Innu aitun (connaissances traditionnelles innues)(2010)

Maximón: Devil or Saint(es)

MAXIMÓN - Devil or Saint is a documentary about the controversial Maya deity, also known as San Simon or the drinking and smoking saint of Guatemala. He is a mixture of ancient Maya beliefs and Christianity. The movie concentrates on the people who surround Maximón with their strong personalities, opinions and faith. The documentary gives us a rare view into the rituals and fiestas honoring Maximón. The cult of Maximón is flourishing because he performs miracles. He is also feared and despised because he is used to cast curses that can result in death. Ultimately, Maximón transcends the duality of good and evil, reflecting the Maya cosmovision in which everything in the universe co-exists.

Mother Earth’s Inner Organs(en)

The first mountains that the Amsterdam-based Colombian artist and filmmaker Ana Bravo Pérez saw in the Netherlands were black. In this experimental work, she follows the stench of the coal in the port of Amsterdam back to its origin: an open wound in northern Colombia. The mine is located in the territory of the Wayuu and has a huge impact on the indigenous people.

Invasion(en)

In this era of "reconciliation", Indigenous land is still being taken at gunpoint. INVASION is a new film about the Unist'ot'en Camp, Gidimt'en checkpoint, and the Wet'suwet'en Nation standing up to the Canadian government and corporations who continue colonial violence against indigenous people.

The Four Corners: A National Sacrifice Area?(en)

Documents the cultural and ecological impacts of coal stripmining, uranium mining, and oil shale development in Utah, Colorado, New Mexico, and Arizona – homeland of the Hopi and Navajo.

A Song for Quebec(fr)

Produced in 1988, this feature documentary presents a living history of Quebec's last 40 years as seen through the eyes of one couple. Pauline Julien and Gérald Godin, two Quebec artists, share their perspectives on the events that have marked Quebec's evolution. Julien, a singer, and Godin, a poet, express their love and passion for the province (and each other) while providing a unique take on the Quebec nationalist movement.

Chenalhó: en el corazón de los Altos(es)

September Five at Saint-Henri(fr)

This short film is a series of vignettes of life in Saint-Henri, a Montreal working-class district, on the first day of school. From dawn to midnight, we take in the neighbourhood’s pulse: a mother fussing over children, a father's enforced idleness, teenage boys clowning, young lovers dallying - the unposed quality of daily life.

Baraka(en)

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

Tokyo Ainu(ja)

TOKYO Ainu features the Ainu, an indigenous people of Japan, living in Greater Tokyo (Tokyo and its surrounding areas), who are and actively in promoting their traditional culture in a metropolitan environment away from their traditional homeland, Hokkaido. Shedding a common assumption that all Ainu live in Hokkaido, the film captures the feelings, thoughts and aspirations of Ainu people that who try to follow the Ainu way no matter where they live.

Keep Talking(en)

Three Alaska Native women work to save their endangered language, Kodiak Alutiiq, and ensure the future of their culture while confronting their personal demons. With just 41 fluent Native speakers remaining, mostly Elders, some estimate their language could die out within ten years. The small community travels to a remote Island, where a language immersion experiment unfolds with the remaining fluent Elders. Young camper Sadie, an at-risk 13 year old learner and budding Alutiiq dancer, is inspired and gains strength through her work with the teachers. Yet PTSD and politics loom large as the elders, teachers, and students try to continue the difficult task of language revitalization over the next five years.

Piripkura(pt)

The last two surviving members of the Piripkura people, a nomadic tribe in the Mato Grosso region of Brazil, struggle to maintain their indigenous way of life amidst the region's massive deforestation. Living deep in the rainforest, Pakyî and Tamandua live off the land relying on a machete, an ax, and a torch lit in 1998.

Yanuni(en)

Indigenous chief Juma Xipaia fights to protect tribal lands despite assassination attempts. Her struggle intensifies after learning she's pregnant, while her husband, Special Forces ranger Hugo Loss, stands by her side.

Our Dear Sisters(en)

Alanis Obomsawin, a North American Indian who earns her living by singing and making films, is the mother of an adopted child. She talks about her life, her people, and her responsibilities as a single parent. Her observations shake some of our cultural assumptions.

The Return of Nóouhàh-Toka’na(en)

Nóouhàh-Toka’na, known as swift fox in English, once roamed the North American Great Plains from Canada to Texas. Like bison, pronghorn and other plains animals, Nóouhàh-Toka’na held cultural significance for the Native Americans who lived alongside them. But predator control programs in the mid-1900s reduced the foxes to just 10 percent of their native range. At the Fort Belknap Indian Community in Montana, members of the Aaniiih and Nakoda tribes are working with the Smithsonian’s National Zoo and Conservation Biology Institute and other conservation partners to restore biodiversity and return Nóouhàh-Toka’na to the land.

Asbestos(fr)

A cinematic and introspective look at the residents of a Quebec town—once the site of the world's largest asbestos mine—as they grapple with their community's industrial past. Striving to honour their heritage while reconciling with their history and forging a new path forward, the miners delve into the intricacies of progress and healing.

Guachimontones, los límites del hombre y la naturaleza.(es)

Essence of Healing: The Journey of American Indian Nurses(en)

Essence of Healing is a documentary exploring the life journeys of 14 American Indian nurses - their experiences growing up, their experiences in nursing school, and their experiences on the job. They are part of a larger story - a historical line of care and compassion that has run through hundreds of indigenous tribes for thousands of years.

Red Fever(en)

Red Fever is a witty and entertaining feature documentary about the profound -- yet hidden -- Indigenous influence on Western culture and identity. The film follows Cree co-director Neil Diamond as he asks, “Why do they love us so much?!” and sets out on a journey to find out why the world is so fascinated with the stereotypical imagery of Native people that is all over pop culture. Why have Indigenous cultures been revered, romanticized, and appropriated for so long, and to this day? Red Fever uncovers the surprising truths behind the imagery -- so buried in history that even most Native people don't know about them.

The Mosque(en)

The story of the Quebec Mosque Shooting—the first ever mass shooting in a mosque in the West—is known around the world, but the story of the community that survived the attack is all but unknown. The Mosque: A Community's Struggle is an intimate portrait of the resilient Muslim community of Ste-Foy, Québec, as they struggle to survive and shift the narrative of what it means to be a Muslim, one year after the devastating attack that took the lives of six of their members. As the world moves on, this small mosque and its community fights Islamophobia, harassment and hate speech. How will the community heal and how will they stop the rhetoric that threatens to precipitate further violence?

Closeness to the Land(en)

In 2020, just as the pandemic was beginning, Gazala purchased land in western Ohio, on which sits a disused school building. This site allowed her to explore her complex relationship with “the land.” As the daughter of displaced indigenous Palestinians, she attempts to form a proxy bond with the earth, on ground that was stolen from the displaced indigenous Shawnee people. Closeness to the Land is video footage of hand-painted text signs that translate the word الأرض (ard) into six English words, displayed performatively in multiple locations to capture the now-invisible nature of indigenous culture in Ohio. These signs were installed on the old schoolhouse in early 2021.