom of journalism, government corruption and unpunished war crimes. For his family members who face the prospect of losing him forever to the abyss of the US justice system, however, this David-and-Goliath struggle is personal – and, with his health declining in a British maximum-security prison and American government prosecutors pulling out all the stops to extradite him, the clock is ticking.
Sigurdur Thordarson, known as Siggi, becomes a hacker at 12, exposing Icelandic bank corruption at 14. Branded the "teenage whistleblower," he joins WikiLeaks in 2010, mentored by Julian Assange. Siggi leaks globally, but clashes with Assange, prompting him to spy for the FBI at 18. This tale weaves paranoia, hacking, and friendship, portraying Siggi's turbulent journey from trust to betrayal, revealing a heart-wrenching coming-of-age narrative.
What threads of history bind Manhattan's Ground Zero to those of Nagasaki and Hiroshima? Or connect sight to truth, games to war, or the silkworm to the drone? What does the United States hold to be the role of science in warfare? How has war historically been waged in Buddhist traditions? These are some of the topics addressed in Eyewar: 80 minutes of found footage which traces the development of the digital image from the maps of the second century to the screens of the twenty-first, and the uses of the field of cybernetics from Japan in the 1940s to Chile in the 1970s and Iraq in the 1990s.
Capturing the story of WikiLeaks founder Julian Assange with unprecedented access, director Laura Poitras finds herself caught between the motives and contradictions of Assange and his inner circle in a documentary portrait of power, betrayal, truth and sacrifice.
Since he took on the case in 2012, defending Julian Assange has put judge Baltasar Garzón's talent and ability to the test. They've won a few battles, but nobody knows how the war will end.
The film tells the story of the rise and fall of Julian Assange. Once a celebrated publicist and over the years decried as an eccentric, spy and rapist. The documentary shows a differentiated picture of Julian Assange and Wikileaks. For the first time in German television Assange’s fiancée gives an interview. Further interviews, amongst others, with former CIA-director Leon Panetta, Edward Snowden and John Shipton.
In school, 9-year old Julian gets into trouble for squealing a bully and therefore disturbing class.
Ali is not a citizen. He drives a taxi using another man’s license and relies on the GPS to negotiate his way around a city he doesn’t know. His passenger, Esther is an old woman who can’t remember where she is going. She is angry because she has been stripped of everything that is familiar to her and she doesn't recognise the world anymore. They travel through the night in search of a vague destination while surveillance cameras mark their journey, coldly omitting the human element, defining who belongs and who does not, who is safe and who is not. What they have in common is their damage – she can’t remember and he can’t forget.
The film "Anahita," directed by Nasib Nasibi in 1970 (1349 in the Iranian calendar), is a historical and adventure film from pre-revolutionary Iran. The story is centered around the Anahita Temple in Kangavar, one of Iran's significant ancient monuments. The movie tells the story of a group of archaeologists and researchers who set out to explore and study the Anahita Temple in Kangavar. The Anahita Temple is one of the most important and ancient religious sites in Iran, dedicated to Anahita, the goddess of waters and fertility. Throughout the story, the group faces various challenges and obstacles, primarily focusing on the dynamics between the characters and the discovery of ancient secrets hidden within the temple. The film intertwines historical and supernatural elements, aiming to depict the connection between people and their ancient past and its impact on their current lives.
This underground classic is considered by many to be Absinthe Films' greatest work to date. Transcendence marks the beginning of new kind of snowboarding film.
The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.
A 30 minute documentary that explores the sub culture of fan art and artists that pay homage to the NBC comedy Community. Follow PixelDrip Gallery as they organize the first ever Community themed art show and get to know the artists and fans who's love for the show goes beyond just watching it.
Young members of 3 New Orleans school marching bands grow up in America's most musical city, and one of its most dangerous. Their band directors get them ready to perform in the Mardi Gras parades, and teach them to succeed and to survive.
Filmed by Jean Eustache for the television program, Les Enthousiastes, Hieronymus Bosch's Garden of Delights presents a series of unstructured observations, free associations, and interpretations on the third panel of Bosch's well-known oil on wood triptych.
FRONTLINE tells the story of how crisis and tragedy prepared Joe Biden to become America’s next president. Those who know him best describe the searing moments that shaped President-elect Biden and what those challenges reveal about how he will govern.
Exploring the private lives of sharks as they hunt, rest, clean and reproduce.
Basketball is more than a game. Each team is made from the work of many, but its success is only measured in wins. The film follows the 54th season of the VEF basketball team’s daily life, and explores its history in order to understand what makes a good team: players, coaches, captains, or perhaps just pure luck and budget.
Harold Frederick Shipman, known to acquaintances as Fred Shipman, was an English general practitioner and serial killer. He is considered to be one of the most prolific serial killers in modern history, with an estimated 250 victims. We delve into the psychology of Harold to try and understand what turned him into such a cruel murderer and how he managed to get away with it for so long.