El hombre cine mexicano: Pedro Infante, el mito(1994)

They Made Us the Night(es)

Supernatural visions and indigenous folk myths intrude in an unpredictable and dreamlike Mexican film about a family living in the shadow of the apocalypse. A living, organic work.

Saved From The Waters(es)

A biographical documentary about Moisés Avendaño, artist, athlete, sportsman, adventurer, and doctor from Veracruz, Mexico. Seen from his golden years, until his imminent encounter with Parkinson's disease, in the present.

The Zapotec Chef(es)

After emigrating from his hometown in search of a better life, Chef Gaudencio Ruiz Mateo, defying all possibilities, found success at the highest level of his craft while longing to return home.

School for Buglars(es)

The police plan to capture a killer by using a double that looks exactly as one of his victims.

A Breakfast Chronicle(es)

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

Heroic(es)

Luis, an 18-year-old Mexican boy with indigenous roots, enters the Heroico Military College with the hope of securing a better future. There, he encounters a rigid and institutionally violent system designed to make him a perfect soldier.

Teresa & Veronica(es)

Teresa has a frayed relationship with her girlfriend Veronica. Teresa's attempts to stay close to her are thwarted, which will lead Teresa to make a decision that will completely change their lives.

Failed Attempts To Hug Each Other(es)

Two brothers, estranged for years due to superficial disputes, face the impossibility of sharing their first Christmas after their grandmother's passing. A hybrid portrait of the impact of time on family relationships and the limits of reconciliation.

Viva Mi Desgracia(es)

After drinking a special concoction made of various types of alcohol, the once-timid Ramon (Pedro Infante) suddenly turns into a brawler and extroverted ladies' man. With his newfound confidence, Ramon attempts to win the heart of the woman (María Antonieta Pons) he loves. Full of enjoyable songs and funny scenes, this entertaining Mexican musical centers on a wealthy man who finally realizes that money can't buy him love.

Rutina(es)

A closeted gay teen has to break through a daily routine that keeps him tied into a life full of fear and homophobia, even though the struggle eventually will take him to confront society itself.

Desafane(es)

Situated on 1960’s student protests in Mexico City, uncomprehended and rebel, Lucía, must decide wether to stay home or leave her conservative family and old friends behind.

Capture Moment(es)

No desearás la mujer de tu hijo(es)

An elderly man falls in love with a beautiful young woman, without knowing that she is in love with his son.

Mirreyes contra Godínez 2: El retiro(es)

No Me Digas Wey(es)

Father Pablo(es)

Manolo has decided to end his life and needs assistance. He has convinced Esmeralda, the caretaker of his hacienda, under the promise of leaving her the resources she needs to go live with her daughter and granddaughter in Baltimore. She only has one condition. She will not do anything unless Father Pablo vows to hear her confession after the act. Pablo decides to stay in the hacienda indefinitely, to impede them from doing anything. But he hardly does anything himself - and his time with Esmeralda will make him confront with his sense of goodness, and to check his pride and dogma, and the love he never found for his father.

(Not) Welcome to San Benito de los 4 Ríos(es)

In a small mexican town in the middle of nowhere, a murder begins to call into question the trust that supposedly exists among the villagers. Pilot that combines what originally were the first two episodes into a single one.

Perenne(es)

Bonanza(es)

Two teenagers face the differences of their parents; this leads them to cope with their own afflictions and learn of tragedies that cloud their vision, to the point of beginning to live the grief of a new life, leaving aside their comfort, their ideologies and questioning themselves for what they really are.

El Último Día en la Tierra(es)

Two old friends reunite by chance the same day a new quarantine is announced.